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Item Ships From: Bay Area
"Africa Vetus": A 17th Century Hand-colored Map By Sanson
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...
Category
1690s Bay Area - Prints and Multiples
Materials
Engraving
$1,100 Sale Price
20% Off
Marfa ( Prada ) - large format photograph of iconic conceptual art installation
By Frank Schott
Located in San Francisco, CA
Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Seascape XVI - large format photograph of monochrome water surface and Clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Bay Area - Prints and Multiples
Materials
Engraving, Woodcut
$700 Sale Price
20% Off
Frank Stella 'Union Pacific' from Aluminum Series, Limited Edition, Signed Print
By Frank Stella
Located in San Rafael, CA
Frank Stella (American, 1936-2024)
'Union Pacific' (from the Aluminum Series), 1970
Lithograph and screenprint in metallic silver on Special Arjomari paper
Edition 33/75 (there were ...
Category
1970s Abstract Geometric Bay Area - Prints and Multiples
Materials
Lithograph
Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
'The Spirit of the Komachi Cherry Tree' from '36 Ghost Stories' Woodblock Print
Located in San Rafael, CA
Tsukioka Yoshitoshi (Japanese, 1839 - 1892)
'The Spirit of the Komachi Cherry Tree', or 'Komachi-Zakura no Sei' 1889
From the series '36 Supernatural Beings in New Forms' or 'Shinga...
Category
Late 19th Century Other Art Style Bay Area - Prints and Multiples
Materials
Paper, Pigment
Cacti - large format photograph of iconic desert cactus landscape 48" x 72"
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations,
an homage to the photo realistic ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
$3,520 Sale Price
20% Off
The Fifth Hole (Kapalua Resort Hawaii)
By Guy Buffet
Located in San Francisco, CA
This artwork titled "The Fifth Hole (Kapalua Resort Hawaii)" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numb...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
L"Ame du Poete (The Soul of the Poet)
By Louis Legrand
Located in San Francisco, CA
This artwork titled "L'Ame du Poete (The Soul of the Poet)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. Signed in the ...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Spring Clover II (hand-printed botanical cyanotype, 14 x 24 inches)
Located in Oakland, CA
This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
Seascape XVIII Diptych - large scale abstract monochromatic ocean water surface
By Frank Schott
Located in San Francisco, CA
Large format abstract photograph diptych of mesmerizing water surface and ephemeral abstract ripple patterns
from a series of photographic works capturing the monochromatic oceanic b...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Hemisphere I - large format photograph of abstract liquid cloudscape in water
By Christian Stoll
Located in San Francisco, CA
mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere'
Hemisphere I by Christian Stoll
58 x 58 inches (147 x 147cm)
signed edition of 7
48 x 48 inches (122 x 122cm)
signed edition of 7
40 x 40 inches (102 x 102cm)
signed edition of 25
archival fine art pigment print
signed + numbered by artist on certificate label
„frameless“ glass face mounting available on request
_________________________
Christian Stoll has experimented with the photography medium since 1991.
His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms...
Category
21st Century and Contemporary Abstract Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Young Loons, Very large original color lithograph
Located in San Francisco, CA
This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition.
About the artist:
Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently.
Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968.
Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art.
Selected Exhibitions:
• 2019 60/60, Feheley Fine Arts, Toronto
• 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto
• Toronto
• 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto
• 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON
• 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC
• 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA
• 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON
• 1989 – 1991 Kenojuak Ashevak...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
Christmas Lithograph Poster After James Thurber "God Rest Ye Merry Gentlemen"
Located in Alamo, CA
This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...
Category
Mid-20th Century Minimalist Bay Area - Prints and Multiples
Materials
Lithograph
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Religion and Peace
Located in San Francisco, CA
This artwork titled "Religion and Peace" 1995, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Ch...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
Abu Simbel Temple to Ramesses II in Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
$2,860 Sale Price
20% Off
Sunrise
By Arthur Secunda
Located in San Francisco, CA
This artwork titled "Sunrise" c.1980, is an original colors screen print by noted American artist Arthur Secunda, 1927-2022. It is hand signed, titled and numbered 131/200 in white p...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Screen
Untitled #1 Very large mixed media
By Terence La Noue
Located in San Francisco, CA
This artwork "Untitled #1" 1992, is a mixed media (Aquatint, screen print and collage) on heavy wove paper by noted American artist Terence David La Noue, b. 1941. It is hand signed,...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Mixed Media
Foke-Luste-Hajo, Seminole Chief: Antique Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category
Early 18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Marfa { The Road } - large scale photograph of endless road and horizon sunset
By Frank Schott
Located in San Francisco, CA
The Road by Frank Schott
country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée
Trois Danseuses (Three Dancers)
By (after) Marie Laurencin
Located in San Francisco, CA
This artwork "Trois Danseuses" (Three Dancers) c.1940 is an etching in sepia on Wove paper after French artist Marie Laurencin, 1883-1956. It his signed in the plate as issue. This is a posthumous impression from the canceled plate. The image (plate mark) is 14.60 x 10.75 inches, sheet size is 16.5 x 12.85 inches. It is in excellent condition, hanging tape mark, small piece of tape and 3 small skinned area are visible on the back only.
About the artist:
Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools.
She was prim, conservative and always wore a kitchen apron...
Category
Mid-20th Century Impressionist Bay Area - Prints and Multiples
Materials
Etching
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Bay Area - Prints and Multiples
Materials
Etching
Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast.
This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Charles Arnoldi 'Macchu Picchu 4' Limited Edition, Abstract Signed Print
By Charles Arnoldi
Located in San Rafael, CA
Charles Arthur Arnoldi (b. 1946)
Macchu Picchu 4, 2019
Woodcut in colors on wove paper
Edition: 25/30
Signed, editioned, and dated in pencil along lower edge
Printed by Peter Kosowicz, Thumbprint Editions, London
Published by Harvey Bayer...
Category
21st Century and Contemporary Abstract Geometric Bay Area - Prints and Multiples
Materials
Woodcut
Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category
1710s Academic Bay Area - Prints and Multiples
Materials
Engraving
Hoo-Wan-Ne-Ka, Winnebago Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Landscape
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Lithograph
Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below.
This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum.
Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs.
Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today.
William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
$620 Sale Price
20% Off
La Negra (The Black Woman)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
“Thebes, Great Hall at Karnak”
By David Roberts
Located in San Francisco, CA
This lithograph titled "Thebes, Great Hall at Karnak" is a notable work by the Scottish painter David Roberts (1796-1864). This particular scene is part of Roberts' most famous colle...
Category
1840s English School Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Moonlight
Located in San Francisco, CA
This artwork titled "Moonlight" 1994, is an original color serigraph on wove paper by noted Chinese artist Ting Shao Kuang, b.1939. It is unsigned as issue....
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
Once In A Lifetime
By David Najar
Located in San Francisco, CA
This artwork titled "Once In A Lifetime" c. 2000 is a giclee print by noted Israeli artist David Najar, born 1962. It is hand signed and numbered P....
Category
21st Century and Contemporary Surrealist Bay Area - Prints and Multiples
Materials
Giclée
Einstein Love is the Answer
By Mr. Brainwash
Located in Palo Alto, CA
Mr. Brainwash Einstein Love is the Answer 2023, is a vibrant and stimulating work featuring Albert Einstein, a pillar of history and modern...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Mixed Media, Screen
Misty Agapanthus Diptych ( Two 24 x 18" cyanotypes)
Located in Oakland, CA
Although these look like screen prints or woodcuts, they are a form of 19th-century photography, cyanotypes. The normal color is dark blue. However, this unique celadon color that ca...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
$400 Sale Price
20% Off
Robert Natkin Untitled Limited Edition Signed Abstract Print
By Robert Natkin
Located in San Rafael, CA
Robert Natkin (American, 1930-2010)
Untitled, 1978
From the Intimate Lighting series
Color lithograph on wove paper
Signed, dated and numbered in pencil lower left
Edition 47/75
Prin...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Black-throated Diver: Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Mother and Children
By Edna Hibel
Located in San Francisco, CA
This artwork "Mother and Children" c.1970, is a colors lithograph on paper by American artist Edna Hibel, 1917-2014. It is signed and numbered II 3/10 Ed. 200 in pencil by the artist. The The artwork (sheet ) size is 34 x 23 inches, framed size is 40 x 29 inches. Custom framed in original wooden decorated grey/silver frame. It is in excellent condition.
About the artist:
Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork.
She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin.
She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts.
Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique.
She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth."
In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America."
In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts.
Hibel's work has been exhibited in museums and galleries in more than 20 countries including Russia, Brazil, China, Costa Rica, and the United States, and under the royal patronage of Count and Countess Bernadotte of Germany, Count Thor Bonde of Sweden, Prince and the late Princess Rainier of Monaco and Her Majesty Queen Elizabeth II of England.
Pope John Paul II gave her a medal of honor as did the late Belgian King Baudouin. She also received honorary Doctoral degrees including from Eureka College, and Northwood University of Florida, Michigan and Texas. She also has received many humanitarian honors for her charitable efforts for children's and medical charities.
Her exhibitions "Golden Bridge" and " Peace Through Wisdom" were efforts to promote peace and cultural understanding between China, the United States, Yugoslavia and Russia, and a television documentary titled "Hibel's Russian Palette" was based on her trips and art shows in Leningrad, now St. Petersburg. In 2001, Edna received a Lifetime Achievement Award from "Women in the Visual Arts," an organization of artists in the South Florida area.
Works in Permanent Collections:
Harvard University
Boston University
Museum of Fine Arts, Boston
Springfield Museum of Arts, Massachusetts
University of New Hampshire
Fleischmann Collection, Cincinnati
Detroit Art Institute
Milwaukee Art Museum
Phoenix Art Museum
La Jolla Museum, California
Lowe Gallery, University of Miami, Florida
Columbus Museum of Arts and Crafts, Georgia
WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas
Palais des Nations,Geneva, Switzerland
United Nations Headquarters, New York City
Norton Gallery, West Palm Beach, Florida
de Saisset Museum, Santa Clara, California
Russian Academy of Art, St. Petersburg, Russia
Hibel Museum of Art, Lake Worth, Florida
One Artist Exhibitions:
Shacknow Museum of Fine Arts, Plantation, Florida, 2000
Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993)
Klutznick National Jewish Museum, Washington, D.C., 1999
The Museum of Printing History, Houston, Texas, 1999 (and 1998)
Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994)
Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994
Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992
Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg),
Russia, U.S.S.R., 1990
Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990
Galerie Vindobona, Bad Kissingen,West Germany, 1988
The National Museum of Women in the Arts, Washington, D.C., 1989
St. Peter An...
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Village
By Claude Gaveau
Located in San Francisco, CA
This artwork "Village" c.1980, is an original color lithograph on Wove paper by noted French artist Claude Gaveau, b.1940. It is hand signed and numbered 77/170 in pencil by the arti...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Alvar Sunol Pencil Signed Lithograph C.1970s
By Sunol Alvar
Located in San Francisco, CA
Alvar Sunol Pencil Signed Lithograph C.1970s
Three women around a table
Dimensions 21.5" wide x 12.5" high
The frame measures 32.75" wide x...
Category
Mid-20th Century Abstract Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Seascape I Diptych - abstract photograph of water color cloud horizon
By Frank Schott
Located in San Francisco, CA
large format abstract photograph of water color clouds and horizon
from a series of photographic works capturing the sea blue color palette of the ocean
SEASCAPE I Diptych by Frank...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Santiago (A/P)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Screen
Seascape VII - large format photograph of cloud formations and reflecting sea
By Frank Schott
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea
SEASCAPE VII by Frank Schott
48 x 48 inches ( 122 x 122cm )
signed edition of 7
58 x 58 inches ( 14...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Inkjet, Archival Pigment, Black and ...
Besler Hand Colored Botanical Engraving of Wood Pink & Cottage Pink Flowers
Located in Alamo, CA
A 17th century hand-colored copper plate engraving entitled "Caryophyllus Maior Sylve Strisvarie Gatus" (Wood Pink & Cottage Pink Flowers) from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This engraving is presented in a silver and gold-colored wood frame with a green edge and three elaborate cream-colored French mats...
Category
17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Black-throated Diver: Original 1st Edition Hand-colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Bir...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Minarets of Metwaleys, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large ...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
Wind Chimes #2
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Fireside Christmas
Located in San Francisco, CA
This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed.
About the artist:
Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university.
During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates.
Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Etching
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Category
16th Century Northern Renaissance Bay Area - Prints and Multiples
Materials
Engraving
$1,260 Sale Price
20% Off
Poetes, Sculpteurs, Peintres
By Joan Miró
Located in San Francisco, CA
This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numbered II/XV in pencil by the artist. The artwork (sheet) size is 26 x 20 inches, framed size is 39.25 x 32.5 inches. Published by Maeght Editeur, Paris, printed by Fernand Mourlot., Paris. Referenced and pictured in the artist's catalogue raisonne by Mourlot plate #260. Custom framed in a wooden black frame, with black color bevel and fabric matting. It is in excellent condition.
About the artist:
Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker. At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city. Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915.
Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style. His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art. Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Coral Reef - large format photograph of sun reflections on a coral reef
By Erik Pawassar
Located in San Francisco, CA
large format photograph of sun reflections on a coral reef water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
"Juges" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Juges" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958....
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Aquatint
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