United Kingdom - Porcelain

A large basket with a Persian-inspired moulded Alma border in black on a bright pink ground, a moulded swan-head handle in white, gilt and pale green, pierced ends and a beautiful pa...

This is a spectacular and rare dessert service made by Chamberlains Worcester in about 1822. The service consists of a high comport, 2 square dishes, 1 kidney shaped dish, 3 shell di...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, (1662-1722), circa 1700. The plate is of large dinner plate size with a 10 inch di...

This is a porcelain blue and white, hand gilded Sucrier (Sugar Bowl) in the Broseley printed pattern made by Miles Mason (Mason's), Staffordshire Potteries, in the early 19th century, circa 1810. This piece is well potted with a lovely shape and twin side handles, but no lid. The sucrier is decorated in the under-glaze blue printed Pagoda or Broseley, chinoiserie Willow pattern, (sometimes called Boy at the Door pattern). There is hand gilded detail around the mid body, upper rim and on the handles. This piece is marked with the under-glaze printed mock Chinese seal...

A magnificent large complete dessert service consisting of a high footed centre piece, four rectangular dishes, four oval dishes, three leaf dishes, two sauce tureens with covers and...

This is a stunning and extremely rare plate made by Derby between about 1795 and 1800. This plate is not only beautiful, it is a true piece of history. The plate has a nice ribbed r...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

An exceptional and finely made Irish woven porcelain hexagonal shaped basket made by Belleek and dating from the 19th century. The stunning basket stan...

Unusual collection of three antique porcelain fairings consisting of three antique Victorian porcelain fairings each figure is named to the ...

A fine early vintage Danish Royal Copenhagen porcelain dish molded with a lobster dating from circa 1924. The shallow dish is heavily made and formed as a basket with a moulded baske...

Chinese Mandarin Duck From our Ceramics collection, we are delighted to offer this Meissen Mandarin Duck Modelled by Max Esser. The Meissen Mandarin Duck beautifully sculpted in nat...

This is a rather rare pair of porcelain figures made by Derby around 1770. The pair was called the "Boy and Girl in Turkish Costumes", numbered 63 in Derby's factory list. They depic...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, 1662-1722. The plate is finely potted with a carefully cut base rim and a lovely rich...

A fine pair of Flight, Barr and Barr Worcester Porcelain Vases c.1820. Of superb quality, each with bands of applied white ‘pearls’ and with a panel painted with views of 'Malvern Ch...

This is a very good example of an English George III period, porcelain, coffee can, made by Spode, England in the early 19th century, circa 1810. The can is nominally straight sided and has the Spode loop handle with a pronounced kick or kink to the lower part, with a lower attachment that curves out slightly from the cup. Spode is the only factory with a handle of this exact shape. The can is decorated with one of their grey "bat printed" designs, showing game birds collected after the shoot. It also has hand painted gilded detail to both rims and the handle. Similar Spode bat printed...

A finely decorated John & William Ridgway porcelain dessert service in pattern 1045 c.1825. The central well of each piece decorated with the scene of ruins / a castle / a house or a...

A stylish Danish Royal Copenhagen contemporary design year mug designed by Gert Hiort Petersen and dated 1973. The large, handled porcelain mug is of cylindrical shape standing on a ...

This is a hard paste porcelain bowl by New Hall dating to very early 19th century. The bowl is well potted on a low foot. The decoration is hand-painted in bold enamels in a c...

Antique Meissen 68-piece floral dinner service German, c. 1900 Largest serving dish: Height 6cm, width 52.5cm, depth 37.5cm Square salad bowl:...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

On offer is a very rare teacup and saucer made by Barr Flight & Barr in about 1810. The set has a beautifully soft salmon ground colour, an elegant gilt border motif, and beautiful m...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

A Rare and Stylish Gold Rimmed Ivory White Art Deco Limoges Porcelain Cream, consomme or Soup set for 10 by Marcel Goupy for Rouaud Paris. Antique Ivory ...

This is a pair of spectacular porcelain ice pails made by the Derby Porcelain Company in about 1790 and decorated with pattern 80, which consists of very fine flowers by the famous p...

This is a good porcelain duo of a cup and saucer by the Derby factory, made during the George 111rd period, circa 1800. Both pieces are well potted in the Hamilton flute shape wit...

This is a beautiful antique Italian Naples Capodimonte porcelain urn, late 19th Century in date and bearing the Naples Capodimonte blue painted crown s...

This is a spectacular 17-piece tea service serving four, made by New Hall around the year 1810. The service consists of a teapot with cover on a stand, a sucrier with cover, a milk j...

A stylish and rare Royal Worcester Art Nouveau porcelain desk stand decorated in blush colors and moulded in low relief with trailing floral designs dated 1894. The stand is of recta...

Chamberlains received an order for two magnicent services which were made for Nawab of the Carnatic, Azam Jah (r.1819-1825), around 1820 (India). The pink set...

Four vintage Danish porcelain birds and squirrel figure made by Royal Copenhagen and dating from the 1960's. The figures are well modeled and ...

This is a very good quality coffee can in a hand gilded pattern made by Worcester during the Barr, Flight & Barr period (BFB) of George 111rd years, circa 1807-1813. The coffee ca...

A pair of large Canton style famille jaune porcelain vases Chinese, Late 19th Century Height 120cm, diameter 42cm These large and impressi...

This is a good set of six porcelain plates, all hand painted and gilded, attributed to the Davenport Company of Longport, Staffordshire Potteries, England, dating to the 19th century...

This is a stunning set of 4 large plates by the Clignancourt factory in Paris, probably made between 1780 and 1790. We one more of these plates available, please see separate listin...

This is a stunning and rare Spode dessert service made between 1813 and 1822, consisting of a centre piece, a lozenge shape dish, four shell dish...

This is a very good early Chinese Teapot and matching cover from the Qing Dynasty, Kangxi period ( 1662 to 1722) which we date to Circa 1710. The teapot has a globular form on a sho...

A scarce antique English Staffordshire bone china teacup and saucer hand decorated with a red lion by Thomas Wolfe (Factory Z) and dating from...

A stunning French Limoge porcelain handled ewer hand painted with birds and flowering shrubs by Martial Redon and dating from around 1885. The...

A superb and rare H & R Daniel porcelain trio of Second Gadroon shape c.1825. Each piece finely decorated in pattern 4069 with a rich green ground, panels containing alternate birds ...

This is a lovely porcelain bowl, mid-20th century in date. The shaped oval bowl features a pair of gilt handles and is beautifully painted with a cream ground and brightly colour...

A good quality antique English Spode porcelain cabinet plate decorated with a chinoiserie landscape of two exotic birds perched on a flowering prunus tree dated 1914. The small sized...

A very fine vintage Meissen porcelain blanc de chine figure of a Jester with a monkey and owl dating from the 20th century. The figure stands on a narr...

Pair of antique florally decorated porcelain lamps French, 19th century Measures: With shades: Height 101cm, width 49cm, depth 36cm Withou...

A large Japanese export 15" Chinoiserie-style porcelain charger plate, crafted in Japan around the 1930s. Stamped to its underside with a red insignia reading "foreign," a mark gener...

A stylish Danish Royal Copenhagen contemporary design year mug designed by Inge-Lise Koeford and dated 1977. The large, handled porcelain mug is of cylindrical shape standing on a ro...

This is a very rare and stunning vase with cover made by Chelsea-Derby in 1783-1784. The pear-shaped vase stands on a square foot and has two handles with moulded floral chains, and ...

This is a rare coffee cup and saucer in ‘The Traveller’ or ‘One Legged Duck’ blue transfer printed, hand gilded pattern by John Turner & family, of Lane End, Longton, Staffordshire. ...

A fine quality Chinese Qing porcelain brush pot with wooden stand hand painted with children and lady and with Zhuanshu script mark to the base dating from the 19th century. The brus...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

A footed two-handled sauce tureen with cover, maroon and pale yellow ground with beautiful hand painted flower sprays on lower part of body; twisted handles and a petticoat stem Pat...

This is a stunning 12-piece part-dessert service made by Minton in 1857-1858. It is beautifully moulded in the Newcastle Embossed shape, the moulding picked out and turquoise and gil...

An antique Grainger Worcester porcelain shell shaped salt dating from around 1860. The finely made salt stands raised on a shaped rectangular pedest...

A rare and unusual Georgian Derby Porcelain dish finely hand painted colored enamels dating from around 1790. The oval shaped dish has a raised scalloped rim and is hand painted with...

A finely made and stylish midcentury Rosenthal porcelain lidded sugar bowl decorated with a scene from Mozart’s opera Die Zauberflöte (the magic flute) designed by renowned Danish bo...

Tapio Wirkkala (Finnish, 1915-1985) ‘Modulation’ sauce jug Designed c. 1960, produced by Rosenthal, Germany, as part of the Studio-Line series Ceramic Excellent condition L 17 cm, D...

This is a porcelain Small Dish or Saucer in the "Boy at the Door" pattern, made by Miles Mason (Mason's) dating to very early in the 19th century. The dish is well potted with verti...

An unusual and stylish Aesthetic Movement Minton porcelain cabinet plate hand painted with flowers and butterflies with initials APM and dating from 1890. This finely made plate is o...

This delicate porcelain figural group depicts two lovers in a tender embrace. The maiden is fair haired and wears a dress which has fallen from her breast, and the hunter has two bir...