Europe - Vases and Vessels

Enameled earthenware vase. Handcrafted in France, in the potters' region of Puisaye. Dripping glaze and complex texture on its pot-belly. In the style of Jean Carries...

Large Amphora Vase in Hammered Brass Italy 1970

1960s Astonishing yellow and blue Jack in the Pulpit "Calla Lily" vase in Murano glass. Made in Italy. The item is in excellent condition. Dimension: diameter 3,54 x 11,81 H inches d...

Beautiful small Loetz Witwe glass vase out of the famous workshops in Klostermuehle/ Bohemia from around 1902. The artfully formed vase with its...

Nice colored vase from the sixties.

Beige Stoneware Krater Vase by Elena Vasilantonaki Unique Dimensions: ⌀ 25 x H 30 cm (Dimensions may vary) Materials: Stoneware Available finishes: Black, Beige, Brown, Red, White Pa...

Barnaby Marriott Powell. Whitefriars Model number 8473. A large Mid-Century rare 10 inch ribbed amber coloured glass vase.

Glazed ceramic vase from Mougin (Nancy) Original Art Deco, France, 1930s. signed. Dimensions: Diameter 13 cm Height 25 cm.

Extraordinary Art Deco glass vase from the early 20th century around 1930 in Bohemia (Czech Republic). A remarkable, eye-catching designed bohemian glass vase made of amber colored g...

Flower pot or metal paper bin designed by Mathieu Matégot, circa 1950. Manufactured in France. In good original condition, with minor wear consistent with age and use, preserving a...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

A vase designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 11 cm (4,4") in diameter and 9,5 cm (3,8") high. It has a black/purple color and It has a smaller mark in ...

Carlo Moretti Xilos Murano contemporary mouth blown glass vase in clear with blood red and bright red dots. Part of the I Piccoli limited editi...

Midcentury modern ceramic vase handmade by Frank Rasmussen in his studio Frank Keramik Denmark in the 1960s. Blueish gray glaze with golden caramel specks over and around the raised ...

Elegant white ceramic pitcher. Freeform bird pottery pitcher realized, circa 1950 Original perfect condition Measures: Height 20cm, large 20cm.

Accolay Original free form by french accolay potery Signed under the base Grey and green ceramic glazes colors Unique piece circa 1970 Original perfect condition Me...

Pair of very large floral Rococo-style Meissen potpourri vases German, Late 19th Century Height 89cm, width 44cm, depth 33cm These charming vases were manufactured by Meissen, Europe’s oldest porcelain manufactory. Each feature impressive floral and figurative design representational of the best of German porcelain wares. The pieces are topped by richly ornamented lids. Surmounted by extensively applied three-dimensional flowers and greenery, the designs create the illusion of a real flower bouquet. Below the flower bunch, the porcelain base is revealed. Decorated with rocaille motifs and coloured in pale blue, pink and shining gold, the pierced detailing enables the easy diffusion of potpourri scent. Rococo style genre scenes adorn the baluster-shaped body of each vase. Set in a woodland, the intricate paintings portray figures dressed in typical 18th century garments. On the second vase, a couple is joined by a lady in a reclined position holding a basket full of flowers. A pair of twin pale blue rocaille-shaped handles are mounted on both sides of the vases. Richly decorated with butterflies, roses, carnations and sweet peas, the design is completed with delicate floral composition on the white porcelain ground. Below the handles, a brown-haired winged putto is seen reaching towards the front. The bright blue cloth covering parts of his body stands out against his soft, pale skin. The base of the vases is shaped with further rocaille forms, the detailing highlighted in gilt. A large female figure, in a similar position to the putto, reaches forward holding a basket of flowers. The flower types are identical to the larger mounts on other parts of the vases, demonstrating the makers' exquisite skill to make intricate porcelain details in various forms, shapes and sizes while maintaining their real-life appearance. Both vases stand on porcelain stands, supported on four scrolled feet. Each is decorated with yellow, orange, blue, cream, red and purple flowers. The sides are painted with Rococo style genre scenes and floral bouquets. The pieces are marked with the blue crossed sword mark and incised ‘B.C’. Including both naturalistic and figurative ornaments, these stunning Meissen porcelain potpourri vases...

Elevate your decor with the exquisite beauty of this extraordinary yellow blown glass vase from the early 20th century. Crafted by an unknown manufacturer in Spain circa 1930, this v...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Excellent condition. Signed on the base...

A beautiful blue glazed lava vase by the well-known artist Charles Cart. From the French Le Cyclope in Annecy, Charles Cart is designer of Emaux des Glacier.

This sophisticated white-glazed ceramic vase sports a singularly appealing look, inspired by the fascinating woman ("conturbante" in Italian) who is said to defend this marvelous tul...

Art Deco vase in enamelled ceramic with floral and geometric motifs, partially gilded handles and base. Created by Raymond Chevallier (1900-1959), successor to Charles Catteau. Produ...

Lattimo Velato Vase by Carlo Scarpa for Venini Murano ca. 1936 A rare lattimo velato vase designed by Carlo Scarpa ca. 1936. Manufactured by Venini Murano Venice in the 1930s. Thin ...

Vintage porcelain vase with delicate pattern. Made in Germany in the 1960's.

Introducing a very rare and adorable Arts and Craft Yellow Flower Vase in Irregular Shape by Hilma Persson Hjelm, Sweden. It embodies the essence of...

A beautiful stoneware art deco vase. Amazing glaze with hand-painted details in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition, ...

Volume 1 vase by Milan Pekar Dimensions: D11 x H15 cm Materials: Glaze, porcelain Handmade in the Czech Republic. Also available: Different colors and patterns Established own studio August 2009 – Focus mainly on porcelain, developing own glazes. Mould makings, and Slip casting. Milan Pekar is an award-winning product designer. Assistant professor at Studio of Ceramics and Porcelain...

This is an antique decorative jardiniere. A Chinese, ceramic planter, dating to the late Victorian period, circa 1900. Delightful decorative interest with rich colour and Oriental t...

A late Victorian-era Bohemian glass vase, crafted between 1890-1899 by renowned Bohemian/Czech glassmakers Harrach. The small bud vase features deeply fluted glass swirls around it...

Beauty lies in a reaching for order, but not in grasping it. These sensuous, full-bodied crystal vases were developed in dialogue with Berlin’s cult florist Marsano and artisanal gl...

A really large bottle / vasein rustic stoneware in brown & gray color designed by Annikki Hovisaari at Arabia in Finland in the Mid 20th century. It is 42 cm (16.8") high and in exce...

Fulvio Bianconi for Venini. Pezzato Americano vase, model 4402. Vase “ in the color variant “America” with transparent glass tiles in the colors straw, yellow, black and green). Veni...

Art Deco flower vase with original glass around 1920s Brass polished and stove enameled Original glass

An early Just Andersen art deco pedestal dish made in the 1920s. Closing in on a 100 years it bears signs of its history, yet it is a stylish detail testamenting the Just Andersens c...

This is a very decorative small cloisonné vase, made in China and dating to the first quarter of the 20th Century. The vase has a good globular baluster shape. It has been well mad...

An exceptional 3-layer cut overlay uranium green glass perfume bottle from the Biedermeier era. This piece is crafted from clear transparent glass, double...

This is a vibrant 1940s Art Deco hand-painted porcelain vase from the Czech Republic. Its design epitomizes the bold and colorful aesthetic of the Art Deco period, featuring angular,...

Large Vetro Soffiato Glass Vase by Vittorio Zecchin attr. Murano 1924 A large art glass vase in mouth blown 'Vetro Soffiato' glass, designed by Vittorio Zecchin. Manufactured most p...

Made in Italy by Vincenzo Nason, 1960s. This set is part of the "Avventurina" series, and it is made in black and red Murano glass with Bronze aventurine. It is a vintage set, there...

Vintage Studio Ceramics Bottle Vase - Natural Burnt Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ceramicist...

Conch shell glass vase handmade by Johann Loetz Witwe Austria/Bohemia Jugendstil circa 1902 "Candia Papillon" Decoration. The extravagant Candia Papillon decor lends a special brilliance to the shell shape of this collectible. The iridescent quality of this decoration not only encompasses the outside of the intricately applied silver crumbled dots, but extends into the interior of the glass shell. A characteristic of this scroll vase...

Beautiful decorative basket or planter fully made in curved rattan, wicker and brass. This lovely object is attributed to Vivai del Sud and made in Italy during the 1970s, clearly in...

Absolutely beautiful and extremely rare large earthenware glazed vase / floor vase sculpted by John Andersson and Alfred Johansson for Höganäs Keramik Sweden in extremely good condit...

Vase in Austrian iridescent Loetz glass, with a shape with a flower opening and colors from purple to beetle, made in the 1940s Measures: Ø cm 18 h cm 11 The production of Loetz glass began with Johan Loetz (1778-1848) in the 18th century through the takeover of the Klostermühle glassworks. In the second half of the 19th century, his nephew took charge of the modernization of the glassworks, introducing, thanks to the assistance of the inventor Eduard Prochaska, new processing techniques: thus new processes were born with glass in imitation of semi-precious stones, veins and the decoration. , which during processing includes hot coils or colored glass pads. Finally, at the end of the 19th century, the creation of the first glass iridescences with metallic reflections began, up to the creation of Phänomen in glass with applications and inserts of partially metallized glass filaments, similar to Tiffany glass and the famous Papillon glass...

Created out of a playful approach to materiality and form, this item is a ceramic vase as well as a sculptural piece. The designer Julien Renault chose to mainly follow his intuition...

Rene Lalique Opalescent Glass 'Ronces' Vase, with grey stained background. This pattern depicts entwined bramble branches. Moulded makers mark, 'R LALIQUE' and engraved, 'Lalique' to...

Brilliant handmade Pair hand-glazed Art Nouveau planter jardinière, 1930. Handmade and hand-glazed in brilliant colored details. Made in Belgium Art Nouveau period 1930 fine qua...

A stunning Swedish mid-century twin winged Flygsfors pink Coquille Fantasia art glass vase by renowned designer Paul Kedelv (Swedish, 1917-1990). Paul Kedelv was one of Sweden’s lea...

The Agelada Glass Vase with pendant was originally designed by Ettore Sottsass in 1986 for Memphis. It's part of the “Vetri Glass” collection. Made in blown Murano glass, and signed ...

A finely worked and hammered copper libation cup with a silvered interior and a single swept handle. The frieze we think depicts the Israelites returning to Egypt.

Vintage French ceramic flower vase by Jacques Blin (circa 1950s). This diminutive vase reveals a frieze of stylised animals like those found on ancient cave walls - all this against ...

Rare Daum vase from the 50s in thick yellow crystal. Hand blown signed vase in good condition

1/2 Ltr forms The 1/2 Ltr forms are created using leftover materials from the 105 Ltr production. Each edition is limited to the quantity that can be made from the leftovers. In the...

Very decorative Loetz Witwe glass vase in decoration Cobalt Papillon from the Art Nouveau period in Bohemia, circa 1903. This gorgeous vase from the workshops in Klostermuehle shows ...

An amazing midcentury studio art pottery vase made in Germany, circa 1960s by Scheurich Keramik. Vase is in very good condition with no chips, cracks, or flea bites. Signed with part...

Ceramic vase with blue overlay and depiction of a bull in bas-relief on the bulging wall. Signed and dated on the foot: A. Casadei, Roma 1960.

A very unusual and Murano blue and turquoise glass vase. The original round foil sticker is visible on one side marked: Murano Made In Italy. A beautiful decorative piece perfect for a glass display case or shelf where the light can shine through it to emphasise the beautiful and almost luminous two-tone coloured glass. The vase is made in the Sommerso (submerged) style with darker royal blue glass submerged inside lighter turquoise clear glass...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...