Los Angeles - Wall Decorations

Super cool Los Angeles freeway sign. Made in the late 1990s. This sign welcomed you as you entered the city of Los Angeles. Stamped "PROPERTY STATE...

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

This charming ceramic wall art by Victoria Littlejohn, crafted in the 1970s, is a striking representation of Mid-Century Modern artistry. Featuring a beautifully glazed ceramic chick...

Giant metal paperclip slightly under 1.5 ft tall. Quirky accent piece or wall art. Good weight to object. Slight wear to metal exterior. Good vintage condition. Two available. Priced...

Massive vintage California lodging sign. Large blue sign with white lettering and white trim. Letters and trim have reflective pieces. Great coloring and condition. Fantastic piece o...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

Set of four 19th century stunning, intricate lattice panels from Japan. Wood with naturally worn patina; traces of crackled finish. Each panel measures 35.5 inches wide and placed to...

Vintage San Francisco sign that reads "SAN FRANCISCO CITY AND COUNTY POP 793,700 ELEV 61." Dated 1997 on back. Stamped property of California on the back. Some wear to metal on front constant with age. Fun wall art...

Condition: Original Vintage Condition Materials: Gold-Leaf Guildwood Style: French Neoclassical

After studying sculpture at the Royal Academy of Art in The Hague (1949), Jan Snoeck (1927-2018) spent a number of years working as a sculptor in the Netherlands. Over time, his love...

Antique Tapestry Rug in Wool and Cotton 11'9x9'2 Key Details: Pile: Wool Foundation: Cotton Origin: Tapestry Design: Pictorial Approximate Age: 16th century Quality (KPI): 3...

Condition: Original Vintage Condition Designer: Muraina Oyelami Manufacturer: Muraina Oyelami Materials: Serigraph Titled “Carnival Fever”, this vibrant serigraph by Nigerian mas...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

19th C. bas-relief panel which is a type of sculpture where the design in only slightly raised from the background surface, creating a shallow, low-relief effect. The relief depicts...

Unique vintage street sign that reads "Citizens Crime Watch Neighborhood" Green lettering on a reflective silver background. Great vintage condition.

French aged bronze studded wall hooks France, 19th century Handcrafted artisanal pieces Heavy in weight and substantial in their construction and composition Sculpted aged bronze J ...

Spanish wrought iron brutalist coat rack Barcelona, Spain, mid century Handcrafted artisanal piece Heavy in weight and substantial in its construction and composition Fleur de lis w...

Striking 3D Bauhaus inspired art by Dutch visual artist Lejo den Hertog (1945, Delft). Consisting of diagonally placed geometric shapes and bold primary colors this work from 1969 (p...

This antique Italian embroidered panel is a finely handwoven work in wool, showcasing exceptional craftsmanship and decorative richness. Likely dating from the 18th century, the vert...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautiful continuous black line drawing of a woman by Jean Negulesco. Vintage color serigraph print with blind stamp in corner. New custom maple frame with UV plexi.

Vintage Desert landscape painting floated in a simple blonde wood frame depicting a spring superbloom in the foreground with cactus ...

Raul Coronel "Jeweled Village" ceramic wall plaque Art.

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

Dutch visual artist Han Sterk, owner of gallery studio "Han Sterk," is an artist whose creative output consists of both paintings and sculptures, at times figurative but more often a...

18th Century European Hand-Woven Aubusson Verdure Tapestry depicting a woodland nature scene. Made in France circa 18th Century. Finely woven with cloth backing.

Charming English oil on canvas depicting three Spaniels and a flying duck overhead. Signed P. Hargrove. Original gilt frame.

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Canvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

Monumental vintage basketball scoreboard by Fair Play, made in the 1980s. Extremely unusual size with the player stats on both sides. Gre...

19th C signed Framed Horse Litho By Olso.

French wall mounted cabinets with single sliding door in the style of Charlotte Perriand. Made in France, circa 1950s.

Vintage Hand Painted scenic oil painting panels - a pair Additional information: Materials: Giltwood, Paint Color: Blue Period: Mid-20th Century Art Subjects: Landscape Styl...

Condition: Original Vintage Condition Designer: Alfred B. Manufacturer: Alfred B. Materials: Oil Painting, Wood Frame Style: Abstract Expressionism This original mid-century oil painting by Alfred B. captures a fleet of schooners rendered in an abstract expressionist style. Bold geometric forms and warm, layered tones evoke the energy of a regatta beneath a glowing orange sun. The brushwork is expressive and fluid, creating movement and depth without relying on fine detail. Housed in its original wood frame, the piece remains in its authentic vintage condition. A striking example of 1960s American abstract nautical art...

Stunning framed taxidermy alligator with great coloring and very well preserved details. Hues of the scales range from a beige color on the outer edge...

Incredible Mid-Century abstract brutalist door panel. Jagged edges and decorative carvings highlight its raw and dynamic geometric presence. An a...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Monumental Stratocaster style guitar made in Belgium, mid 1980s. Just over 8 feet tall. Very heavy. Approximately 180 pounds. Hand painted with artificial wear and tear. All of the scuffs, marks and dirt are actually hand painted on to the guitar and smooth to the touch. Metal wire for strings. Excellent details throughout. Fantastic piece of giant pop art sculpture...

Original oil painting self portrait of the late Donald K Ryan. Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout...

Rare set of two small framed oil paintings by Ivan da Silva Bruhns, (Paris, 1881-Antibes, 1980). Unique works. Signed. Each panel is 9 in. wi...

Mother and Colt Horse painting. Signed and dated 1971.

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

Antique Marquetry Inlaid Scenic Tarsia Panel of Raffigurante "Il Carro Dell'Aurora"

Brutalist style wall sculpture in copper with a black blacp painted metal backing, excellent condition, little to no wear. Measures: 36” high x 13 1/4” wide x 2.5” deep.

Josef Albers’s “Formulation: Articulation” portfolio contains 127 silkscreens of his most iconic works, published by Harry N. Abrams and printed by Albers’s Yale colleagues Norman Iv...

Roy Lichtenstein (1923-1997): Solomon R. Guggenheim Museum screenprint in colors on smooth wove paper. Pencil-signed lower right, ; 1969; from the edition of 3000-5000, printed by Po...

A Signed Andy Warhol and Jean Michel Basquiat Exhibition Poster "Tony Shafrazi & Bruno Bischofberger... Painting / September 14 - Octob...

Highly versatile and functional Cado wall unit in walnut by Danish designer Poul Cadovius. We currently have many different Cado pieces in stock and can customize your order to include the type and number of pieces you need. We have both the Royal System and the Cado systems...

Vintage brutalist wall sculpture by renowned Danish sculptor Henrik Horst. Known for his impressive, Brutalist welded iron wall sculptures Henrik Horst began his career in Denmark in...

Combination of oil and acrylic on paper. From Bauhaus but unknown artist, c.1950s. Framed Dimensions without the frame are 30" W x 22.25"H".

Oil on Canvas by José Herrera (Spanish, 1943-). Signed and dated 1973. Original stainless steel frame. A beautiful piece.

Highly versatile and functional wall unit in teak by Danish designer Poul Cadovius. The unit shown is an example of what we typically stock. Units are sold by the component- wall r...

Sunburst wall sculpture with a hammered brass center and two layers of painted rods creating a sunburst effect. The artist hand signed the sculpture on the verso.

Classic, Mid-Century, 1960's Serigraph of a still life by painter Tugomir Huberger mounted on board with thin white framed edge. Huberger, a Croatian ...

This is an amazing work in semi precious stones in Hardstones or Pietra Dura work. Framed measures 21 x 24 inches. In back has a partial detail of stones and also origin of art work.

Materials: Walnut Wood Frames, Painted Pressed Wood Designer: Allan Noonan Manufacturer: Millennial Designs ________________________________________ Transforming a piece of Mid-Cen...

Dutch visual artist Han Sterk, owner of gallery studio "Han Sterk," is an artist whose creative output consists of both paintings and sculptures, at times figurative but more often a...

Black Tar on realistic Weapon replica

Beautiful 1970s wall plaque by Phillip and Kelvin LaVerne. This acid etched and patinated brass over pewter wall plaque is a really nice piece from ...

Mid-Century Modernist Cubist Concrete Wall Art

Large scale wood carved panel by California artist, Evelyn Ackerman for  Era Industries c.1960s. This carving features various nature themes like the sun, trees, fish, birds and leav...