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Item Ships From: Bay Area
Vivaldi, Autumn
By Jürgen Görg
Located in San Francisco, CA
This artwork titled "Vivaldi, Autumn" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet.
The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent.
About the artist:
Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany.
Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones.
He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Etching
"Moon Face" Original lithograph.
By Adja Yunkers
Located in San Francisco, CA
Artist: Adja Yunkers
Title: Moon Face
Year: 1960
Medium: Lithograph
Paper: B.F.K Rives
Image size: 17 x 13 inches
Signature: Signed in pencil by the artist.
Publisher: Tamarind Workshop
Printer: Bohuslav Horak...
Category
Mid-20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Owl (Rose Ground)
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Owl (Rose Ground)" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Gr...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Sleeping Wolves
By Beniamino Bufano
Located in San Francisco, CA
This artwork titled "Sleeping Wolves" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and numbered 81/100 in pencil by the artist. The image size is 12.35 x 11.35 inches, framed size is 23.75 x 21.5 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition.
About the artist:
Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Lithograph
London, Holborn House
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "London, Holborn House" 1920 is an etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. The image size is 14.75 x 13 inches, plate mark is 15 x 13.35 inches, framed size is 23.65 x 22 inches. Custom framed in a wooden black/silver frame, with light beige matting and black fillet. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Silver Wood
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "Silver Wood" 1966 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 16 x 22 inches, sheet size is 12.25 x 27 inches. It is in excellent condition.
About the artist:
Virgil Thrasher...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Screen
Untitled
By Billy Al Bengston
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
Category
1990s Pop Art Bay Area - Prints and Multiples
Materials
Paper, Lithograph, Screen
The Key to the Virgin Mary
Located in San Francisco, CA
This artwork titled "The Key to the Virgin Mary" 1975, is an original colors woodcut on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated an...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Woodcut
Wallscape I - abstract photograph of painterly details of blue toned surface
By Frank Schott
Located in San Francisco, CA
large format photography of muted color palimpsest from a series of photographic observances capturing urban textures and color palettes, painterly abstractions of beautifully decay...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Inkjet, Giclée
The Journey's End II (Hand-printed cyanotype, 30 x 17 inches)
Located in Oakland, CA
Unframed. 2023. Signed on the back. Narrower than "The Journey's End."
This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...
Category
2010s Realist Bay Area - Prints and Multiples
Materials
Photogram
Untitled
By Charles Arnoldi
Located in San Francisco, CA
Artist: Charles Arnoldi (American, born 1931)
Title: Untitled
Year: 2001
Medium: Off set lithograph
Edition: Numbered XXVI 10/40 in pencil
Image size: 17 x 17 inches
Signat...
Category
Late 20th Century Abstract Geometric Bay Area - Prints and Multiples
Materials
Offset
"Woman from Maui" Large original color serigraph.
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Woman from Maui" 1983 Is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and inscribed E.P.I in pencil by the artist. With the blind stamp of the artist and the printer, Editions Press, San Francisco. The sheet size is 28.5 x 33.35 inches, framed size is 41.25 x 45.25 inches. Custom framed in a wooden off white frame, with off white matting and bevel. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, practically invisible
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Screen
Shavuoth
By David Sharir
Located in San Francisco, CA
This artwork titled "Shavuoth" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sig...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Cloud Study IV - large scale photograph of dramatic momochromatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Persephone VI - large format photograph of a timeless environmental still
By Erik Pawassar
Located in San Francisco, CA
large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions
Persephone VI by Erik Pawassar
40 x 31 inches (102 x 79cm)
signed edition of 25
62 x 48 inches (157 x 122cm)
signed edition of 7
archival fine art pigment print
signed & numbered by artist on label
custom/larger sizes are available on request
____________________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Ink, Giclée, Archival Paper
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Early 18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Cloud Study I - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...
Burst I - large scale abstract photograph of caleidoscopic color explosions
By Christian Stoll
Located in San Francisco, CA
From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color
27 x 40 inches (68 x 102...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Archival Ink, Giclée
Magic Carpet - vibrant color observations of mid century Mediterranean interior
By Frank Schott
Located in San Francisco, CA
Magic Carpet by Frank Schott
(red, pink, blush, crimson and wine)
from a series of photographic observances of a first class cabin in a mid century era Mediterranean island ferry boat
48 x 72 inches / 122cm x 183cm
signed edition of 7
27 x 40 inches / 68cm x 102cm
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
________________________
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Steven Shore...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Lake at Carcaron II
Located in San Francisco, CA
This artwork titled "Lake at Carcaron II" c.1990 in an original color etching with aquatint by British artist Frances St. Clair Miller, b.1947. It is hand signed, titled and numbered...
Category
Late 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Aquatint
Juchiteca's Platicando (Juchitecan Women Talking)
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Juchiteca's Platicando (Juchitecan Women Talking) 1985 is an original colors lithograph on Wove paper by Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 72/150 in pencil by the artist. The size is 22.75 x 30 inches. It is in excellent condition, 2 small pieces of hanging tape remaining on the back at the top edge of the sheet from previous framing.
About the subject:
This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico. Juchiteca is a largely matriarchal society, in that women control the economy and hold positions of power. It is also home to a large Zapotec population, indigenous to the land that became Mexico. Francisco Zúñiga lived within the community of Juchiteca for a period of time and adopted the women of the area as one of the central motifs of his artwork, both on paper and in sculpture. Through his selective coloring, Zúñiga highlights the women’s clothing, including their recognizable huipiles or tunics, conveying the pride in locally made textile art
About the artist:
Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970.
Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum.
In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade.
Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein, André Breton and Antonin Artaud. Then as now, Mexico City was a major world capital with the infrastructure necessary to exhibit and expose new aesthetic concepts.
For all these reasons it was the most obvious destination of choice for Zuñiga. In Mexico he worked with the painter Manuel Rodríguez...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
"Centre Noeuds" planche #3
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #3 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Colossal Statues of Ramses: David Roberts' 19th Century Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Eg...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
Cones - large scale photograph of conceptual art in desert landscape
By Frank Schott
Located in San Francisco, CA
Cones ( 2000 ) by Frank Schott, from a series of conceptual photographic observances captured in the California desert
30 x 40 inches (76 x 102cm)
signed edition of 25
48 x 65 inch...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Kimi Fuji
By Johnny Friedlaender
Located in San Francisco, CA
This artwork titled "Kimi Fuji" c.1975 in an original color aquatint by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed in pencil by the artist. The image (plat...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Aquatint
“Red Square” Serigraph on Paper
By LeRoy Neiman
Located in San Francisco, CA
It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...
Category
2010s American Impressionist Bay Area - Prints and Multiples
Materials
Paper
Chopper 2003 - large format photograph of iconic Harley Davidson chrome details
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic classic motorcycle in glossy chrome finish
Chopper (2003)
22.5 x 40 inches (57 x 102cm)
signed edition of 25
48 x 85 inches (122 x 216cm) signe...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Paysage de Normandie
By Maurice Levis
Located in San Francisco, CA
This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece.
About the artist:
Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Aquatint
Morning Glow - large format photograph of California water surface and horizon
By Frank Schott
Located in San Francisco, CA
Morning Glow by Frank Schott
27 x 40 inches / 68cm x 101cm
signed edition of 25
48 x 72 inches / 122cm x 183cm
signed edition of 7
archival quality fine art pigment print
limited...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Le Savant au Microscope
By Bernard Buffet
Located in San Francisco, CA
This artwork, titled, Le Savant au Microscope, 1968, is an original color lithograph printed on Arches paper by French artist Bernard Buffet, 1928-1999. It is hand signed and dedica...
Category
1960s Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Hemisphere II - large format photograph of abstract liquid cloudscapes in water
By Christian Stoll
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere'
Hemisp...
Category
21st Century and Contemporary Abstract Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
"Les Fausses Confidences" Large original color lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Les Fausses Confidences" 1988 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Farallons
By Kenneth Noland
Located in Palo Alto, CA
This pieces is one of a series of works in which Noland depicts symmetrical chevrons, or V-shaped figures, stacked upon one another, their points facing downwards. He utilizes a soft...
Category
1980s Bay Area - Prints and Multiples
Materials
Handmade Paper, Monotype
Mediterranean Dip - large format photograph of ethereal sunset and surfaces
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets
Mediterranea...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Black-headed Pitta Birds: A 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Happy Sisters
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches. It is in excellent condition, the colors are fresh and bright, it has never been framed.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
By Thomas Rowlandson
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Early 1800s Other Art Style Bay Area - Prints and Multiples
Materials
Aquatint, Etching
Yuyake
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Yuyake" 1981 Is an original colors woodcut by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 197/210 in pencil by the artist. This artwork was printed in Tokyo, Japan. The image size is 14.5 x 19.5 inches, framed size is 26.5 x 31 inches. Custom framed in a light wood and gold frame, with fabric matting. It is in excellent condition, the frame have a minor black spot at the lower right corner, see picture #1
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Woodcut
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
By Giovanni Battista Piranesi
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Etching
Flora Italiana ( Waratah Red ) - large format botanical still life photograph
By Linda Rosewall
Located in San Francisco, CA
Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers with highly detailed captures
Flora Italiana ( Waratah Red )
64 x 48 inches (162 x 122cm)
signed edition of 7
40 x 30 inches (102 x 76cm)
signed edition of 25
archival fine art pigment print
signed & numbered by artist on label
custom/larger sizes are available on request
___________________
About the artist
Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act.
The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera.
At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Untitled
By Ruth Leaf
Located in San Francisco, CA
This artwork "Untitled" c.1990, is an original colors woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is unsigned as issue. The image...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monoprint
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism
from a series of photographs capturing the mid century modern architecture and architectural el...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Topiary VI - large format photograph of ornamental shaped urban trees
By Frank Schott
Located in San Francisco, CA
Topiary V by Frank Schott, from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism
60 x 48...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Abstract Composition II
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Abstract Composition II." c.1970 in an original color etching and aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 191...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Flora Italiana ( Narcissus Poetic ) large format botanical still life photograph
By Linda Rosewall
Located in San Francisco, CA
Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Gerald Brockhurst (1890-1978) "Fabian" Pencil Signed Etching c.1921
By Gerald Leslie Brockhurst
Located in San Francisco, CA
Gerald Brockhurst (1890-1978) Pencil Signed Etching "Fabian" c.1921
Fine etching by noted artist Gerald Brockhurst.
Titled "Fabian" from an edition of 76.
This etching is in excel...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Etching
Christopher Wool 'Untitled' Abstract Expressionist Signed and Numbered Print
By Christopher Wool
Located in San Rafael, CA
Christopher Wool (b. 1955)
Untitled, 2006
Screenprint in colors on Rives BFK paper
30 x 22 inches (unframed)
P.P. 2/4 (A printer's proof aside from an edition of 40)
Signed, numbered...
Category
Early 2000s Abstract Expressionist Bay Area - Prints and Multiples
Materials
Screen
Bali Princess (variant red)
Located in San Francisco, CA
This artwork titled "Bali Princess" variant red, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by ...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Topiary IV - large format photograph of ornamental shaped tree with architecture
By Frank Schott
Located in San Francisco, CA
TOPIARY IV by Frank Schott
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
60 x 48 inches (152 x 1...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age.
About the artist:
Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin.
At the age of 11 he became a water boy...
Category
Early 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Etching
Elizabeth's Cone II
Located in Burlingame, CA
'Elizabeth's Cone II', Hand Colored Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger piece of archival paper . An iconic still life image featuring the “tragedy” of a dropped ice cream cone. The artist came to see dropped cones as fleeting promises of joy; offering refreshing coolness, a mixture of favorite flavors, soft ice cream gushiness, and crunch of cake cone. Whether devoured or dropped, their existence is short lived. Beside the alluring visual attributes, dropped cones represent a metaphor for the temporal nature of life, itself. And was an important sub-series for James Torlakson...
Category
21st Century and Contemporary American Realist Bay Area - Prints and Multiples
Materials
Watercolor, Etching, Aquatint
Seascape IX - large format photograph of blue water surface
By Frank Schott
Located in San Francisco, CA
large scape photograph of mesmerizing water and cloudscape
SEASCAPE IX by Frank Schott
58 x 58 inches ( 147 x 147cm )
edition of 7
signed
48 x 48 inches ( 122 x 122cm )
edition of...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
Untitled (A rose by any other name...)
By William T. Wiley
Located in San Francisco, CA
vitreograph on paper, hand-colored with unique text and drawing; created during an artist's residency at Pilchuck Glass School 22 x 30 inches/55.9 x 76.2 cm
Category
20th Century Bay Area - Prints and Multiples
Materials
Woodcut
"Silvia" Large original color lithograph
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Silvia" 1980 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and number...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Attempting the Other
By Sarah Smelser
Located in San Francisco, CA
This abstract monotype is by Sarah Smelser (1971-). It measures 8.5 x 8.5 inches the plate and 16.5 x 15.25 inches framed. It is titled in the lower left, “Attempting the Other” and signed and dated in the lower right, “Sarah Smelser 1997.” It is matted with an acid-free mat and framed in brushed metal. The print, mat and frame are in very good condition.
Sarah Smelser received her BA from University of California at Santa Cruz, her MA and MFA from the University of Iowa. She has been an artist in residence at the Vermont Studio Center; The Franz Masereel Center in Kasterlee, Belgium; Artica in Bilbao, Spain; Kala Art Institute in Emeryville, CA; Jentel Artist Residency in Banner, WY; and Skopelos Foundation for the Arts in Skopelos, Greece, Anchor Graphics in Chicago; and the Ballinglen Arts Foundation in Ballycastle, Ireland. Her work is in such collections the Readers' Digest Association, the New York Public Library, the Library of Congress, the Jane Vorhees Zimmerli Art Museum at Rutgers University, the Spencer Museum at University of Kansas, Hallmark Corporate Collection, and the Elizabeth Foundation for the Arts.
Smelser has had solo exhibitions at Bridgewater/Lustberg & Blumenfeld in New York City, Kathryn Markel Fine Arts in New York City, Urban Institute for Contemporary Art in Grand Rapids, MI, Carnegie Mellon University, Bradley University, University of Wyoming, Diablo Valley College, Luther College and Spencer College. Her work has been included in many invitational and juried shows, and been shown at numerous art fairs including Art Frankfurt, Estampa (in Madrid), the Affordable Art Fair in New York, Art Miami, Red Dot Art Fair in New York and Miami, Art Santa Fe, Art Chicago, EDITION Chicago, Boston Print Fair, Baltimore Contemporary Print Fair, Editions/Artists’ Book Fair, and the Los Angeles Art Show.
Smelser's work has been reviewed in Art on Paper: The Journal of Prints, Drawings and Photography, as well as Abstract Art Online, and has been reproduced in New American Paintings. Most recently Smelser was the featured interview in Monotype, Monoprint, & Strappo Ezine.
Smelser is a Professor of Art at Illinois State University and a co-founder of Manneken Press...
Category
1990s Abstract Bay Area - Prints and Multiples
Materials
Monotype
Cloud Study III - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
large scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea
Cloud Study III...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper, Black and White, G...
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