Hudson

A rare chair by Donald Knorr for Knoll. Great modernist design, bent sheet metal with solid rod steel legs. Model # 132 produced from 1950-52. Winner of 1...

Japanese Wakasa lacquer table with coral quince design. Signature not readable.

image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...

Carved from a single block a rare banded onyx this large sculpted egg rests on an electrified pedestal that creates internal light for the egg making it a ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

with elegantly carved wooden stand. Designs featuring floral patterns and birds.

A wonderful stylized Art Deco polo player sculpture. Signed Hagenauer, Wien.

Furosaki (tea ceremony screen) Mineral pigments on mulberry paper with oxblood lacquer trim. Signature and seal read: Katsutoshi. On back it is titled: Irises (Kakitsubata) with a ...

Lovely solid hard rock maple chairs manufactured by Cushman of Vermont. These chairs are quite rare and from a small line produced by Cushman called ...

Cherry blossoms and maples among ragged pines. Mineral pigments on mulberry paper with gold mist clouds. Completely remounted utilizing an antique silk brocade...

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

Toy Horse Series: Sunset (Still Life with Toy Horse Against Sunset Landscape) 12 x 12 inches, oil on linen 14 x 14 inches in frame of medium dark wood Signed right bottom corner An...

Toy Horse Series: Night (Realistic Still Life with Toy Horse Against Night Sky) 12 x 12 inches, oil on linen 14 x 14 inches in frame of medium dark wood Signed right bottom corner ...

This Louis XV style table made in Italy or France in the 20's exhibits great carving and a fine fluid line. Both countries in that time period made fine furniture for export to America in exacting styles and with time-honored handcraftsmanship sometimes making it hard to locate a point of origin. The table is carved from mahogany, an interesting and expensive choice but one allowing for deeply detailed carving and good structural stability. The finish is an old dry paint...

Beautiful and charming Louis XV style bench. Looks as though it is standing on its tip toes. Carved , and polychromed frame with the perfect amount of wear make this so very BOHO chic. Upholstered with hair on cow hide and antique brass tacks...

These beautiful pots are used for cooking and serving food. Temples and families commission them for special occasions. The handles have beautiful ornamentation. Rods are inserted th...

A set of sterling silverware in the Tjorn pattern designed by Jens Quistgaard for Dansk. Priced per five-piece place setting. Up to 12 (twel...

Round soapstone (often called slate but not slate) topped cocktail or coffee table with octagonal walnut base by St. Louis architect, Fred Kemp. Kemp was a l...

Chrome tubular floor lamp by Sonneman. USA, circa 1970. On /off switch on stem; round base.

Pair of antique Hitchcock School side chairs featuring gilt stenciled decoration throughout and to include having newer rush seats, circa 1830. Very ...

Roses/ Love / Bouquet / Pink / Happiness / Couple Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elements of oil painting, folk art and commercial illustration...

Even with its small footprint, this handsome tall mahogany display case offers plentiful storage for collectibles and objet d'art. Marked "Lond...

Dramatic and beautifully executed cherry blossoms trickle down the two panels with natural willows calmly coexisting with luminous gold dust fading to the ground. Mineral pigments an...

28.25 X 25.75 Inches framed This piece is featured in A’Court’’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography:...

Japanese Six Panel Screen: Snow Scene at Water's Edge with Flowers and Waterfowl. Edo period painting (mid 19th century) of plum, bamboo, white camellias, cranes and mandarin ducks ...

This Spanish walnut chair with a large wide seat was made circa 1680-1700. Made from well carved but simply done walnut the chair is centered on ...

Vintage Mid-Century Modern 1950's Danish settee/loveseat in the style of Alfred Christensen. Newly upholstered in light brown fabric with button tufting to the back. Single welting. ...

Beautiful pair of Paul Frankl for Brown Saltman two-tier occasional tables with splayed and tapered legs and espresso finish.

Folk art hand shirred and hooked rug in wonderful colors on a black mottled background. Wool on linen, American, New England circa 1830's. The colors of the flowers are perfectly bea...

It doesn't get much better than aged leather and rosewood! This is the sofa designed by H. W. Klein for Bramin (NA Jørgensens Møbelfabrik), Denmark, in 1966. The four seat model is r...

This large and impressive Mandarin food storage box is very detailed and well-constructed. The case, made of finely carved wood, houses five different stackable storage boxes. Each b...

This piece is featured in Bruckner’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: Karin Bruckner was born in Zurich, Switzerland and...

Two tigers exchanging amorous glances. Kano School painting.

Ganymede was a Trojan prince in Greek mythology, known for his compelling beauty. Because of his alluring good looks, Ganymede was abducted by Zeus to serve as cup-bearer in Olympus....

A divided teak wood tray with an end-grain teak cutting surface and a recessed section, designed by Jens H. Quistgaard for Dansk. Branded "Dansk Designs Denmark IHQ...

Japanese Two Panel Screen: Ink Landscape on Silk, Meiji period (1868 - 1912) painting of a man riding a mule on a pathway through the Kurotani mountains with a thatched roof shelter ...

acrylic on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

Vintage 1950's Mid-Century Modern Michael Taylor for Baker wooden stool with gently curved woven cane seat. Minimalist legs and base. Good vintage condition.

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Mineral pigments on silk, mounted on a gold panel, in silk border. Signature and seal read: Yoho.

Elegant sofa designed by Carl Malmsten (1888-1972) and retailed by Nordiska Kompaniet. Classical form with gracefully curved sides and open frame back. B...

Maruyama Okyo School painting in mineral pigments on heavy gold leaf with a silk brocade border.

An unusual floral screen covered entirely in the tarashikomi technique of the famed Rimpa School creating an archaic feel. Mineral pigments and ink on silver with a silk brocade bord...

This exquisite carved mahogany mirror .Featuring beautifully carved flowers, the oversized wood frame surrounds a round beveled mirror. Some minor wear and separation of joints but ...

Tan leather desk lamp by Le Tanneur. France, circa 1950. Signed/stamped on underside. Features hand-stitched leather-wrapped frame with brushed steel acccents. Rewired for use ...

Mineral pigments on silk. Signature and seal read: Shunsei (or Haruo).

This lovely fine fauteuil a la reine or straight-backed open armchair is carved from beechwood and finished out for light and airy effect in a caned seat and back. The chair formed p...

Meiji period painting (1868 - 1912) of rooster, hen, and chicks in mineral pigments and ink on mulberry paper with silk brocade border. Signed Soken.

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Art Deco revival chandelier by Frederick Raymond, USA, circa 1970s. Features frosted floral pattern on clear glass on a polished chrome frame. Includes canopy and adjustable hanging ...

Mineral pigments on gold, signature reads: Okyo.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Stunning floating walnut table sturdily built on top of elegant stilt styled legs. Simple yet elegant design attributed to Jens Risom. Original built in tiles add a unique design ele...

Early 20th century English gilt painted mirror with great age. Foxing detail to mirror. Wood in original condition. Some losses to wood but it all goes with the overall style of the ...

This masculine grain painted mirror frame is composed of two separate frames. The inner frame is grained rosewood in deep long strokes creating a pattern around the mirror and the se...

Watercolor on paper

Hand made. Hammered copper Amazing. Almost sci-fi. I have never seen anything like this before. Possible ex museum collection. Two plaques on the front and back that would have held...

Fully restored and newly upholstered Jens Risom attributed armchair with gently curved arms and button tufting on the back. Measures: Seat depth - 20.5". Arm height - 24".