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Item Ships From: Bay Area
Au Repos
By Graciela Rodo Boulanger
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Famiglia di Acrobati
By Marino Marini
Located in San Francisco, CA
This artwork titled "Famiglia di Acrobati" 1955, is an original color lithograph on Arches paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 7/50...
Category

Mid-20th Century Post-Modern Bay Area - Prints and Multiples

Materials

Lithograph

"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category

Mid-20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Landscape with Mountains
By Ruth Leaf
Located in San Francisco, CA
This artwork "Landscape with Mountain" c.1990, is an original monoprint with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is unsigned ...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Monoprint

Seascape XII -large format photograph of monochrome blue water surface and Cloud
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Cloud Study II - large format photograph of dramatic mood cloudscape horizon sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea C...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...

Cactus & Rose of Jericho Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
A hand-colored copper plate engraving depicting flowering "Melocactos" (Turk's Cap Cactus or Mother-in-law's Cushion), "Rosa Hiericontea aperta" (Rose of Jericho Unfolded), "Rosa Hie...
Category

Early 18th Century Academic Bay Area - Prints and Multiples

Materials

Engraving

Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
By Frank Schott
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 46 x 72 i...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Jules Pascin (French, 1885-1930) "Two Women Reclining" Original Etching C.1920
By Jules Pascin
Located in San Francisco, CA
Jules Pascin (French, 1885-1930) "Two Women Reclining" Original Etching C.1920 Plate dimensions 9" wide x 12" high Frame dimensions 19.5" wide x 26.5" high Plate signed The etchi...
Category

Early 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Etching

"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London'
By Francis Wheatley
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category

Late 18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Untitled (Crimson) - large scale photographic details of baroque Italian palazzo
By Frank Schott
Located in San Francisco, CA
Untitled (Crimson) 40 x 40 inches / 102cm 102cm signed edition of 25 58 x 58 inches / 147cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edit...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

City 368
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 368 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...
Category

1970s Abstract Geometric Bay Area - Prints and Multiples

Materials

Paper, Screen

Alfred Gray "Silent Street" Signed Lithograph c.1930s
Located in San Francisco, CA
Alfred Gray "Silent Street" Signed Lithograph c.1930s Rare lithograph by noted artist Alfred Gray. A surreal street bathed in shadow and light. Dimensions 15" x 21". The original ...
Category

Early 20th Century Art Deco Bay Area - Prints and Multiples

Materials

Lithograph

White-collared Flycatcher Birds: A 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Seascape VIII - large format photograph of abstract aqua colored water surface
By Frank Schott
Located in San Francisco, CA
from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VIII by Frank Schott 60 x 48 inches / 152cm x 122cm edition o...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Photographic Paper, Archival Pigment, Giclée, Archival Paper

Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

1770s Old Masters Bay Area - Prints and Multiples

Materials

Etching

Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving, Mezzotint

Caimanes I, (Caymans I) (Estado III, VII/XIV)
By Francisco Toledo
Located in San Francisco, CA
Francisco Toledo Caimanes I (Caymans I), not dated Lithograph Unframed dimensions: 17 x 20.5 inches Framed dimensions: 26.5 x 33 inches Edition: Estado III, VII/XIV
Category

Late 20th Century Contemporary Bay Area - Prints and Multiples

Materials

Lithograph

Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category

Mid-18th Century Bay Area - Prints and Multiples

Materials

Engraving

Les Montgolfieres, Place de la Concorde, Paris
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Seascape XIV - large format photograph of monochrome blue water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Plate 11 from 'Album 19'
By Joan Miró
Located in Palo Alto, CA
Rhythmic serenity emanates from this delightful work. Miro creates a quirky yet sophisticated pattern of decorative and playful spots, irregular yet repetitive like a Dalmatian's coa...
Category

1960s American Modern Bay Area - Prints and Multiples

Materials

Lithograph

"La Conversation" Large original lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
Category

Late 20th Century Post-Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Butterflies & Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category

Mid-19th Century Realist Bay Area - Prints and Multiples

Materials

Engraving

Shades of Pale - abstract photograph of painterly details of blue toned wall
By Frank Schott
Located in San Francisco, CA
Shades of Pale (Wallscape) by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 48 x 66 inches / 122cm x 168cm edition o...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Forest Sunrise (Hand-printed cyanotype, 8.5 x 11 inches)
Located in Oakland, CA
This is the mini studio proof of the larger hand-printed photograph of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from S...
Category

2010s Realist Bay Area - Prints and Multiples

Materials

Photogram

Les Étoiles (Stars), 1959
By Georges Braque
Located in Palo Alto, CA
Georges Braque Les Étoiles (Stars), 1959 opens a cloud-like window into a dreamy black and navy sky peppered with playful stars above which a bird, its bod...
Category

1950s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Pee-amerdu Plant: A Rare 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Pee-amerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 19 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Pee-amerdu plant, a large leafed plant climbing plant off the Malabar Coast in India. The plant is noted for its medicinal uses. It may be related to Tinospora species. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked watermarked paper. The sheet measures 14.88" high by 18.75" wide. There is a central fold, as issued. There are a few faint smudges, a spot in the upper margin and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van Rheede tot Drakenstein...
Category

Late 17th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Alex Katz 'Vincent' Limited Edition Signed Lithograph Print
By Alex Katz
Located in San Rafael, CA
Alex Katz (born 1927) Vincent, 1972 From the Prints for Phoenix House portfolio Chalk lithograph in two gray colors on Arches paper Signed in pencil and numbered 93/120 Printed by Pa...
Category

1970s Contemporary Bay Area - Prints and Multiples

Materials

Lithograph

Mujere
By Raul Soldi
Located in San Francisco, CA
This artwork "Mujere" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 12/15 P.A in pencil by the artist. The image size is 22.75 x 17 inches, sheet size is 26.65 x 21.5 inches. It is in very good condition, colors are fresh and bright. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Screen

Midnight Magnolia Diptych (Two 24 x 18 inch cyanotypes)
Located in Oakland, CA
These are two 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process. They are actually negatives (a reversal of the dark and light tones) of the original pho...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Ince's Paradise Flycatcher Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world. This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Bay Area - Prints and Multiples

Materials

Engraving

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Late 18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Yarrell's Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used. This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included. There are several other unframed Gould hummingbird...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Z
By Alicia McCarthy
Located in Berkeley, CA
Color sugarlift aquatint and drypoint. Edition of 35
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Etching, Intaglio

Desert Series B
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Desert Series B" c.1990, is an original colors monoprint aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numb...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Aquatint, Monoprint

Flying Squirrels: An Original Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Severn River Flying Squirrel & Rocky Mountain Flying Squirrel", No. 29, P...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

6 Camellias After An Unknown Japanese Artist
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Brown Pelican: An Original Audubon 1st Edition Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Caunga Cucumber Plant: A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Caunga" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 6 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the caunga plant, also known as Inca cucumber or horned squash, which is a climbing vine that produces edible, cucumber-like fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.25" high by 18.88" wide. There is a central fold, as issued. There is a small dark spot on the left which appears to represent a paper inclusion which occurred when the hand-made paper was produced. The print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van Rheede tot Drakenstein...
Category

Late 17th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Blue Glove ( Michael Jackson ) - large format iconic still life photograph
By Tom Schierlitz
Located in San Francisco, CA
a highly detailed still life photograph of the performer's iconic blue and gold sequin and rhinestone crystal glove Blue Glove ( Michael Jackson ) by T...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Femme Fatale
By Itzchak Tarkay
Located in San Francisco, CA
This artwork titled "IFemme Fatale" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 243/300 in pencil by th...
Category

Late 20th Century Art Deco Bay Area - Prints and Multiples

Materials

Screen

The Illiterate - Blue (M.551)
By Joan Miró
Located in Greenwich, CT
A continuation of the 'Horse Ride' series, The Illiterate (M.551), is a lithograph on paper, with an image size of 33.37 x 23.75 inches, signed Miró lower right and annotated lower l...
Category

20th Century Modern Bay Area - Prints and Multiples

Materials

Paper, Lithograph

Pomegranates
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing. About the artist: Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler. Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...
Category

Mid-20th Century Impressionist Bay Area - Prints and Multiples

Materials

Aquatint

"A Great Man on The Turf": A 19th Century James Gillray Hand-colored Etching
By James Gillray
Located in Alamo, CA
This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...
Category

Early 1800s Bay Area - Prints and Multiples

Materials

Etching

Robert Rauschenberg 'Earth Day' Limited Edition, Signed Lithograph Print
By Robert Rauschenberg
Located in San Rafael, CA
This listing is for the limited edition lithograph, not the mass produced poster. Robert Rauschenberg (American, 1925-2008) Earth Day, 1970 Lithograph with chine collé Signed, dated, numbered by the artist Edition 11/50, Full sheet: 52 1/2 x 37 1/2 in. With mat: approx 55 x 40 in Published by the American Environment Foundation Printed by Gemini G.E.L. Los Angeles, with blindstamp to lower center Catalog Raisonné: RRF 70.E016 Provenance: Butterfield & Butterfield (now Bonhams) Lot 3115, sale 5367L February, 24, 1993 This Robert Rauschenberg lithograph...
Category

1970s Contemporary Bay Area - Prints and Multiples

Materials

Lithograph

Golgotha
By Jacques Villon
Located in San Francisco, CA
Artist: Jacques Villon (French, 1875-1963) Title: Golgotha Year: 1956 Medium: Color lithograph Edition: Numbered 74/80 in pencil Paper: Rives Image size: 25.25 x 18.5 inches S...
Category

Mid-20th Century Cubist Bay Area - Prints and Multiples

Materials

Lithograph

Veillot's Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category

16th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category

Early 18th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

"Californian Hare": An Original Audubon Hand-colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Californian Hare", No. 23, Plate 112, CXII, from Audubon's "Quadrupeds of North America". It was...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving, Mezzotint

Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category

Late 18th Century Old Masters Bay Area - Prints and Multiples

Materials

Mezzotint

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
mesmerizing baroque architectural details in a long forgotten Italian palazzo discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 40...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Fete Champetre
By Jean Dufy
Located in San Francisco, CA
This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...
Category

Mid-20th Century Fauvist Bay Area - Prints and Multiples

Materials

Lithograph

Amolago (Aglaonema) Plant: 17th Century Botanical Engraving by H. van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Amolago" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 16 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Amolago plant, a large leafed plant, possibly corresponding to the present day aglaonema plant. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper. The sheet measures 14.75" high by 17.25" wide. There is a central fold, as issued. There are a few tiny spots and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...
Category

Late 17th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

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