Benelux - Sculptures

Bertil Vallien (Brains 1998) Glass Head "Karolina" Bertil Vallien's fascinating glass sculpture "Karolina" with oval shape, timeless facial features, ...

Bertil Vallien for Kosta Boda Sweden miniature sculpture , 1990’s

Terracotta sculpture signed. Measures: Height 24 cm. Width 23 cm. Depth 12 cm.

A very nicely made statue. Top Quality Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 20th century PRoC (1949 - now) Age: Pre-1800 Condition: ...

Velvet Realities Blue Wall Sculpture by Sven Jansse Collaboration with Studio Somé (Robyne Somé) and Sven Jansse. Dimensions: W 63 x D 1 x H 90 cm Materials: Print on CNC’d Acryllic...

Abstract mother, father and child sculpture hand molded in black glaze by Elie Van Damme manufactured by Amphora Belgium, 1960s.

A large handmade wooden sculpture, study of a Marlin, in skeletal form.

Pair of hand-carved wooden woman/man bust statues - 20th bookend - Art - Tribal Measures : 23,5x15cm H:44,5cm Wear consistent with age and use : see photos

Dimensions: 23,5cmH, 9cm W , 9cm D, 18cm H without stand. Condition: Mint Designer : Kjell Engman Producer: Kosta Boda Origin: Sweden Material: Glass

Govert Heikoop’s "Untitled" (1986) is a hand-signed painted plywood sculpture measuring 9.0 x 25.0 x 14.0 cm. Featuring a vibrant pastel palette of blue, orange, yellow, and white, t...

Dimensions: 25cm W, 15,5cmH, 14cm D Condition: Good Has a small chip on the edge of the tip op the tea pot see photos Period: 1980’s Origin: Sweden Designer: Kjell Engman Manufactu...

Stunning welded black painted iron horse sculpture made in 1998 by Lida Boonstra. This beautiful and big work of Art measures L 105 x W 29 x H 81 ...

Elegant pair of solid marble columns in a soft, powdery brown tone with a brocatelle pattern and natural veining. Their warm coloring instantly conveys a luxurious and classical appe...

This unique bronze oloid sculpture was sand cast in bronze by Labor Limae. The manually finished surface shows its distinctive imperfections that specifica...

Liquid sky sculpture by Natasja Alers, 2020. Dimensions: 31 x 35 x 29 cm Material: Ceramics, engobes. Visual artist Natasja Alers (The Hague, 1987) ...

These vibrant Floor fans are from Maarten Baas’s iconic ‘Clay’ collection launched in 2006. The idiosyncratic childishness of this collection is created through Baas’s individual han...

Pair of Bronze Leopards, 1930s Hollow inside

I've been working a lot with copper, copper being the physical material that connects the world. Its incorporation into technology (communication, transport) has enabled and increase...

Art Déco sculpture of a seagull landing on top of a seagulf. Made in spelter and moulded opaline glass on a black marble base. Attribuated to Fritz Diller (1875-1946) Made by the be...

Provocative. Playful. Unforgettable. A sculpture that refuses to be ignored. Very large solid ceramic piece (side table) by Francis Hewlett (1930-2012). This female figure by Hewlet...

5 PIECE SET OF 4 HAND PAINTED CLOWNS SITTING AROUND TABLE PLAYING POKER - VERY DETAILED. Gilde, Germany, 1990s. Vintage 5 piece set of four clowns playing poker and a head waiter. They are all different. They are dressed in jeans, shirts and blazers. It's like they are playing between shows. The table is brown with cards and bear on it. On the bottom there is a brand of the famous company Gilde. The German brand Gilde has been specializing in home accessories for over 50 years. The items of the collection are made in completely different styles: from classic to various modern styles. Each item is unique, because they are all handmade, meeting the requirements of quality and impeccable taste. Famous figurines from the clown guild, collectible figurines...

Love the artwork of Luis Vidal, born in 1970 in Barcelona. He is one of the Spanish artists with the greatest international projection. He has exhibited in Germany, Denmark, Canada, ...

Boleslaw Danikowski ( 1928-1979) high enameled ceramic sculpture, France 1950. Boleslaw Danikowski was the first ceramist to work regularly with Robert Guillerme and Jacques Chambron...

This very expressive flying bird art glass sculpture, from the 1970s, is a true work of art, in sophisticated blown Murano glass, with decor in purple, creme, gold and green. Meas...

Catharina Gerarda Maria (Rini) Dado (Brunssum, January 16, 1955) is a Dutch artist who has been engaged in sculpture since 1979. She studied at the Stadsacademie Maastricht and pos...

Hard wood with rests of polychromy.

An Natural Amethyst Geode Cluster from Brazil, beautiful deep color, correct shine and patina, mounted on an iron base

Gunnel Sahlin for Kosta Boda Pink roots collection

Dimensions: 14,5cm H, 8cm Diameter

Bunny Milky White Decorative Object by Aki Kuroda Dimensions: D 65 x W 88 x H 185 cm. Materials: Polyethylene. Weight: 15 kg. Available in different color options. Prices may vary. ...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Handmade porcelain sculpture depicting two winged angels, a pair of fine putti. Height 35 cm.

Art Deco bronze sculpture nude fan dancer by Marcel André Bouraine with Etling Paris Founders' signature on a Portor marble base. Sculpture in silvered and patinated bronze of a danc...

Art Deco panther sculpture OUGANDA by Max Le Verrier. Signed M. Le Verrier France 1930 original cast of the Art Deco period. Patinated Art Metal - very dark green patina- on black m...

Art Deco bronze sculpture bust of Achilles signed by Constant Roux. Foundry Susse Frères, Paris. On a green marble base. France 1920. This model is illustrated in two books: Const...

Christ from the 18th century in oak -France Very fine work of good quality Beautiful patina and in perfect condition.

Rare Kjell Engman for Kosta Boda bowl , 1980’s

Revelate wall sculpture by Natasja Alers, 2021 Dimensions: 40 x 95 cm Material: ceramics, glazes Visual artist Natasja Alers (The Hague, 1987) graduated from the Gerrit Rietveld Academy in the field of ceramics. Alers makes casts of human body parts and constructs them into new sculptures, vases, reliefs, seating objects and installations. Her work has previously been on display at Collectible Art Fair, Art Zuid, PAN Amsterdam, Big Art, Rademakers Gallery...

At the intersection of industrial design and craftsmanship, Sho's sculptural works are both minimalistic and multi-layered. Every piece of collectible design is handmade by Sho himse...

1967 Big Space Age artwork Machine II. This impressive and unique sculpture titled Machine II, was created by the Dutch sculptor Kor Bekker (Rotterda...

A bronze sculpture on a natural stone base made by Italian artist Franco Ciuti in the 1970’s. Conveys the spirit of brutalist and modernist works of the period. A very decorative pie...

Rust-effect patinated metal cactus sculpture H:172cm Decoration - Indoor - Wabi Sabi Measures : 50x50cm H:172cm Material : Metal

Bear ceramic by Knud Kyhn, Denmark, 1950s.

19th century crucifix or corpus Christi made from wood. Wooden cross with a nice patina and an exquisite shape. This item depicts the Christ in his last agony on the cross, after be...

Minimalist and geometric sculpture - Signed and dated 1973 Wear consistent with age and use Sculpture - Decoration - Modern Measures : 22x7cm H:31cm Materials : polished stone Wear ...

Beautiful shaped abstract modern scultpture made in France, 1960s. This sculpture is made from solid oak wood showing its beautiful grain and texture. Shaped like a figure, it has im...

Marble nautilus shell sculpture, signed.

This adorable giant is powerfully knotted from coarse sisal rope. The position in which the tail and trunk of the elephant stand depends on the mood of its owner... Iron wire in the ...

Vintage porcelain figurine "Pierrot with Guitar" by Spanish company Porcelain Valencia (Villamarchante, Valencia), 1980s. This charming figurine dep...

Rare Signed Gabriella Crespi wild boar with Murano blown glass detail sculpture. 1970s, made in Italy. This piece is in near excellent condition. An amazing and seldom pie...

Sculpture Myaïdes A1, by Patrick Vogel 2014 Patrick Vogel, 1953 born in Troyes, France. Grown up in a family of artists, but a self-taught person. This sculpture is made of mixed te...

Dimensions: 22,5cm W, 21,5cmH, 7,5cm D Condition: Mint Period: 1980’s Origin: Sweden Designer: Kjell Engman Manufacturer: Kosta Boda

Desacralized Trophy by Willem Van Hooff Handmade Dimensions: D 46 x H 63 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials: Cera...

Dimensions: Vase: 22,5cm H, 11cm W, 5cm D Teacup: 15cm W, 14cm D ,13 cm H Sugar pot: 15 cm H, 13cm W, 5 cm D All are in mint condition. Collectable items ...

Copper Clay Disc S1 by Onno Adriaanse. Hand-sculpted, 2022. Edition: limited edition of 8 for every metal finish. Dimensions: Ø 60 cm x 4 cm Materials: oak wood and polished copp...

Rare Kjell Engman for Kosta Boda teacup , 1980’s

Kjell Engman (1946–) was one of Sweden’s leading glass artists in the 20th and 21st century. After his art studies at ”Konstfack” in Stockholm, he has worked for the Kosta Boda glass...

This realistic handcrafted leather covered Monkey has a very nice age patina and would constitute a beautiful Natural History piece in every type of design envirronement. The skin de...