California - Case Pieces and Storage Cabinets

A magnificent late 19th-century French cabinet, expertly crafted from richly carved walnut, featuring an elegant crest with ribbon and garland details that exemplify the grandeur of ...

Prepare to fall in love with a piece of history. This stunning and rare mid-century modern dresser is a part of the "Delineator" series, meticulously designed by renowned furniture d...

The 4-drawer Arcadia chest features four drawers, cast brass hardware, and a sculptural solid American walnut or white oak base. The Lawson-Fenning Collection is designed and handm...

Beautiful vintage burl wood and brass credenza designed and manufactured by Mastercraft in the United States, circa 1970s. This credenza has been built from the highest quality burl ...

A monumental 9 feet 8 inches solid wood sideboard from early 19th century. The top is made of solid boards in 2.5" thickness. Immediately under the top are 6 large drawers with carve...

Post-Modern Goatskin Parchment Credenza 4 Doors 2 Compartments 1 Shelf creating 2 Levels Inside Marbled appearance Overall Tones: taupe, mushroom, brown, tan.  

Streamline Art Deco rattan writing desk with a rattan border, Mahogany sides, and top with four pull drawers and 3-tier side shelf along the side. Restored to new for you. We only...

The San Rafael cabinet features a sturdy construction with upholstered doors and elegant contours. Cabinets can be custom-made in a two-door version with open storage or a one-door v...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage design...

A very rare Italian Chest of 4 Drawers. Bow front drawers in walnut and carved with Acanthus Leaf and Putti—the sides with a central panel carving of a Historic Horseman in battle ...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

An impressive and unusually tall Venetian black walnut and burled walnut secretary. The mirrored top cabinet doors opening to reveal a multi dr...

Simple oak sideboard with clean linear lines - floating on angular pedestal base. France, 1940's 3 individual doors to open shelving with small ...

1970s exceedingly rare bar cart designed by Pierre Cardin for Simo. Pierre Cardin maker’s mark throughout. It is versatile and lightweight, yet has a strong plastic construction. Som...

Seize the opportunity to own a slice of design history with this exquisite vintage mid-century modern credenza, masterfully designed by the legendary Edward Wormley for Dunbar, hailing from the creative zenith of the 1960s. This credenza is a testament to Wormley's philosophy that functional furniture should not forsake beauty. Having received a meticulous restoration, the rich walnut wood displays a lustrous finish, with even the backing revitalized to showcase its full glory from every angle. This svelte case piece stretches 72 inches in width, stands 28 inches high, and reaches 15 inches in depth—a refined and slim profile that distinguishes it from its more robust counterparts. It features a trio of leather off-white doors that slide with satisfying precision to reveal a trio of adjustable shelves, offering versatile storage solutions for the discerning collector or design enthusiast. Edward Wormley's association with Dunbar Furniture brought about an era of accessible, yet sophisticated designs that were inherently modern yet timeless. Wormley's work is characterized by its sublime craftsmanship and elegance, a homage to the harmony between function and form—a narrative that this credenza exemplifies. Envision this piece as the centerpiece in a minimalist setting, its clean lines and warm walnut tones contrasting with the cool austerity of modern design. Equally, it would serve as a sophisticated anchor in an eclectic interior, bridging the gap between various eras and styles. From a chic Bauhaus-inspired space to a cozy Scandinavian nook...

This beautifully restored Paul Frankl-inspired Art Deco era stacked rattan highboy dresser with a mahogany top and five pull-out mahogany drawers. The dresser is a perfect blend of f...

Ash, grasscloth and leather 'Model 116' cabinet designed by Florence Knoll in 1948 for Knoll Associates. The credenza features a pair of sliding doors with original grasscloth fronts...

Antique Anglo Indian cabinet, side board or dry bar. An intricately-carved Anglo-Indian rosewood cabinet with all-over flower and foliate and elep...

Pair of minimalist 'Amboine' burl wood nightstands by Design Frères. Simple, functional design with 2 deep drawers per nightstand. Grea...

The Niguel nightstand features two drawers. Details include leveling brass CAP feet, a brass stretcher on the base, lacquered interior and inset brass hardware. The Lawson-Fennin...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

French Provincial style mahogany display cabinet with four interior shelves and chicken wire door front. Decorative wood apron in front and bronze har...

A rosewood Thin Edge dresser designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...

A pair of early 19th century Central or Northern Italian walnut bedside cabinets. In remarkable antique condition, having original back boards ...

C. 20th Century Victorian mahogany hand carved canterbury w/ drawer & brass wheels.

A beautiful double-sided cabinet designed by Renzo Rutilli for Johnson furniture, circa the 1950s freshly refinished in walnut with white lacquered doors and polished brass fittings ...

Origin: Denmark Designer: Johannes Sorth Manufacturer: Nexø Era: 1960s Materials: Teak Measurements: 39.5″ wide x 17.75″ deep x 31″ tall

An eight-drawer double dresser from George Nelson’s Thin Edge collection for Herman Miller. Design features the slender rosewood case for which the series was named and a double stac...

Beautiful brass Sarreid highboy dresser with working drawers. Well kept brass accent Highboy with brass pins as well. No major scratches or damages. Has wooden legs.

Italian Cassapanca hall bench from the 1930 s. Walnut base and veneer . The bottom of the bench is a Inlay wood painting.  

This vintage mahogany credenza is a stunning piece of furniture designed by Paul McCobb and manufactured by Calvin Furniture as part of The I...

A unique hand painted cupboard from 18th century Denmark. Two door cabinet has baroque details of a faux green varigated marble overall. The legs and back are newer due to its being ...

A stylish pair of French Mid-Century Modern sycamore two-drawer bedside cabinets; each good quality chest fitted with two mahogany-lined drawers with fruitwood stringing centering br...

A striking MCM Danish executive desk from the 1960s, expertly crafted from rich walnut and featuring a sophisticated floating top design. The desk is accented with elegant brass deta...

Early 20th century cabinet with two glazed doors above, two drawers and two doors below with solid, raised, panels. Nicely made with through-tenon construction. Great patina.

a good quality cabinet in the neoclassical style with inset square top of ribbon mahogany above a single drawer apron raised on turned supports all joined by a lower shelf over a sin...

The architects cabinet by Taylor Donsker is meticulously detailed in every dimension and features traditional style joinery to ensure generations of use. It is perfectly suited to ho...

A fine French Louis XV style tulipwood floral marquetry and gilt bronze mounted two drawer bombé petit commode. The serpentine shaped commode with two front drawers, each with a pair...

Chinoiserie bar cabinet with a giltwood base. The bar cabinet has two glass shelves. It is lit from the top and the light turns off when the doors are shut.

Handmade, with original paint, sturdy little opened shelf. There are two small drawers below. Sits on ball feet. Chippy

Wrought iron and butcher block thirty bottle wine rack by Arthur Umanoff, circa 1950s. The tower unit measures 14"W x 11"D x 66"H and is made of wrought iron with two wood butcher b...

Beautiful dresser console by reputable RWAY furniture featuring a mercury glass mirrored glass top with bronze pulls and twelve drawers. Solid wood and in good vintage condition for...

Stunning Lucite and polished nickel etager designed and manufactured by Charles Hollis Jones. This cabinet was designed and manufactured in 1966 during his time with Hudson Rissman and it has not been in production since the late 1960s. The etagere has seven shelves and is perfect to display all collectibles and other valuables. The piece is signed by the artist and dated 1966. Measurements: 90.50 inches high x 48.25 inches wide x 18 inches deep...

A strong, handsome, completely original walnut buffet from the area of Tuscany. Dramatic carved raised moldings on the doors and sides. Original iron lock, hinges and key. Rich pa...

This stunning Maurice Rinck walnut sideboard from the 1940s is a true testament to timeless design and exceptional craftsmanship. The sideboard features two spacious compartments on ...

Paul McCobb design six drawer dresser for his Planner Group series for Winchendon Furniture Company. Made from solid maple wood that has been professionally lacquered in a light Pist...

The Wolo Sideboard focuses on the beautiful grain and natural characteristics of Makata Wood, with solid front panels that emphasize the beautiful contrasting grains, color, and natu...

Restored Mirror Front Stacked Rattan Bar & Mahogany Top, 1940 1940, United States We only purchase and sell the best and finest rattan furniture ...

Incredibly rare Monteverdi Young Demi-Lune executive desk. Gorgeous mahogany & walnut construction. Features multiple drawers and plenty of file and office supply storage. Rare piece...

Origin: Denmark Designer: Henry Rosengren Hansen Manufacturer: Brande Møbelindustri Era: 1950s Materials: Rosewood Measurements: 78.5" wide x 17.75" deep x 41.5" tall Condition: In ...

Larchwood Storage Bin, 18th Century

FAUSTINE BAR CABINET - Modern Bleached Walnut Cabinet with Hand-Forged Handles The Faustine Bar Cabinet is a beautiful and functional piece o...

A stunning Danish modern executive desk, meticulously designed by Arne Vodder for H.P. Hansen in Denmark during the 1960s. This exquisite piece offers a spacious work area, perfect f...

Svend Langkilde design two door teak cabinet for Langklide Mobler, Denmark. High quality construction and use of materials, featuring two doors with inset brass hinges and a fitted a...

An unusually slender George III period mahogany bookcase / cabinet. Paned glass top section over a lower cabinet with a single shel...

The 2-door Ojai cabinet features board and batten doors with iron details and adjustable shelves. Available in two sizes and in American walnut and white oak. The Lawson-Fenning C...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: Rosewood Measurements: 39.5″ wide x 18.5″ deep x 41″ tall