Bay Area - Prints and Multiples

This artwork "Untitled V" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed, dated 1995 in pencil at the lower right corner by the artist and numbered...

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and numbered 14/50 in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 19.85 x 17.65 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

This artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...

Artist: Ellen Gunn (1951- ) Title: Old Roses Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Edition: 375 ...

This artwork titled "Acropolis Dream I" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...

This artwork "Untitled #3" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.65 inches, sheet size is 15 x 11 inches. It is in excellent condition. About the artist. Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...

This artwork titled "Awakening" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 70/150 in pencil...

This artwork titled "Panic in the Minefield" 2001 is an original color serigraph by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 62/100 in pen...

This artwork titled "Genesis 6th Day" 1962 is a n original etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numbered 24...

This artwork titled "Three Questions #VII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...

This artwork titled "Genesis 2th Day" 1961 is a n original colors etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numb...

This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...

This artwork, titled "Aerial V" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-2”. I believe this indicates the artist did 2 impressions of the monotype, and that they are not identical. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

This artwork titled "One Night Horse Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titl...

This artwork titled "Mount Grosslockner, Austria" c.1920 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 17.25 x 13.5 inches, the sheet size is 25.75 x 21 inches. with full margin. it is in excellent condition, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...

This artwork, titled "Aerial IV" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-20”. I believe this indicates the artist did 20 impressions of the monotype, and that no two are alike. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

This artwork titled "Mount Ankogel, Austria" c.1940 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

This artwork titled "Klosterneuburg, Vienna, Austria" c.1930 is a color etching on watermarked B.F.K Rives paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. Published by Graphic International, printed by the artist's son Robert Kasimir The plate mark (image) size is 9.25 x 9.15 inches, the sheet size is 16.85 x 14.25 inches. With full margin. it is in excellent condition, colors are fresh and bright, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled "Puerto Escondido" 1992 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/20 in p...

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed in pencil b...

This artwork titled "Island Jewels Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titled...

This artwork titled "Asbury Park III" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bo...

This artwork titled "Pot au Lait" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 69/100 ...

Artist: Maggie Hazell-Rosen – American (1919-2010) Title: Foment Year: circa 1990 Medium: Monotype Image size: 12.5 x 11.75 inches. Framed size: 28.25 x 24 inches Signature: Signed...

This artwork titled "A Letter from Picasso" 1974 is a color lithograph on Wove paper by noted American artist George Charles Deem, 1932-2008. It is hand signed and numbered 157/300 i...

This artwork "Lily" C.1975 is an original colors serigraph by noted American artist Lowell Nesbitt, 1933-1993. It is hand signed, dated and numbered A.P. 6/30 in pencil by the artist. The image size is 23.75 x 26 inches, sheet size is 29.35 x 31.25 inches. It is in excellent condition, it has a very light printing ink soiling at the left margin, see picture #6 and a light crease at the lower center margin. About the artist: Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. SELECTED CORPORATE COLLECTIONS -Amerada Hess Corporation, New York, New York -AT&T, New York, New York -Atlantic Richfield, Los Angeles, California -Bank of New York, New York, New York -Biblioteque Nationale, Paris, France -Celenese Corporation, New York, New York -Chase Manhattan Bank, New York, New York -Citicorp, New York, New York -Florists Trans World Delivery Collection of Contemporary Art, Detroit, Michigan -Ford Motor Company, Dearborn, Michigan -General Mills, Minneapolis, Minnesota -Hess Shoe Corporation, Baltimore, Maryland -Lehman Brothers Kuhn Loeb, Chicago, Illinois, New York, New York -Maryland National Bank, Baltimore -Mutual of Omaha, Washington D.C. -Neiman-Marcus, Atlanta, Georgia -Northern Trust Company, Chicago, Illinois -J.C. Penny Corporation, New York, New York -Prudential Insurance Company, Newark, New Jersey -Schroeder Bank and Trust Company, New York, New York SELECTED MUSEUM AND GOVERNMENT COLLECTIONS. -American Embassies: Monrovia, Dar es Salaam, Tel Aviv, Sao Paulo -The Art Institute of Chicago, Illinois -Baltimore Museum of Art, Maryland -Castel Gandolfo, Rome, Collection of Pope Paul II -Corcoran Gallery of Art, Washington D.C. -Dallas Museum of Fine Arts, Dallas, Texas -Detroit Institute of Art, Detroit, Michigan -Edwin A. Ulrich Museum of Art, Wichita State University, Kansas -Enviromental Protection Agency, Washington D.C. -Federal Reserve Bank, Baltimore, Maryland -Fogg Art Museum, Cambridge, Mass. -Fort Worth Art Center, Texas -The High Museum of Art, Atlanta, Georgia -Hirshhorn Museum and Sculpture Garden, Washington D.C. -International Monetary Fund, Washington D.C. -Israel Museum, Jerusalem -John and Mable Ringling Museum of Art, Sarasota, Florida -Library of Congress, Washington D.C. -Loch Haven Art Center, Florida -Massachusetts Institute of Technology, Boston SELECTED SOLO EXHIBITIONS 1958: Baltimore Museum of Art, Baltimore, MD 1971: -Gimpel Fils, London, England -Gimpel and Weitzenhoffer, New York, NY 1972: -Kunstverein, Frieburg, Germany -Galerie Arneson, Copenhagen, Denmark -Gerlerie Aronovitsch, Stockholm, Sweden 1973: The Corcoran Gallery of Art, Washington D.C. 1974: Gimpel Fils, London, England 1975: The Corcoran Gallery of Art, Washington D.C. 1976: Hayden, Massachusetts Institute of Technology, Cambridge, MA 1977: Edwin A. Ulrich Museum of Art, Wichita KS 1978: Kent State University, Kent, OH 1979: Selby Botanical Gardens, Museum of Botany and the Art's, Sarasota, FL 1980: Marion Koogler Mcnay Art Institute, San Antonio, TX 1981: Editions Inc, Houston TX 1982: Butler Institute of American Art, Youngstown, OH 1983: Atlantic Center for the Art, New Smyrna Beach, FL 1984: Oklahoma Art Center, Oklahoma City, OK 1989: Tyler Gallery...

Artist: Richard Smith, CBE (1931-2016) British Title: Untitled Abstract Grid Date: 1972 Medium: Serigraph (screenprint) Sheet size: 29.5 in x 22 in Framed size: 36.75 x 28.25 inches ...

Unframed. Hand-printed original cyanotype photograph on watercolor paper. Limited edition of 10. One has sold. This is a hand-printed contact photograph using the 170-year-old c...

This artwork titled "Popeye" c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and inscribed M.T in pencil by the artist. The image size is 23.5 x 17.5 inches, sheet size is 29.85 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

This artwork titled "Untitled II" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed and numbered 12/30 in pencil by the artist. The image (block mark) size is 13 x 7.25 inches, sheet size is 25 x 18.75 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Genesis 5th Day" 1962 is a n original colors etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numb...

This artwork titled "Three Questions #V" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...

This artwork titled "Self Portrait II" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated ...

This artwork titled "A Escolha Da Camisa Do Dia" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and inscribed PE II in pencil by the artist. The image (block mark) size is 11.5 x 17.25 inches, sheet size is 18.5 x 25 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork titled "The Old House" c.1980 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by th...

Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped ch...

This artwork titled "Desert Approach" 1993 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and ...

This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...

This artwork titled "Pottery Shop, Austria" c. 1975 is an etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist. Printed by Graphic...

Color spitbite aquatint and sugarlift aquatint. Edition of 35

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: A Bientot Pour de Bon Year: 1916 Medium: Lithograph Edition: Numbered 99/100 in pencil Pa...

This Artwork Titlled "Last Year at Marraketch" 1972 is an original color etching and aquatint on B.F.K Rives paper by noted American artist Clinton Blair King, 1901-1979 It is hand s...

This large original color serigraph on Wove paper, 1975 is by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Paris Ville du Front Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 i...

This artwork titled "Heiligenblut, Austria" c.1950 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artiste's estate in pencil at the lower center. The plate mark (image) size is 7.75 x 5.75 inches, framed is 17.85 x 15.15 inches. It is framed in a wooden antique silver frame. It is in very good condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled "Three Questions #IX" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...

Artist: Joel Stewart – American (1959- ) Title: Eclipse Year: circa 1997 Medium: Aquatint on heavy paper Sheet size: 34.5 x 28 inches. Signature: Signed, dated lower right. Numbered lower left Edition:14. This one: 5/14 Condition: Very good Unframed This large aquatint is by the noted American artist, Joel Stewart (1959- ). The print is a bold composition with rich, yet soft colors. Stewart has lived and worked in Kyoto, Japan since the early 1990s. This print was printed in Kyoto in 1997 in a very small edition of 14. It is in very good condition with no flaws to note. JOEL STEWART – BIOGRAPHY (source: Artist's website) SELECTED EXHIBITIONS 2008 “MAKING WAVES – CONTEMPORARY JAPANESE PRINTS”, PHOENIX ART MUSEUM, Phoenix, AZ., Group exhibition Solo exhibitions on hold while construction of “Crossroads” folding screen installation project (begun January 2007) continues. Kyoto, Japan 2007 “ON THE CUTTING EDGE: CONTEMPORARY JAPANESE PRINTS”, LIBRARY OF CONGRESS, Washington D.C., Group exhibition “Crossroads”- Folding screen installation project initiated in January – Kyoto, Japan 2006 “MAHAFFEY FINE ART: 14 YEARS, 14 ARTISTS”, PORTLAND ART MUSEUM, Portland, OR., Group Exhibition “MODERN JAPANESE PRINTS: ETCHINGS”, LOS ANGELES COUNTY MUSEUM OF ART, Los Angeleges CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2005 “JOEL STEWART – RECENT WORKS”, AZUMA GALLERY, Seattle, WA., Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2004 “NEW PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2003 “20 YEARS”, VERNE GALLERY, Cleveland, OH, Group exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2002 “JOEL STEWART: NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA, Solo exhibition “RECENT PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2001 “JOEL STEWART – PAINTINGS”, KEIHAN ART GALLERY, Osaka, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2000 “EAST MEETS WEST: TRADITION AND INNOVATION IN MODERN JAPANESE PRINTS”, CLEVELAND MUSEUM OF ART, Cleveland, OH “NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA. Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition “JOEL STEWART – PAINTINGS AND PRINTS”, REN BROWN...

This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...

This artwork titled "Bridge" 1980 is an original color serigraph by American artist Darryl Sapien, b.1950. It is hand signed, dated and numbered 10/31 in pencil by the artist. The sheet size is 28.25 x 21.85 inches, framed size is 30 x 23.65 inches. It is framed in a black metal frame. The artwork is in excellent condition, the frame has minor scratches. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...

This artwork titled "Cascade" 1991 is a color etching, with embossing and gold addition on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, numbere...

This colorful lithograph is by Bernard Buffet. It is titled “Le Bouquet Violet”. It was printed by Mourlot in 1968. The lithograph is signed in the stone. I...

This artwork titled "Self Portrait III" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...

This artwork titled "Three Questions #III" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...

Saul Kovner: 1904-1981. Well listed American artist. He was born in Russia, but studied and lived in NYC and California. This is a rare etching, as I can n...

This artwork titled "Ouvidos de Conchas, em Mangas de Jaqueta" 1995 is an original color woodcut on watermarked Fabriano paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered 1/15 in pencil by the artist. The image (block mark) size is 10.65 x 7 inches, sheet size is 16.25 x 14 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

This artwork titled "Versando Traco E embaraco Sobre O Papel" 1995 is an original color woodcut on Wove paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered I/L in pencil by the artist. The image (block mark) size is 9 x 11.75 inches, sheet size is 16.5 x 19.5 inches. It is in excellent condition, it has 4 very small 1/4 inches mark in each corner on the back due to hanging tape removal, not visible from the front About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...