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Item Ships From: Bay Area
Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants res...
Category
1640s Academic Bay Area - Figurative Prints
Materials
Engraving
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Early 18th Century Old Masters Bay Area - Figurative Prints
Materials
Etching
Harvest
By Kenneth Miller Adams
Located in San Francisco, CA
This artwork titled "Harvest" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. Th...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Untitled (Fantastic Scene)
By Michael Bowen
Located in San Francisco, CA
This artwork "Untitled, Fantastic Scene" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 14.85 x 18 inches, sheet size is 21.5 x 26 inches. It is in excellent condition, has never been framed.
About the subject:
Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy.
About the artist:
Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Etching, Aquatint
Untitled, Two Horsemen
By Tomikichiro Tokuriki
Located in San Francisco, CA
This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back.
About the artist:
Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s.
Bibliography
Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...
Category
Mid-20th Century Other Art Style Bay Area - Figurative Prints
Materials
Woodcut
"Le Lac du Bois de Boulogne" Large original color lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Le Lac du Bois de Boulogne" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbe...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Peter Doig 'Alice at Boscoes', Limited Edition, Signed Print
By Peter Doig
Located in San Rafael, CA
Peter Doig (b.1959)
Alice at Boscoes's (D2-3), 2023
Giclée Print on Cotton Smooth Rag
Edition 250/250 (in addition to 25 Artist's Proofs)
Hand signed, dated and numbered recto
Publis...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Giclée
Nino Con Pajaros (Variant)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Nino Con Pajaros" Variant, 1976, is a color etching on Guarro paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 40/75 in bl...
Category
Mid-20th Century Modern Bay Area - Figurative Prints
Materials
Etching
Woman with Birds
By Sunol Alvar
Located in San Francisco, CA
Artist: Alvar
Title: Woman with Birds
Year: c.1980
Medium: Color lithograph
Paper: Wove
Image size: 18.5 x 24.5 inches
Framed size: 26.5 x 32.65 inc...
Category
Late 20th Century Romantic Bay Area - Figurative Prints
Materials
Lithograph
Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age.
About the artist:
Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin.
At the age of 11 he became a water boy...
Category
Early 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Etching
Porte Saint Denis, Paris
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Porte Saint Denis, Paris" c.1929 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist estate at the lower cen...
Category
Early 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Les Quais a Venise
By Jean Jansem
Located in San Francisco, CA
Artist: Jean Jansem (French/Armenian, 1920-2013)
Title: Les Quais a Venise
Year: 1966
Medium: Color lithograph
Edition: Numbered 127/160 in pencil
Paper: Arches paper
Image size: 18....
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Surrealist Woman
By André Masson
Located in San Francisco, CA
Artist: Andre Masson (French)
Title: Surrealist Woman
Year: 1970
Medium: Color lithograph
Edition: Numbered 146/200 in pencil
Image size: 24 x 18.5 inches
Signature: Hand signed in...
Category
Mid-20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
Le clown et l’Harlequin (Clown & the Harlequin)
By Pablo Picasso
Located in Palo Alto, CA
In the wonderful Picasso Le clown et l'Harlequin (The Clown and the Harlequin), 1971, a clown and harlequin walk side by side as if in deep conversation. The vibrant red, blue and ye...
Category
1970s Modern Bay Area - Figurative Prints
Materials
Lithograph
Loggia a Deauville
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork is a original embellish serigraph on canvas by French artist Fanch (Francois Ledan, born 1949) it is signed at the lower right corner. The canvas size is 18.75 x 15.5 in...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Other Medium
Iris
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Iris" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 109/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist.
Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity.
Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles.
In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide.
Selected Museums
Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum
Brooks Museum of Art, Memphis
The Butler Institute of American Art, Youngstown Dallas Museum of Art
Fine Arts Museums of San Francisco
Frye Art Museum, Seattle
Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh
Hunterian Art Gallery, University of Glasgow
Library of Congress, Washington, DC
The Metropolitan Museum of Art, New York
The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston
The Museum of Modern Art, New York
The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library
Oakland Museum of California
Philadelphia Museum of Art
Phoenix Art Museum
Portland Art Museum, Oregon
Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art
University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum
Selected public collections
ALZA Corporation, Mountain View
ART In Embassies Program, U.S. Department of State
AT&T, New York
Atlantic Richfield, Los Angeles
BankAmerica Corporation, Charlotte
Citigroup, New York
Cleveland Institute of Music
Clorox Company, Oakland
Comerica Bank, Costa Mesa & San Jose
H.J. Heinz Company, Pittsburgh
Illinois Bell Telephone...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
La Princesse et le Bouffon
By Théo Tobiasse
Located in San Francisco, CA
Artist: Theo Tobiasse (French/Israeli, 1927-2012)
Title: La Princesse et le Bouffon
Year: 1978
Medium: Color lithograph
Edition: Numbered 60/175 in pencil
Paper: Wove
Image siz...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Street with Church
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Street with Church" c.1925 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The p...
Category
Early 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Beginning of the End
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Beginning of the end" c.1990 is a color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 49/300 in pencil by the ...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Lithograph
Pichets, Tasse et Cerises
Located in San Francisco, CA
This artwork "Pichets, Tasse et Cerises" c.1970, is an original colors lithograph by French artist Frederic Vidalens, 1925-2004. It is hand signed and numbered 83/175 in pencil by th...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Mel Ramos 'Virnaburger' (or Verna Burger) signed print
By Mel Ramos
Located in San Rafael, CA
Mel Ramos (1935-2018)
Virnaburger (Verna Burger), 1965
Offset lithograph
A proof aside from the numbered edition of 500
Signed and dated LR: M Ramos 65
Image 19 x 14 inches
In a vint...
Category
1960s Pop Art Bay Area - Figurative Prints
Materials
Offset
Old City of Warsaw
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Old City of Warsaw" 1994 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky, 1930-2023. It is hand signed, titled and numbered 117/...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Screen
Double Faces, Variant #1
By Michael Bowen
Located in San Francisco, CA
This artwork titled "Double Faces" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed with initials in pencil by the artist. The plate mark (image) size is 21.75 x 17.5 inches, sheet size is 29.25 x 20.75 inches. It is in excellent condition, has never been framed.
About the subject:
Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy.
About the artist:
Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Etching, Aquatint
Navajo Weaver
By Conrad Buff
Located in San Francisco, CA
This artwork titled "Navajo Weaver" 1937, is an original color lithograph on paper by noted Swiss/American artist Conrad Buff, 1886-1975. It is hand signed in pencil by the artist, t...
Category
Mid-20th Century American Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Elephant Man
By Charles Bragg
Located in San Francisco, CA
This artwork titled "Elephant Man" c.1985 is an original color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbere...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Lithograph
Soledad Acostada
By Francisco Zúñiga
Located in San Francisco, CA
Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998)
Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...
Category
Mid-20th Century Impressionist Bay Area - Figurative Prints
Materials
Lithograph
l'Entree du Port, Netherland
By Heran Chaban
Located in San Francisco, CA
This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...
Category
Mid-20th Century Impressionist Bay Area - Figurative Prints
Materials
Aquatint
"Olympic Robe" Large colors lithograph
By Jim Dine
Located in San Francisco, CA
This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...
Category
Late 20th Century Pop Art Bay Area - Figurative Prints
Materials
Lithograph
The Sun Flower
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "The Sun Flower" c.1980, is an original colors woodcut on Wove paper by noted American artist Ruth Leaf, 1923-1975. It is hand signed, titled and numbered 9/20 in...
Category
Late 20th Century Abstract Expressionist Bay Area - Figurative Prints
Materials
Woodcut
The Songs of Songs of King Salomons
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012)
Title: "The Songs of Songs of King Solomons"
Year: 1975
Medium: Color lithograph
Edition: Numbered LVII/C in pencil
Paper: Jap...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Lithograph
Intermission
By Barbara A. Wood
Located in San Francisco, CA
This artwork "Intermission" 1995 is an original colors serigraph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 251/350 in pencil by the artist. The a...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Cityscape with Bridge
Located in San Francisco, CA
This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
The Pediatrician
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Pediatrician" c.1970 is a lithograph by noted American artist Charles Bragg, 1931-2017. It is signed and titled in the plate as issue. The image (Stone mark) size is 4.75 x 6.75 inches, framed is 11 x 13 inches. It is custom framed in a wooden brown frame, with grey matting. It is in excellent condition.
About the artist.
Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18.
He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting.
Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier
His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Lithograph
Moonlight
Located in San Francisco, CA
This artwork titled "Moonlight" 1994, is an original color serigraph on wove paper by noted Chinese artist Ting Shao Kuang, b.1939. It is unsigned as issue....
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Zia, State II
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Bali Princess (variant blue)
Located in San Francisco, CA
This artwork titled "Bali Princess" variant blue, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Chinese artist Ting Shao Kuang...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Bali Princess (variant green)
Located in San Francisco, CA
This artwork titled "Bali Princess" variant green, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Chinese artist Ting Shao Kuang...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Ramayana
Located in San Francisco, CA
This artwork titled "Ramayana" 1995, is an original color serigraph on wove paper by noted Chinese artist Ting Shao Kuang, b.1939. It is unsigned as issue. ...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Ancient Civilization
Located in San Francisco, CA
This artwork titled "Ancient Civilization" 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted ...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Religion and Peace
Located in San Francisco, CA
This artwork titled "Religion and Peace" 1995, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Ch...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Richard Serra 'Stop B S' Signed, Limited Edition Print
By Richard Serra
Located in San Rafael, CA
Richard Serra (American, B. 1938)
Stop B S (G. 2024), 2004.
From the portfolio 'Artists Coming Together'
Lithograph on wove paper
Signed in pencil and numbered 127/250 (there were al...
Category
Early 2000s Abstract Bay Area - Figurative Prints
Materials
Lithograph
Bali Princess (variant red)
Located in San Francisco, CA
This artwork titled "Bali Princess" variant red, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by ...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Tulips in a Vase
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Sunrise
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...
Category
Mid-20th Century Impressionist Bay Area - Figurative Prints
Materials
Aquatint
Helping with the Dress
By Malcolm Liepke
Located in San Francisco, CA
This artwork titled 'Helping with the Dress" 1996, is an original color lithograph on paper by noted American realist artist Malcolm Liepke, b.1953. It is hand signed and numbered A...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Persimmons
Located in San Francisco, CA
This artwork titled "Persimmons" 1980, is a colors woodcut on wove paper by noted Korean artist Bong Kyu Ahn, b.1938. It is hand signed, dated, titled, and numbered 10/90 in pencil b...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Woodcut
Gertrude S.
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Gertrude S."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Big Board Stock Exchange
By Charles Bragg
Located in San Francisco, CA
This artwork "Big Board Stock Exchange" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 230/300 in pencil by t...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Etching
Lillian Russell
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Lillian Russell"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: ...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Henrietta M.
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Henrietta M."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Indiana Elliot
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Indiana Eliott"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Constance Fletcher
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Constance Fletcher"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Anne
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anne"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items.
Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design.
The work of Robert Indians...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Susan B.
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "ISusan B."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Jenny Reefer
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jenny Reefer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Jo the Loiterer
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jo the Loiterer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
General U.S. Grant
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: General U.S. Grant
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
Angel More
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: Angel More
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x ...
Category
1970s Pop Art Bay Area - Figurative Prints
Materials
Lithograph
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