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Item Ships From: New York City
42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway
By Louis Wolchonok
Located in New York, NY
42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...
Category

1920s American Realist New York City - Drawings and Watercolor Paintings

Materials

Paper, Pencil

Ocellated Crake, realist gouache on paper miniature bird portrait, 2020
By Dina Brodsky
Located in New York, NY
Dina introduces a sense of movement to her gouache Bird by Bird series with her miniature portrait, Ocellated Crake. Wings spread, beaks open wide, and legs hover in the air. This dy...
Category

2010s Realist New York City - Drawings and Watercolor Paintings

Materials

Paper, Gouache

David Roberts, Tombs of the Mamelukes
By David Roberts
Located in New York, NY
David Roberts, Tombs of the Mamelukes. David Roberts (1796-1864) antique lithograph of the "Tombs of the Mamelukes, Cairo" from the 1st edition in gilt frame, England, 1849. Dimensi...
Category

Mid-19th Century New York City - Drawings and Watercolor Paintings

Materials

Paper

Singularity, Halsey Chait, Abstract India Ink Drawing, Circle, Black, White
By Halsey Chait
Located in New York, NY
"Singularity" by Halsey Chait India Ink on 250 GSM Lenox 100 Cotton Rag Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes...
Category

21st Century and Contemporary Abstract New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink, India Ink, Rag Paper

No Obits - Framed Abstract Collage Crystal Watercolor Painting in Red, Black
By Axel Getz
Located in Brooklyn, NY
This compelling and historically resonant artwork, "No Obits," immediately confronts the viewer with its stark, repeated declaration, drawn from a pivotal moment in LGBTQ+ history. T...
Category

2010s Abstract New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper

Interior Bedroom Scene, Modern Graphite Drawing by John Koch
By John Koch
Located in Long Island City, NY
John Koch, American (1909 - 1978) - Interior Bedroom Scene, Year: circa 1970, Medium: Graphite on Paper, signed in pencil lower right, Size: 17 x 11 in. (43.18 x 27.94 cm), Frame ...
Category

1970s Modern New York City - Drawings and Watercolor Paintings

Materials

Graphite

Still Life of Seashells
By Manfred Schwartz
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), Still Life of Seashells, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 20" H x 25.75" W. Provenance...
Category

Mid-20th Century Modern New York City - Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Tidal Pool, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Tidal Pool (65), Year: 1961, Medium: Watercolor, Size: 8.5 in. x 22 in. (21.59 cm x 55.88 cm), Description: Rendered in neutral hues of...
Category

1960s Impressionist New York City - Drawings and Watercolor Paintings

Materials

Watercolor

Sleepwalking #23, earth tone, brown, gestural, abstract brushstrokes
By Tom Bennett
Located in Brooklyn, NY
Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...
Category

Early 2000s American Impressionist New York City - Drawings and Watercolor Paintings

Materials

Paper, Monotype

Paris Cloud Drawing (signed and inscribed to David) unique work on colored paper
By KAWS
Located in New York, NY
KAWS Cloud Drawing done in white marker on colored paper, 2010 Signed, dated and inscribed to David in white marker with a dateline of Paris Floated and framed in a white wood frame ...
Category

2010s Street Art New York City - Drawings and Watercolor Paintings

Materials

Paper, Permanent Marker

BLIND SELF PORTRAIT
By Gregg Louis
Located in New York, NY
ink drawing on paper blind contour drawing artists self-portrait
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink

Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism
By Jo Cain
Located in New York, NY
Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism Jo Cain (1904 - 2003) Railroad worker 36 ¼ x 27 inches Oil on paper c. 1930s S...
Category

1930s American Realist New York City - Drawings and Watercolor Paintings

Materials

Paper, Oil

Sorcière - Ink on Paper Unique Signed Drawing Surrealist Woman Painter, c. 1960
By Leonor Fini
Located in New York, NY
Leonor Fini La Sorcière, ca. 1960 Ink on paper 21 x 15.5 cm 8 1/4 x 5 7/8 in. 41.5 x 36 cm 16 1/8 x 14 1/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small ...
Category

1960s Surrealist New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink

In A Spin (Unique)
By Damien Hirst
Located in Boston, MA
Artist: Hirst, Damien Title: In A Spin (Unique) Series: in a spin Date: 2002 Medium: acrylic, crayon, printers inks & pencil on paper Unframed Dimension...
Category

Early 2000s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Acrylic

In A Spin (Unique)
In A Spin (Unique)
$39,200 Sale Price
20% Off
Yellow, Red and Purple Square, Modern Gouache on Fabriano Cotton Paper
Located in Long Island City, NY
Peter Pinchbeck, English (1931 - 2000) - Yellow, Red and Purple Square, Year: 1981, Medium: Gouache on Fabriano Cotton Paper, signed, and dated in pencil, Image Size: 18 x 25.5 inc...
Category

1980s Modern New York City - Drawings and Watercolor Paintings

Materials

Gouache

Wedding - II, Modern Ink and Pastel on Paper by Ira Moskowitz
By Ira Moskowitz
Located in Long Island City, NY
Ira Moskowitz, Polish/American (1912 - 2001) - Wedding - II, Year: 1989, Medium: Ink and Pastel on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: This soft...
Category

1980s Modern New York City - Drawings and Watercolor Paintings

Materials

Ink

untitled
By Lester Johnson
Located in New York, NY
Lester Johnson untitled charcoal, conte crayon, and spray enamel on board from 1972. Framed.
Category

1970s Other Art Style New York City - Drawings and Watercolor Paintings

Materials

Conté, Charcoal, Spray Paint, Board

untitled
$12,000 Sale Price
20% Off
Life Spiral, Beacon, NY, 2020
By Matt Kinney
Located in Hudson, NY
ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Watercolor

"Portrait of an Italian Fencer, " John Frederick Kensett, Hudson River School
By John Frederick Kensett
Located in New York, NY
John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...
Category

1840s Hudson River School New York City - Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Figure by Window, graphite, pastel, mylar, paper layered drawing, female, nude
By Audrey Anastasi
Located in Brooklyn, NY
This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...
Category

1980s American Modern New York City - Drawings and Watercolor Paintings

Materials

Mylar, Pastel, Mixed Media, Archival Paper

Nude
By Jean-Pierre Cassigneul
Located in New York, NY
This watercolor has a photo certificate signed by the artist and will be included in his future catalogue raisonne. This has a complete subject compared to other drawings consisting...
Category

Late 20th Century Expressionist New York City - Drawings and Watercolor Paintings

Materials

Watercolor

Nude
$9,200 Sale Price
20% Off
Abstract Composition, Graphite, colored pencil and paper collage, Signed, Framed
By Elizabeth Murray
Located in New York, NY
Elizabeth Murray Untitled Abstract Composition, 1990 Graphite, colored pencil and paper collage on paper (frame bears the original Paula Cooper Gallery label) Signed and dated Spring...
Category

1990s Abstract New York City - Drawings and Watercolor Paintings

Materials

Paper, Color Pencil, Graphite, Mixed Media

Sister Corita Kent, "Love You" Unique signed watercolor painting on paper Framed
By Mary Corita (Sister Corita) Kent
Located in New York, NY
Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique work Measurements: Framed: 5.5" x 5.5" x 1.5" Artwork alone: 4" x 4" Extremely difficult to find unique watercolor works on paper on the market by Sister Corita...
Category

1970s Pop Art New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Paper

Abstract #1, Watercolor Painting on Paper by Chris Ritter
Located in Long Island City, NY
This unique abstract work is a watercolor by American artist Chris Ritter. The use of broad gestural movement and bold colors creates an engaging composit...
Category

1960s New York City - Drawings and Watercolor Paintings

Materials

Watercolor

Miami Night, female figure, tattoo, text
By Audrey Anastasi
Located in Brooklyn, NY
Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Paper, Mixed Media

Untitled: Standing Nude
Located in New York, NY
Unknown/ Unidentified Artist, "Standing Nude", Figurative/ Nude Charcoal Drawing on Brown Charcoal Paper, 24 x 20, Late 20th Century, 1968 Colors: White, Blue, Black, Red, Black "S...
Category

1960s Academic New York City - Drawings and Watercolor Paintings

Materials

Charcoal

Carrot, Modern Color Marker and Pencil Drawing by Van Amerige
Located in Long Island City, NY
Van Amerige - Carrot, Year: 1969, Medium: Color Marker and Pencil Drawing, Image Size: 13.75 x 10.75 inches, Size: 22.25 x 15 in. (56.52 x 38.1 cm)
Category

1960s Modern New York City - Drawings and Watercolor Paintings

Materials

Permanent Marker, Color Pencil

Watercolor Landscape Study of the Palazzo Andrea Doria, Genoa
Located in New York, NY
Watercolor Landscape Study of the Palazzo Andrea Doria, Genoa. Antique French architectural study of the plan and gardens of the Doria Palace in Genoa, entitled "Plan du Palais Doria...
Category

Early 19th Century New York City - Drawings and Watercolor Paintings

Garden Flowers
By Charles Demuth
Located in New York, NY
Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...
Category

20th Century American Modern New York City - Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Abstract watercolor (de-accessioned from Museum of Modern Art (MOMA), w/ label)
Located in New York, NY
Robert Duran Untitled #1 (with Museum of Modern Art (MOMA) label), 1974 Watercolor on paper Includes labels from the Museum of Modern Art rental gallery label and Donna Schneier Inc; the artist's name is written on the board, not signed 18 × 23 1/2 inches Unframed This work was removed from the original vintage frame but comes with the back board with the original labels from MOMA Rental Gallery in New York and Donna Schneier Gallery in Manhattan (and later Palm Beach) Robert Duran Biography (courtesy of KARMA): Robert Duran (b. 1938, Salinas, CA; d. 2005, New Jersey) found his way from San Francisco to New York City in the mid-1960s, where he became associated with a Minimalist cohort that included Brice Marden, David Novros, and Paul Mogensen...
Category

1970s Abstract New York City - Drawings and Watercolor Paintings

Materials

Watercolor

Watercolor 7, Work on Paper, Colorful, Organic Shapes, Natural, Moving, Cosmos
By Melinda Hackett
Located in Riverdale, NY
Watercolor 7 is a 13.5" x 10.5" , watercolor on paper. It is filled with earthy colors and organic shapes. Melinda Hackett is a mid-career New York Artist. She received her BA at ...
Category

Early 2000s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Watercolor

This Week
By Audrey Anastasi
Located in Brooklyn, NY
Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...
Category

2010s Assemblage New York City - Drawings and Watercolor Paintings

Materials

Mixed Media, Charcoal, Ink, Archival Paper, Newsprint

Dark Reflections interior with female figure and mirrors yellow and black color
By Stephen Basso
Located in Brooklyn, NY
Soft pastel on toned sanded pastel paper richly worked. Part of an ongoing series on mirrors and fame figures. Signed at bottom
Category

21st Century and Contemporary Feminist New York City - Drawings and Watercolor Paintings

Materials

Paper, Pastel

Santi Moix, Brazilian artist, Consilience, unique signed work on paper, Framed
By Santi Moix
Located in New York, NY
Santi Moix Consilience, 2009 Crayon and pencil on paper Signed and dated 2009 in crayon on the front Unique Frame included Provenance: the Artist and Kasmin Gallery This exquisite, u...
Category

Early 2000s Abstract New York City - Drawings and Watercolor Paintings

Materials

Crayon, Pencil, Color Pencil

gravesend, oler woman w city scape window yellow tones
By Stephen Basso
Located in Brooklyn, NY
Pastel on toned paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive ...
Category

2010s American Modern New York City - Drawings and Watercolor Paintings

Materials

Paper, Pastel

"Cubic Crystal System" - acrylic, crayon, and pencil on paper
By Maeve D'Arcy
Located in New York, NY
Maeve D’Arcy practice explores mark-making as language. In a contemplative process, her random thoughts are turned into dashes, x’s, dots and various sorts of repetitive marks. D'A...
Category

2010s Abstract New York City - Drawings and Watercolor Paintings

Materials

Acrylic

Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA
By Ernest Hamlin Baker
Located in New York, NY
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...
Category

1930s American Modern New York City - Drawings and Watercolor Paintings

Materials

Gouache, Paper, Watercolor, Ink

Laid Back, Colorful Geometric Abstract Watercolor with Layers and Vivid Shapes
Located in New York, NY
This vibrant watercolor by Sarah Brenneman features an intricate composition of layered, angular forms that seem to recede into a portal-like space. Using bold, saturated colors—rang...
Category

2010s Abstract New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper, Pencil

Gustavo Simoni Merchant Abundant Orientalist Watercolor
Located in New York, NY
Merchant Abundant A merchant walks through a covered marketplace draped in rugs and holding intricately decorated knives. Signed lower right : Gustavo Simoni Medium: Watercolor ...
Category

19th Century New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

Manhattan Arch
Located in New York, NY
Anthony Baus is an alumnus and instructor of the Grand Central Atelier in Long Island City, New York. His unique artistic vision, which mines the world of the Old Masters and antiqui...
Category

21st Century and Contemporary American Realist New York City - Drawings and Watercolor Paintings

Materials

Ink, Pen, Paper

"Backstage Rant" Conceptual Text Based Painting
By David Kramer
Located in New York, NY
This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...
Category

2010s Conceptual New York City - Drawings and Watercolor Paintings

Materials

Oil, Canvas

Venice
By Jane Peterson
Located in New York, NY
Singed (at lower left): Jane Peterson
Category

Early 20th Century American Impressionist New York City - Drawings and Watercolor Paintings

Materials

Gouache

Clemente Pujol de Gustavino An orientalist Arab Guardsman
Located in New York, NY
Artist: Clemente Pujol de Guastavino (1850-1905) Origin: Spanish Signature: signed C. Pujol (lower right) Medium: oil on canvas Dimension: 25 1/2 in x 19 3/4 in. Framed 34 by 2...
Category

19th Century New York City - Drawings and Watercolor Paintings

Materials

Canvas, Oil

Some Other Time (#1979)
By Jack Balas
Located in New York, NY
Signed, titled, and dated, verso India ink and watercolor on paper This work is offered by ClampArt in New York City.
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

William Glackens Watercolor on Paper, "Criticizing Ernest Lawson’s Art Class"
By William Glackens
Located in New York, NY
William Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...
Category

Early 1900s New York City - Drawings and Watercolor Paintings

Materials

Watercolor

To Break, To Blossom 24-08
Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper

Bouquet Bearer bright colors blue dress yellow wall pastel women fashion flowers
By Stephen Basso
Located in Brooklyn, NY
soft pastel on toned archival sanded paper signed and dated bottom left this work is part on an ongoing series bt the artist depicting women with floral bouquets
Category

2010s Romantic New York City - Drawings and Watercolor Paintings

Materials

Pastel, Archival Paper

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.007
Located in New York, NY
Linda Stein, Profile Notation 418.007 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing Profile Notation 418.007 is from Linda Stein's Profiles series--drawings, collages and ...
Category

2010s Feminist New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink

Pelargonium #4, Floral, Richard de Bas paper, realism, botanical
By Agnes Murray
Located in Brooklyn, NY
Watercolor on handmade Richard de Bas "fleurs" paper Agnes Murray has an extensive exhibition history and she is represented in both private and public collections. Ms. Murray is a p...
Category

2010s American Realist New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper, Handmade Paper

untitled (Lady), Impressionist Watercolor and Pencil on Paper by Wayne Ensrud
By Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - untitled (Lady), Year: circa 1975, Medium: Watercolor and Pencil on Paper, Signed in Pencil, Size: 31 in. x 23 in. (78.74 cm x 58.42 cm)
Category

1970s Impressionist New York City - Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

Illustration Framed on Canvas: 'Minute Maid'
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

1980s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Canvas, Wood, Color Pencil, Mixed Media

Lacy Grey, semi nude mixed media muted tones lace charcoal
By Audrey Anastasi
Located in Brooklyn, NY
Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...
Category

2010s American Modern New York City - Drawings and Watercolor Paintings

Materials

Charcoal, Pastel, Fabric, Archival Paper

Thomas Anderson Abstract Expressionist painting on paper, unique, signed, Framed
By Thomas Anderson
Located in New York, NY
Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...
Category

1980s Abstract Expressionist New York City - Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache, Permanent Marker

Gaia, mystery, collage, figure, fabric, mythology, bird
By Audrey Anastasi
Located in Brooklyn, NY
Paper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...
Category

2010s Assemblage New York City - Drawings and Watercolor Paintings

Materials

Charcoal, Archival Paper, Magazine Paper, Fabric

Golden Mermaid, drawing collage female figure in water with text, maps
By Audrey Anastasi
Located in Brooklyn, NY
These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...
Category

2010s Feminist New York City - Drawings and Watercolor Paintings

Materials

Mixed Media, Archival Paper

Two Preparatory Drawings by Wheeler Williams
By Wheeler Williams
Located in New York, NY
Wheeler Williams (American, 1897-1972) Untitled Study, 1931 Pencil on paper 8 3/4 x 11 3/4 in. Each signed: Wheeler Williams, 1931 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...
Category

1940s Art Deco New York City - Drawings and Watercolor Paintings

Materials

Paper, Pencil

No Time 4 Love, original signed & titled ink drawing on Royal Mail FDC, framed
By Tracey Emin
Located in New York, NY
Tracey Emin No Time 4 Love drawing, 2017 Original ink drawing on a Royal Mail Art in the 20th Century 1st Day Cover Signed, titled and dated in pen on the front Frame included Signed...
Category

2010s Contemporary New York City - Drawings and Watercolor Paintings

Materials

Paper, Ink, Mixed Media, Offset

Untitled Sheep Drawing
By Menashe Kadishman
Located in New York, NY
Menashe Kadishman Untitled Sheep Drawing, ca. 1985 Unique Graphite Drawing Hand signed and inscribed on the front Frame Included Unique whimsical drawing...
Category

1980s Modern New York City - Drawings and Watercolor Paintings

Materials

Pencil

Pizza Shark 2 v 2
By Renelio Marin
Located in New York, NY
Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...
Category

2010s Conceptual New York City - Drawings and Watercolor Paintings

Materials

Color Pencil, Tempera, Permanent Marker

Aquatic, drawing and collage of female figure in water with text, maps, mermaid
By Audrey Anastasi
Located in Brooklyn, NY
These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...
Category

2010s Assemblage New York City - Drawings and Watercolor Paintings

Materials

Mixed Media, Archival Paper

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