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Item Ships From: Bay Area
Belvedere
By Robert Kasimir
Located in San Francisco, CA
This artwork titled "Belvedere" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower center by the ar...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Flowering Pomegranate & Rock Rose: A 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...
Category
1640s Academic Bay Area - Prints and Multiples
Materials
Engraving
Johannes Wesselius Portrait: An 18th Century Engraving/Etching by Houbraken
By Jacobus Houbraken
Located in Alamo, CA
This is an 18th century engraved and etched portrait of Johannes Wesselius by Jacobus Houbraken after a painting by Jan Maurits Quinkhard. It depicts a half-height image of Wesselius...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving, Etching
Paris, Boulevard de la Madeleine
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Paris, Boulevard de la Madeleine" c.1930, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist's estate at th...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Canada Grouse: An Original 19th C. Audubon 1st Ed. Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare first octavo edition John James Audubon hand-colored lithograph entitled "Canada Grouse, 1. 2 Males, 3. Females, 4. Trillium pic...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Little Chinese Girl
By Ming Wai
Located in San Francisco, CA
This artwork "Little Chinese Girl" 1982 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 24.5 x 22 inches, sheet size is 28 x 24.5 inches. It is in excellent condition, has never been framed.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Untitled #3
By Barbara Diethelm
Located in San Francisco, CA
This artwork "Untitled #3" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.65 inches, sheet size is 15 x 11 inches. It is in excellent condition.
About the artist.
Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Monotype
Monoprint of a Lotus
By Gary Bukovnik
Located in San Francisco, CA
This beautiful monoprint by the noted San Francisco artist Gary Bukovnik (1947-) has a wonderful energy borne of bright colors and bold gestures. It is a beautiful abstract composition, improvisational, yet balanced and harmonious. The work measures 23.5”x9.75” the image, 29.5”x15.5 the sheet and 32.75”x18.75” framed. The print is signed and dated in the lower margin, “Gary Bukovnik 1987”. The print is mounted and floating on a linen backing, framed in a bleached wood frame and protected by Plexiglas. It is in excellent condition. The frame and Plexiglas are in fair-to good condition, with one very small chip on the left bar of the frame, which I have shown in the final photograph, as well as a few very light scratches in the Plexiglas (not over the image).. This exceptional art would look beautiful in a variety of settings – home or office.
Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size.
In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010.
Solo exhibitions include Caldwell Snyder...
Category
1980s Abstract Impressionist Bay Area - Prints and Multiples
Materials
Monoprint
Ernst Fuchs 'Die Geburt der Venus' (The Birth of Venus) Signed Etching Print
By Ernst Fuchs
Located in San Rafael, CA
Ernst Fuchs (Vienna, 1930 - 2015)
Die Geburt der Venus (The Birth of Venus), 1974
Etching on wove paper
Annotated in pencil lower left: XIV/XXV E. A. (14/25 épreuve d'artiste). An ar...
Category
1970s Contemporary Bay Area - Prints and Multiples
Materials
Etching
$1,200 Sale Price
20% Off
The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category
1690s Bay Area - Prints and Multiples
Materials
Engraving
West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
By Johann Baptist Homann
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
Category
1740s Other Art Style Bay Area - Prints and Multiples
Materials
Engraving
Sausages (The Last Supper), 1999
By Damien Hirst
Located in Greenwich, CT
Sausages is one of 13 screen prints included in Damien Hirst's 'The Last Supper' series from 1999. Signed 'Damien Hirst' lower right, framed in a contemporary, wood frame.
“I think ...
Category
20th Century Contemporary Bay Area - Prints and Multiples
Materials
Paper, Screen
Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Carnival 2
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Carnival 2" c.2000, is an original woodcut on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 20/20 in pen...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Woodcut
Five Children
By Giovanni Vetere
Located in San Francisco, CA
Artist: Giovani Vetere (Italian, born 1940)
Title: Five Children
Year: Circa 1980
Medium: Color lithograph
Edition: Inscribed E.A (Epreuve d'Artis...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category
1760s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Prophet Daniel With The Lions
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: "The Prophet Daniel With The Lions"
Publication: Verve, no. 33-34
Year : 1956
Medium: Original col...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Christ, from La Passion
By Georges Rouault
Located in San Francisco, CA
This artwork "Christ, from La Passion" 1939, is a wood engraving by French artist Georges Rouault, 1871-1958. (Block engraved by Georges Aubert) It is signed in the block as issue. ...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut
Figure Miroir
Located in San Francisco, CA
This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Brown Block on Pink - from the New York Suite
By John Hoyland
Located in San Francisco, CA
Artist: John Hoyland – British (1934-2011)
Title: Brown Block on Pink
Series: New York Suite
Year: 1971
Medium: serigraph
Image size: 36 x 26 inches
Sh...
Category
1970s Abstract Expressionist Bay Area - Prints and Multiples
Materials
Paper, Screen
Senza Titolo
By Man Ray
Located in San Francisco, CA
This artwork titled, Senza Titolo,1962 is a color lithograph on Arches watermarked paper by artist Man Ray (American, 1890-1976) It his hand signed and n...
Category
Late 20th Century Dada Bay Area - Prints and Multiples
Materials
Lithograph
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Waa-Pa-Shaw, Sioux Chief: An Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Waa-Pa-Shaw, Sioux Chief, No. 97", published by Rice, Rutter & Co. in 1865.
...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Kai-Pol-E-Quah: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...
Category
1830s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Beach Wall and Sun
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 5/7 with hand coloring. the plate (image) size is 8 x 15 inches the overall paper dimension is 17 x 23 inches. Kim Frohsin spent 12 years working on monotype ev's...
Category
20th Century Contemporary Bay Area - Prints and Multiples
Materials
Monotype
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
18th Century Engraved Portrait of George Savile, Marquis of Halifax by Houbraken
By Jacobus Houbraken 1
Located in Alamo, CA
A superb 18th century engraved portrait of George Savile, Marquis of Halifax, Plate 82 in "The Heads of Illustrious Persons of Great Britain", written by...
Category
Mid-18th Century Realist Bay Area - Prints and Multiples
Materials
Laid Paper, Engraving
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava.
This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Bay Area - Prints and Multiples
Materials
Engraving
Chemin de Halage
Located in San Francisco, CA
This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Vanity Fair Caricature, Rev. Edgar Sheppard "A Great Marrier" by Spy
By Sir Leslie Ward
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....
Category
Late 19th Century Victorian Bay Area - Prints and Multiples
Materials
Lithograph
Feminine Marine
By Emile Bellet
Located in San Francisco, CA
This artwork titled "Feminine Marine" is a original color lithograph on paper by French artist Emile Bellet, born 1941 It is hand signed and numbered H.C 10/95 in pencil by the arti...
Category
21st Century and Contemporary Modern Bay Area - Prints and Multiples
Materials
Lithograph
The Smoker and the Drinker
By Adriaen van Ostade
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: The Smoker and the Drinker
Year: 1650
Medium: Etching
Paper: Laid paper
Image (plate mark) size...
Category
Late 17th Century Old Masters Bay Area - Prints and Multiples
Materials
Etching
Le Geai Pare des Plumes du Paon, From the suite Les Fables De La Fontaine
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: Le Geai Pare des Plumes du Paon
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Montval Laid paper
Image (plate mark) size: 11.5 x 9.5 inches
paper size: 14.85 x 11.15 inches
Signature: Signed in the plate as issue
Publisher: Teriade, Paris
Printer: Maurice Potin
Condition: Excellent
Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 26 x23 inches
Description: From the suite les Fables De La Fontaine...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Etching
Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London between 1849 and 1861. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two mostly green-colored hummingbirds with brown wings perched on a branch of a tropical long leafed plant, possibly bamboo with ferns in the background.
This beautiful Gould hand-colored hummingbird lithograph is augmented with gum-arabic paint. It is in very good condition, other than some discoloration at the edges of the upper and lower right corners and residual binding material where the print was bound in the 19th century publication. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Untitled - from the Suite 10 West Coast Artists
By Sidney Gordin
Located in San Francisco, CA
Artist: Sidney Gordin – American (1918 - 1996)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithograph on Arches paper
Size: 22.5 x 30 inches.
Publisher: Collector’s Press, San Francisco
Printed by: Ernest de Soto, Michael Knigin, and Gordon Kluge
Edition: 75.
Signature: Signed lower left in pencil
Embossed publisher’s chop lower left of the Collector’s Press, San Francisco;
Numbered : 39/75 lower left in pencil
Condition: Excellent
This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
Category
Mid-18th Century Bay Area - Prints and Multiples
Materials
Engraving
West Coast of Africa; Guinea & Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
Category
1740s Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Hecatombe de Toros
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Leafs
By Charles Eckart
Located in San Francisco, CA
This artwork "Leafs" c.1980, is an original etching on Wove paper by noted American artist Charles Eckart, b.1935. It is hand signed and inscribed T/P in pencil by the artist. The pl...
Category
21st Century and Contemporary Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Three Questions #IX
Located in San Francisco, CA
This artwork titled "Three Questions #IX" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...
Category
21st Century and Contemporary Modern Bay Area - Prints and Multiples
Materials
Etching
Jane
By Charles Bragg
Located in San Francisco, CA
This artwork titled "Jane" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 23/150 in pencil by the artist. The...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Etching
Charles Arnoldi 'Macchu Picchu 4' Limited Edition, Abstract Signed Print
By Charles Arnoldi
Located in San Rafael, CA
Charles Arthur Arnoldi (b. 1946)
Macchu Picchu 4, 2019
Woodcut in colors on wove paper
Edition: 25/30
Signed, editioned, and dated in pencil along lower edge
Printed by Peter Kosowicz, Thumbprint Editions, London
Published by Harvey Bayer...
Category
21st Century and Contemporary Abstract Geometric Bay Area - Prints and Multiples
Materials
Woodcut
Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
"Centre Noeuds" planche #6
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
"Centre Noeuds" planche #3
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #3 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Bremen Markt Vor Dem Rathaus
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Bremen Markt Vor Dem Rathaus" 1936, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 21.5 x 16.15 inches, framed size is 33 x 27 inches. Custom framed in a wooden silver frame, with fabric matting and and dark brown and red fillets. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
By William Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Engraving
Summer Trees Diptych (Two hand-printed botanical cyanotypes, 24 x 18" each)
Located in Oakland, CA
This monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rush or the lat...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
Johns Hopkins Hospital
By Samuel Donovan Swann
Located in San Francisco, CA
This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Bay Area - Prints and Multiples
Materials
Etching
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Bay Area - Prints and Multiples
Materials
Engraving
Los Banos
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "Los Banos" 1969 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pe...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Screen
Munichau (Austria)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
"l'Attesa" Large original colors lithograph
By Marino Marini
Located in San Francisco, CA
This artwork titled "l'Attesa" 1965, is an original color lithograph on BFK Rives paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 38/60 in penc...
Category
Mid-20th Century Post-Modern Bay Area - Prints and Multiples
Materials
Lithograph
Nude III
By Charles Eckart
Located in San Francisco, CA
This artwork "Nude III" 1981, is an original etching in sepia on Wove paper by noted American artist Charles Eckart, b.1935. It is hand signed, numbered 10/17 and dated in pencil by ...
Category
21st Century and Contemporary Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
Original Hand Colored McKenney & Hall Lithograph Wat-Che-Mon-Ne, An Ioway Chief
By McKenney & Hall
Located in Alamo, CA
An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865.
Th...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
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