Bay Area - Prints and Multiples

This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...

Topiary V by Frank Schott, from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism 40 x 32...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...

This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...

This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...

This artwork titled "IFemme Fatale" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 243/300 in pencil by th...

Mare (Mascagni) by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of 7 40 x 32 inches / 102cm x 81cm signed edition of 25 archival quality fine art pigment print limit...

large scale photograph of iconic Italian architecture by architect Adalberto Libera on the Mediterranean island of Capri, Italy, built for writer Curzio Malaparte and famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot and Michel Piccoli Casa Malaparte...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

Wave I by Christian Stoll a mesmerizing photographic rendering of blue acquatic surface 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 s...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...

This artwork titled "Clown et Enfant (Clown and Child)" from the suite "Cirque (Circus) by Andre Suarez" created in 1930, is an original color aquatint, etching and drypoint by renown French artist Georges Rouault, 1871-1958. It is signed in the plate as issue. According to Isabelle Rouault (Daughter of the artist) the total edition was 500. Published by Ambroise Vollard, Paris and printed by Maurice Potin, Paris. Referenced and pictured in the artist's catalogue raisonnes by Rauch #153, Kornfeld, Klipstein Catalog 120, #134 to #144, Soby pages 110 and 120, and Ambroise Vollard Editeur by Una E. Johnson #202 and page #109. . The plate mark (image) is 12.15 x 8.25 inches, framed size is 24.75 x 21 inches. Custom framed in a wooden black and gold frame, with fabric matting, fabric spacer, and gold color bevel. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The Museum of Modern Art, New York About the artist: French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

large format photograph from a series of colorful floral explosions, flower power and liquid clouds captured in water FLORA lI by Christian Stoll 27 x 40 inches (68.5 x 102cm) sign...

This artwork titled "Composition" 1967, is an original colors lithograph on Arches paper by renown Italian artist Alberto Magnelli, 1888-1971. It is hand signed and numbered 37/75 in...

Artist: Henry Moore (British, 1898-1986) Title: Les Poetes, La Poesie, Front Page Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Paper...

This artwork "Untitled" is a color lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 191/250 in p...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13.25 x 11.15 inches, framed size is 24.75 x 21.75 inches. Custom framed in a wooden black and gold frame, with light grey matting and blue fillets. It is in excellent condition, slightly toned by age around the plate mark, see picture #7. The frame have a very small minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 40 x 27 inches / 102cm x 68cm ...

This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

This artwork titled "Femme Fiere" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-...

This artwork "Two Lovers" c.1990 is an original color serigraph by noted French artist Linda Le Kinff, born 1949. It is hand signed and numbered 40/300 in ...

This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...

This artwork titled "Cliff House, San Francisco" c.1980 is a original colors lithograph on paper by French artist (Fanch, Francois Ledan, born 1949) it is...

This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom. This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition. Robert Furber...

This artwork titled "Hanover Schmiedestrasse" 1920 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower cen...

This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages. There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on a moody autumn day in the American West 40 x 40 inches ( 102 x 102cm) edition of 7...

This artwork "Un Vase de Fleurs (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is han...

This artwork "Ballet Dancer" 1989 is a color offset lithograph by American artist Robert Olson. It is hand signed and numbered 140/1275 in gold felt pen. ...

This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...

This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...

This artwork titled "Revelations de Nozdriov" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

This hand-colored etching and aquatint caricature entitled "Playing in Parts" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on May 15th 1801. The print is signed in the plate in the lower right. This is a rare musical caricature. It depicts five amateur musicians, a woman and four men, performing their music in a drawing room. A young overweight woman dressed in white is seated in the center, playing a piano...

This artwork titled 'Helping with the Dress" 1996, is an original color lithograph on paper by noted American realist artist Malcolm Liepke, b.1953. It is hand signed and numbered A...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

Tree Study II by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of ...

large scale photograph capturing the color palette of nature's blue hour with soothing tones of ocean and cloudscape at dusk Seascape I by Frank Schott 48 x 64 inches / 122cm x 162...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea CLOUD Study III...

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VIII by Frank Schott 60 x 48 inches / 152cm x 122cm edition o...

Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741) Beautiful color after 250+ years! This wonderful antique engraving is beautifully mat...

This artwork titled "The Trail Ends at the Sea" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signe...

This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...

One of Jim Dine’s most iconic motifs, the romantic Rancho Woodcut Heart work illustrates the story of hope and love through a symbolic image of a large red heart. With the contrast o...

This large original hand-colored copperplate engraved map of Africa entitled "L'Afrique divisee suivant l'estendue de ses principales parties ou sont distingues les uns des autres, L...

This minimalist patterned collage calls to mind West African indigo textiles, Japanese Shibori fabric or perhaps the work of Ellsworth Kelley. The pattern mounted on wood panel was ...

Stardust by Frank Schott 48 x 48 inches / 122cm x 122cm signed edition of 7 40 x 40 inches / 102cm x 102cm signed edition of 25 archival quality fine art pigment print limited ar...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...