Netherlands - Wall Decorations

This original rare print depicts the siege and capture of Oudenaarde on July 5, 1582, during the Eighty Years' War. A notable incident during this event was the miraculous escape of ...

"Victorian Botanical Splendor: A Collection from Edward Step's Horticultural Compendium" Three prints showing the wider array of botanical illustrations from Edward Step's "Favourit...

Very old and interesting engraving of the Eighty Years' War. The Battle of Jodoigne (or the Battle of the River Gete), which was a clash that occurred on October 20, 1568, during th...

Rare original engraving of the Pontoon Bridge Constructed by the Duke of Parma in 1585, depicting the famous pontoon bridge over the Scheldt River. This engineering feat was accomp...

"Victorian Miniature: Pompon Rose Elegance" This exquisite print, titled "Victorian Miniature: Pompon Rose Elegance," is a genuine antique illustration from Edward Step's "Favourite...

Framed trompe l’oeil of silver medal celebrating Dr. Nicolaes Tulp’s fourth term as mayor of Amsterdam Pen and black ink with grey and yellow-brown wash, over black chalk, within black ink framing lines. Signed at the lower right of the fictive sheet of paper: Antonina houbraken. Inscribed, below medallion: Dr Nicolaas Tulp. Ao1672. / oudste Raad.Burgermeester van Amsterdam By Antonina Houbraken Paper watermarked with a fleur de lis 208 x 297 mm Bears stamp, verso, indicating the drawing was at one point a gift from Dr. B.W.Th. Nuyens (1866-1945), a medical doctor in Amsterdam, known, among many other things, for his efforts to fight tuberculosis and his promotion of post-natal care. Antonina Houbraken (1686 Dordrecht – 1736 Amsterdam) was a draughtswoman who is known for her many topographical drawings of Dutch sites. She also drew landscapes and is recorded as a skilled portraitist. Houbraken was the daughter of painter and writer Arnold Houbraken and sister of the printmaker Jacob Houbraken. It is assumed she learned to draw in her father’s workshop. In 1723 she married Jacobus Stellingwerff, a draughtsman who also made topographical drawings for the albums of Andries Schoemaker, a numismatist and medal specialist and collector of topographical prints and drawings. Schoemaker was also a contributor to the famous standard work on Dutch medals...

The artist of this original antique print is Georges Severeyns, often referred to as G. Severeyns. He was a Belgian lithographer and botanical illustrator active in the 19th century....

Battle on the Kauwensteinse dike, 26 mai 1585, attack from the Staten army and ships from Sealand on the dike against the Spanish in the Eighty Years' War. An original historical ar...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

"Verdant Vintage: A Triptych from Edward Step's Botanical Compendium" Presenting "Verdant Vintage," an exquisite selection of original antique prints from the seminal volume "Favour...

Title: "Sunlit Melody: The Yellow Finch" Description: Featured in this late 18th-century hand-colored copperplate engraving is the Yellow Finch, a charming depiction from the series...

"Serene Blossoms: Lotus and Peony Engravings" Introducing "Serene Blossoms: Lotus and Peony Engravings", a trio of exquisite antique prints from the r...

This original engraving is referring depicting a detailed illustration of a fire ship, a type of naval vessel used as a weapon during the Eighty Years' War. Fire ships were essenti...

This is a large chromolithograph botanical print depicting the orchid species Dendrobium secundum Lindl. It is from the 19th-century publication "Illustrations d'orchidees des Indes ...

"Regal Display: The Great Crowned Pigeon" Description: This hand-colored copperplate engraving from the late 18th century is a splendid example from the oeuvre of William Hayes and ...

"Heritage Blooms: A Triptych of Geranium Varietals" Delve into the botanical elegance of the 19th century with this exquisite set of three antique prints, highlighting the timeless ...

Stunning and almost 4 feet tall, Egyptian Revival wall sculptures. This rare and striking pair of hand carved Egyptian sculptures is another great example of the quality of the craf...

The print is a historical depiction of the Siege of Bergen (also known as Mons) in Hainaut in 1572, during the Eighty Years' War. This event is significant as it involved Count Lou...

The map represents the route taken during F.T. Gregory's 1861 North West Australian Expedition. This exploration was a significant journey that took place over the Pilbara region,...

"Elegance in Bloom: The Roses of 'Favourite Flowers'" "Elegance in Bloom," a captivating collection of three original antique rose prints from Edward Step's esteemed "Favourite Flowers of Garden and Greenhouse," published in 1896. The chromolithographic technique used in these prints was the zenith of color printing methods in the late 19th century, celebrated for its ability to produce clear and vivid color illustrations. 1. **Bourbon Rose...

Origin: Rotterdam, The Netherlands Date: 1840 Workshop: 't Wapen van Dantzich Painter: Johannes van der Wolk A rare and important Dutch tile panel wi...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

"Ephemeral Blossoms: A Chronicle of 1896 Botanical Elegance" Delve into the floral opulence of the Victorian era with this exquisite triptych of botanical illustrations, originally ...

Modular wall bookcase by Tjerk Reijenga for Pilastro, ca 1960 A metal bookcase that can be arranged to taste with the division or width. The bookcase is assembled with uprights and ...

Title: "The Elegance of the White Stork" Description: This exquisite hand-colored copperplate engraving, hailing from the late 18th century, captures the serene grace of the White s...

Italian school, after Peter Paul Rubens Two portraits from the range of the ‘Twelve Caesars’. Three-quarter laureate portraits in oval. The name of the emperor below with Roman num...

Stunning and elegant Folk Art wall cabinet. Striking Dutch design from the 1940s. Original pine base which has been hand-painted in the so called Dutch Hindeloopen style. Behind the ...

"Garden Elegance: A Triptych of 19th Century Botanical Illustrations" Delight in the timeless beauty of nature with "Garden Elegance," an exquisite collection of three original anti...

This original antique image is a print depicting the H.M.S. Bellerophon, a ship of the British Royal Navy. The print is rendered in a monochromatic color scheme with subtle hand colo...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

Vase of Peonies consists of 9 round plates combined with a still life of a vase with branches of pink and white peonies ans red gladioli. The paint...

ONE OF THE MOST BEAUTIFUL TULIP ENGRAVINGS EVER PUBLISHED Four Tulips PL.V. (plate 5), copper engraving made by Em(m)anuel Sweert(s) and published by D...

"Edwardian Blossoms: A Triptych of Garden Elegance" Indulge in the timeless beauty of Edward Step's "Favourite Flowers of Garden and Greenhouse", an exquisite collection of botanica...

This original antique image is an historical map by Jacques Nicolas Bellin, depicting the Great Wall of China as it was understood in the mid-18th century. The map includes French ...

A large chromolithograph botanical illustration, featuring the orchid species Phaius blumei Lindl. The print comes from the 19th-century work "Illustrations d'orchidees des Indes Ori...

An original antique engraving of two Buddhist temples in Thailand, also known as Siam historically. The upper part of the engraving is labeled "COUVENT de Talapoins," which refers ...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

A very large chromolithograph of the orchid species Dendrobium macranthum, as indicated by the text at the bottom of the print. It is from a collection called, "Illustrations d'orchi...

[Authentic Artwork] ◆ Nagamachi Chikuseki ◆ Landscape ◆ Edo Period ◆ Mitsuishi Origin ◆ Kagawa Prefecture ◆ Handwritten ◆ Paperback ◆ Hanging Scroll ◆ k891 ◆ Nagamachi Chikuseki Explore the artistry of Chikuseki Nagamachi...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

A large and rare original chromolithographic plate from a significant 19th-century botanical work on orchids from the Dutch East Indies (now Indonesia). It is taken from the book t...

"Floral Masterpieces: A Collection of 19th-Century Horticultural Art" Introducing "Floral Masterpieces," a curated collection of six original antique prints from "Favourite Flowers of Garden and Greenhouse," authored by the renowned Edward Step and published in 1896. This collection represents a pinnacle of horticultural illustration, capturing the nuanced beauty of popular 19th-century floral species with exceptional chromolithographic artistry. 1. Hybrid Abutilon (Abutilon venoso x striatum): This print highlights the rich, velvety reds of the Hybrid Abutilon, complemented by intricate foliage detail. 2. Shoe Flower (Hibiscus rosa-sinensis): Renowned for its flamboyant blooms, this illustration depicts the Shoe Flower with its striking crimson petals and contrasting yellow stamen. 3. Hibiscus Roseus: The subtle pink shades of Hibiscus Roseus are rendered with a soft, delicate touch, inviting the viewer to appreciate its understated elegance. Each print in this series exemplifies the meticulous attention to detail and the vibrant coloration that chromolithography afforded artists of the era. These illustrations not only served as a visual delight for Victorian society but also contributed significantly to the scientific study and classification of plants. Presented with a white border that accentuates their detail, these prints are a testament to the enduring legacy of Victorian botanical exploration. They offer collectors and enthusiasts an opportunity to own a piece of botanical and illustrative history, perfectly suited for display in any setting that values both aesthetic and historical significance. "Floral Masterpieces" stands as a tribute to Edward Step's contribution to botanical sciences and art, as well as to the time-honored craft of chromolithography. These prints are sure to enchant anyone with an appreciation for antique botanical art...

This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain. The text provided in the last image offers several details: 1. The title of the engraving is "BRIDGENORTH. Shropshire." 2. It was engraved by J. Greig from a drawing by the late E. Dayes. 3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807. 4. It was created for "The Beauties of England and Wales." The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location. E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves. The engraving serves as both an artistic and historical record, capturing Bridgnorth in the early 19th century with a level of detail and craftsmanship that is characteristic of the period's topographical art...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according ...

"Elegance of Flora: 19th Century Botanical Masterpieces" Description: This exquisite set of three botanical prints is a rare collection from "Favourite Flowers of Garden and Greenho...

Given these specific names—Vusihyen, Hu Chew Fu, and Hou-Tcheou-Fou—it appears that the map depicts historical Chinese locations. These names are likely transliterations of Chinese names from the period. "Hu Chew Fu" might be an old Western spelling for what is known in modern pinyin as Huzhou, a city near Lake Tai in China. "Hou-Tcheou-Fou" could refer to a historical name for another city or region, also located in China. More research needed. More about the maker: Jacques-Nicolas Bellin's contributions to cartography and hydrography set a precedent in mapmaking during the 18th century. His role as Hydrographer to the French Navy and later as the Official Hydrographer to the French King placed him at the forefront of maritime charting...

A color engraving from the 19th century, with the scene described as "Wood depot on the St Lawrence River near the city of Quebec, years 1850." The artists involved in the creation...

Keith Haring 1991 - Man Holding Radiant Baby - Pop Art print on thick cardboard This impressive lithograph print showcases Keith Haring's "Man Holding Radiant Baby," M485 measuring...

"Victorian Botanical Majesty: Peonies and Monkshood" Immerse yourself in the grandeur of Victorian horticulture with our majestic collection, "Victorian Botanical Majesty: Peonies a...

An engraving titled "Sandwich" by the British artist William Henry Bartlett, engraved by E. Challis in 1841. It depicts a view of the town of Sandwich in Kent, which is one of the Ci...

An original hand-colored engraving of Norwich in England. The text within the image provides several pieces of information about the print: 1. "NORWICH." - This is the title of th...

These engravings are a series of detailed architectural drawings from "THEATRUM MACHINARUM UNIVERSALE of Nieuwe Algemeene Bouwkunde" by Tieleman van der Horst, engraved by Jan Schenk...

An antique map by Jacques Nicolas Bellin titled "Plan de la Ville de Peking Capitale de l'Empire de la Chine," published in Paris in 1754. This finely engraved plan shows the detai...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...