Illinois - Sculptures

This Chinese Neolithic-inspired stone axe head, meticulously carved from yellow nephrite stone, is a testament to ancient craftsmanship and cultural si...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a "slice" of a metal sculpture that was salvaged. A sev...

Monumental Leza McVey Surrealist "Eye in Hand" Ceramic Sculpture, 1977 Partially glazed stoneware Signature: Signed "Leza" inside the hand Dimensions: 23¾" H × 14¼" W × 7¾" D Conditi...

An Italian ceramic toucan sculpture on a gilt bronze and tole metal wire tree branch by famed Italian artist Giulia Mangani. The colorful bird is accented by hand painted ceramic leaves. Mounted on a rectangular resin plinth...

Self-taught artist John Seubert, AKA John Dolly, repurposes objects he uncovers as he rehabs older homes in Chicago. Here, multiple paintings depicting doors are hinged together with...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

This miniature cast brass Italian opera mask, mounted on a custom steel stand, offers a charming glimpse into the extravagant world of 18th and 19th-century Venetian masquerade balls...

Cubist Sculpture in Mirror Polished Chrome Striking Cubist-style mirror in polished chrome on plinth base. This sculptural piece features a dynamic interplay of angles and reflective...

An oversized bronze pear sits upon a circular concrete base in Mary Block's unique work entitled Summer Pear. This one of a kind bronze sculpture is perfe...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the black patina. Designed in 2012. Each bronze is signed. Can be used as vase or sculp...

This 19th-century French chef's pounder tool, carved from walnut, has a charming, worn look only centuries of use can give. One end is a round, mallet-lik...

An arresting pair of 20th century West African cast bronze bird sculptures, each with incised feathers, raised eyes, and standing on two legs, resting on flat bases. Perfect for deco...

Manuel Felguerez Mid Century Metal Toy Soldier This figurine measures: 5.75 wide x 5 deep x 16 inches high We take our photos in a controlled lighting studio to show as much detail...

Natural feldspar stone sculpture. Hand carved and polished, then mounted on lacquered wood base with felt bottom. Great color, movement and composition.

A well-chosen stone is a resting place for the mind, inspiring calm and contemplation. Marked by currents of jadeite, moss agate, and serpentine, this greenery stone disc evokes the ...

Hand-carved wooden drum from New Guinea, featuring intricate painted patterns in white, red, and black across the cylindrical body. The surface displays symmetrical curvilinear motif...

Mario Dal Fabbro - No. 20 Signed Mario Dal Fabbro Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

An ode to a childhood favorite - this chunky, hand built sculpture depicts a bust of Cap't Crunch cluttered amidst ionic columns and bridge girders. Its earthenware coloring is comp...

Self-taught artist John Seubert, AKA John Dolly, repurposes objects he uncovers as he rehabs older homes in Chicago. This piece, based on a series of paintings by famed artist Joan M...

Mario Dal Fabbro - No. 22 'construction' noted on back Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

Peter Shire limited edition signed and dated glass sculpture / vase for Vistosi, Italy, Pedestal, USA / Italy, 1990 Peter Shire rare signed and dated glass sculpture for Vistosi, ...

A fine delicate sculptural figurine of a woman by Seguso Vetri d'Arte or Cappellin Venini made of delicate translucent soffiato glass with a slightly iridized finish and teal green "...

Exuding an energy of calm and tranquility, this larger-than-life stone bust depicts a Buddhist bodhisattva in serene meditation. A disciple of the Buddha, a bodhisattva is a compassi...

Frank Meisler Rare Vintage Judaica Rabbi Praying Mechanical Sculpture 103/250 This sculpture measures: 4 wide x 5 deep x 9.75 high We take our photos in a controlled lighting studi...

Small Blue Dew Drop, Ian Alistair Cochran, Represented by Tuleste Factory This Dew Drop is in a series of tables and stools which further play upon resin’s ability to affect light w...

This seated ceramic figure is attributed to the ancient Nayarit region of Mexico and was likely used as a ritual or burial offering. The ceramic works of this style, known as Chinesc...

Brass effect & natural polished aluminum sculpture mounted on Lucite titled "Misergo" by American metal sculptor Dan Murphy. The sculpture is series of straight and perfectly curved question mark shaped flat aluminum bands intertwined and fixed to an acrylic plinth.

Vintage Leather Carousel Horse Signed By Teresa Corning This Antique Carousel Horse is made of leather and the pole is made of metal. The sculpture is fa...

Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...

Mario Dal Fabbro sculpture No. 2 Signed Mario Dal Fabbro 1990 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family'...

This ode to an American classic is a chunky, hand built sculpture depicting a group of columns with a ceramic hamburger atop. Its earthenware coloring is complemented by the smalles...

This set of four 19th-century French wrought iron chamfered shave draws is a tribute to the artistry of coopers, essential craftsmen in communities. These draws, once crucial tools f...

After Franz Bergman Vienna Austria bronze with original patina finish to the bronze Buddha. Open the Buddha to reveal a cold painted gold nude female...

To cure mental and physical ailments, Yoruba priests and diviners invoke the aid of Osanyin, the god of herbal medicines. Used in divination rituals to cure the afflicted, these iron...

This contemporary figurine, sculpture or paperweight of an icey polar bear is hand crafted by Daum France. Made of crystal clear glass resembling an ice carving represents the epitom...

Puddingstone is named for its unique composite nature, a suspension of multicolored pebbles that resemble raisins in a pudding. Historically, the unusual stone was favored by scholar...

Abstract proportions make this zebra so unusual and modern. Hand painted with chippy paint. A few superficial cracks due to age which add personality to this guy. Dimensions: 20"W...

Sometimes called a "Bura bell" due to its shape, this sculptural terra cotta object was part of the Bura tribe's burial ritual. Buried with its flared mouth facing down, this cylindrical storage...

Vintage Rare English Art Deco Revival Chrome & Resin LeGarcon Mannequin by Lindsey Balkweill This rare English Art Deco Revival Silver and Red Mannequin was created in the 1970s by ...

Kugler's "The Powerful Hermanas: Irene" expresses his profound admiration for the human form. The nude figure stands vulnerable before us yet a cloth is draped over her eyes as she gives herself over, blindly, to an unseen force. Hermanas, meaning sister, brings power to the female form. The nude from Ancient Roman art...

This is a heavy bronze abstract sculpture by Peter Calaboyias . He titled it psyche no.2 and did it in 1983. It is mounted on a green marble tiered base

A striking silhouette elevates this gnarled rootwood object into an incredible natural sculpture. The organic root form recalls the tradition of Chinese scholars' rocks, or gongshi, ...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

This is a heavy abstract bronze? Metal sculpture of a pair of birds by Fannie Phillips and inscribed on brass plate on stone plynth.

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Mario Dal Fabbro Sculpture No. 16 1979 Signed, Mario Dal Fabbro, F.9 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his ...

A whimsical 19th century French hand-carved and gilt cartouche fragment with acorns and foliate decorations, and mounted on a custom steel mount. Since ...

In an exclusive collaboration, each hand-studded piece by artist the bms. was transformed from a provincial 19th century artifact into a one-of-a-kind work of art. Embellishing with silver and gold thumbtacks, the bms. adds a contemporary twist to our storied objects, animating each surface with bold and provocative designs. This kintsugi rest was originally a Qing-dynasty low stool, used by a Shoemaker while he assembled pairs of shoes. Marked by the artist's golden touch, the simple stool has been gilded with a pattern inspired by the Japanese art of kintsugi, wherein damaged ceramics...

An oversized bronze pear sits upon a concrete base in Mary Block's unique work entitled Autumn Pear. This one of a kind bronze sculpture is perfect in its imperfect shape as only nat...

Fine cast bronze figures created over 400 years ago during China's Ming dynasty are rare and highly appreciated. In this exceptional example, a spirited young boy stands on a lotus b...

Dated to the late 19th century, this fine Chinese headrest is hand-crafted of lacquered hide atop an elongated bamboo frame. Used while sleeping like a modern pillow, the headrest ha...

This headrest comes from 20th century Kenya, hand-carved from one piece of indigenous wood. Headrests held great value to North Western nomadic pastoral tribes of Kenya as they have ...

Behold this exquisite set of three 19th century French dibbers, tools used to aid in planting seeds or seedlings, each a unique testament to the artistry of bygone eras. Crafted with...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. In this wall-mounted sculpture entitled "Buck Head...

Mario Dal Fabbro - No. 9 Signed Mario Dal Fabbro, 1983 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

Black and gray iconic mottled glaze vase by Carlo Zauli. The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is c...

This intricately styled pair of terracotta figurines is sculpted in the style of Japanese Dogū sculptures of the Jōmon period (10th-4th century B.C.). Reminiscent of Pre-Columbian redware figures, Dogū ceramics are known for their primitive abstract rendering of the human form and decorative geometric etchings. This pair of ceramic figurines...