Vases and Vessels on Sale

An exquisite small French Art Deco pressed glass vase. Adorned with 1920s-1930s period details, attributed to Lalique. Unmarked. The glass is very clear, however, it was challenging to capture the clarity in the photographs. Pressed glass is a form of glass made using a plunger to press molten glass into a mold. It was first patented by American inventor John P. Bakewell in 1825 to make knobs for...

Classic Ruscha 342 vase was heavily featured in first retrospective exhibition of West German ceramics of the 1960s-1970s in the Graham Cooley Collection that brought Fat Lava ceram...

Midcentury Murano zanfirico filigrana glass vase with Appliqué cane. Attributed to Fulvio Bianconi circa 1950s. Pink, white and gold latticino and a...

This was an incredible find from no longer produced Gainey Ceramics. These made in the USA glazed ceramic ashtrays slash planter / pots are new old stock pieces that were stored away for many years and then recently discovered in a storage locker. These ashtrays consist of a 20 inch tall and 10.5 inch diameter cylindrical shaped glazed white ceramic...

Vase in Austrian iridescent Loetz glass, with a shape with a flower opening and colors from purple to beetle, made in the 1940s Measures: Ø cm 18 h cm 11 The production of Loetz glass began with Johan Loetz (1778-1848) in the 18th century through the takeover of the Klostermühle glassworks. In the second half of the 19th century, his nephew took charge of the modernization of the glassworks, introducing, thanks to the assistance of the inventor Eduard Prochaska, new processing techniques: thus new processes were born with glass in imitation of semi-precious stones, veins and the decoration. , which during processing includes hot coils or colored glass pads. Finally, at the end of the 19th century, the creation of the first glass iridescences with metallic reflections began, up to the creation of Phänomen in glass with applications and inserts of partially metallized glass filaments, similar to Tiffany glass and the famous Papillon glass...

Meissen Cobalt Ground Pâte-sur-pâte Figural Vase, attributed to Leuteritz Germany, second quarter 19th century We are pleased to offer an extraordi...

This designer on-trend architectural 25.75" long rectangular concrete planter is by Swiss architect Willy Guhl for Eternit, crafted in the 1970s Switzerland and signed and dated underneath. This special low-profile and rare long sized rectangle-shaped concrete planter has a patinated natural exterior finish and organic aging over decades of UK climate. Excellent planter size for a variety of various uses such as succulents, plants, weeping grass with the planter on a Stand, balcony privacy hedge, or any other outdoor decorative use. Consider using this Willy Guhl Concrete Planter Pot...

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured i...

This unusual double bulb shaped faience vase is in the manner of Edmond Lachenal but there are no markings on the bottom. The rich mottled turquoise blue glaze gives it the feeling o...

An amazing bisque porcelain midcentury studio art pottery vase made in Germany, by Kaiser Porcelain, circa 1970s. Vase is in very good condition with no chips, cracks, or flea bites....

A perfume scent bottle made in Sweden. Very beautiful and lovely perfume scent bottle, created in the city of Lidköping Sweden by the MeMa Sterling Co. back in the 1975. The bottle has been made in cobalt blue glass with a fitting lid and a removable frame, crafted in solid .925/.999 sterling. The sterling cover was made up in the neo-classic empire style with multiple floriated garlands patterns. Note: This bottle may be also used as a vinegar or olive oil dispenser...

Antique Chinese Canton porcelain vase Chinese, early 20th century Measures: Height 24cm, diameter 10cm This Canton porcelain vase has a flut...

This fine country crock is decorated & Signed Hamilton & Jones Greensboro,Pa. and has a big 2 on the front.This two gallon crock has blue decoration & could be a cake or butter crock...

An antique Victorian Latticino perfume offers blue and white swirl art glass construction in hourglass form having a foliate embossed cast flip-top lid, 19th...

Barovier & Toso vase, in its characteristics the glass expresses bubbles around the whole vase, being handmade by the great masters we can notice a bubble a little bigger than all th...

This magnificent Antique Chinese Famille-Rose porcelain Ginger Jar was 100% hand made and hand paint from famous Chinese Famille-Rose Porcelain. It has beautiful hand painted foo dog...

Italian modern vase created by Marcello Fantoni, circa 1960's. Vase measures 10.5" by 4" and is signed Fantoni, Italy on the bottom. In very good vintage 1960's condition.

A tall vintage ceramic one-of-a-kind vase by Spanish artist Domingo Punter Teruel. This lovely piece is decorated and glazed in geometric designs green,...

Gorgeous handcrafted satin crystal "St. Cloud" vase with acanthus leaves circa 1990s. The vase is in very good vintage condition with no chips or cracks and measures a massive 4.25"W...

Large porcelain vase / vessel by Heinrich of Bavaria, circa 1970s. The piece has a high gloss porcelain finish with gold starburst leaves. The vase is in excellent pre-owned conditio...

An impressive pair of Italian marble floor vases from the second half of the 20th century. Black with gray and beige veins. Features a traditional form with flared mouth on a bulbous...

An English copper plant or flower pot holder cachepot jardiniere with lion head and paw feet design, circa early-20th century, England. Dimensions: 8" Diameter x 6.94" Height.

Cette magnifique pièce de décoration murale présente un vase d'applique ou bouquetière en porcelaine de Meissen. Deux charmants chérubins tiennent des bouquets de fleurs délicates dans leurs mains, ajoutant une touche angélique à l'ensemble. Ils sont assis sur un puits en porcelaine blanche, sur lequel des fleurs grimpent élégamment, créant un tableau d'une grande beauté. Ces deux anges aux cheveux blonds sont d'une grande finesse et leur niveau de détail est tout simplement remarquable. De plus, les nombreuses caractéristiques minutieuses des fleurs en barbotine ajoutent une dimension artistique supplémentaire à cette pièce. Ce vase mural peut être suspendu aisément grâce à sa anse en porcelaine, offrant une flexibilité d'affichage dans votre intérieur. De plus, il est authentifié par la signature au verso, arborant le symbole distinctif de la manufacture de Meissen, gage de qualité et d'authenticité. Cette œuvre constitue un cadeau exceptionnel à offrir à un être cher à Noël...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

Nanny Still (1926-2009) for Riihimäen Lasi. Rare vase in pink and clear mouth-blown art glass. Finnish design, 1960s. Measures: 11.5 x 9.3 cm. In excellent condition. Signed.

Mid-Century Italian pottery plate by Bitossi with Rimini Blue pattern. The outside surface of the plate is decorated with a printed pattern. The ...

Jacob Bang White Glass Vase / Decanter for Kastrup, Denmark, 1960s comes with original cork top.

Bethan Laura Wood Set of Four Colourdisc Vase For Flowers For Cassina. British designer Bethan Laura Wood interprets the fusion of the centuries-old Murano glass production and cont...

Cassina Coral Vases Inspired by coral and its typical twisted branches, the organic shapes of the Coral design vase seem shaped by the currents of the sea. Inspired by coral and i...

This is a monumental pair of incredibly vivid and bright Majolica planters or grand scale. They are glazed in a reddish pink to blue glaze that will make a fantastic statement or foc...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. The heart collection is inspired by the ...

A pair of Japanese enamel over copper vases. Each vase has an urn shaped body and a wide neck. Each ware is enameled with polychrome medallions depicting a bird seated on a branch, b...

Pair of very large French Sèvres style porcelain and ormolu vases French, Late 19th Century Height 151cm, width 45cm, depth 39cm Executed in the style of Sèvres, one of the bes...

This a Moser light green color and gilt glass centerpiece wide urn shaped vase. It is decorated with gold and yellow hand painted “Fleur de Lis“like, flower’s...

Vase with spikes and Camouflage glaze designed by the Danish ceramist and founder of Danico Niels Peter Nielsen. This piece was created at Dagnæs Keramik during the 1930s or 1940s in...

Set of 2 Early 20th Centry Spanish Glass Bottle Vase. Manufactured Spain, circa 1960. Dimensions: L- Diam. 23.5 cm x H 36.5 cm. M- Diam. 19 cm x H 31 cm. In original condition, w...

Collection of Studio Pottery signed weed pots circa 1980 Measures: A: 2 3/8" diameter x 2 7/8" tall B: 2 1/2" diameter x 2 5/8" tall C: 2 1/8" diameter x2 5/8" tall D: 2 1/2"...

Vase, table lamp, in Porcelain. It has been made in china, Circa 1880. The decorative pattern are Birds, and leaves. USA PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS S...

Charlotte Perriand Vase À Fleurs Échancré Manufactured by Cassina ASIAN TRANSPARENCIES A blown glass vase designed by Charlotte Perriand in the 1940s. Made of mould-blown glass, t...

Antique 19th century Staffordshire porcelain cow bud vase / spill vase flatback figurine featuring a cow grazing in the meadow. Dimensions: 3" x 1.75" x 4" (Width x Depth x Height)

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

Beautiful stoneware ceramic vase by creative decorative co inc, made in Japan. Signed noi chips or cracks. Beautiful piece that is timeless and unique.

Rose and Erni Cabat glazed porcelain Feelie vase citron chartreuse yellow green, USA, 1970-1985 Incised signature to underside 'Cabat' and numbered. This li...

A stunning large Ando Jubei (1876-1956) rose vase set against delicate cream yellow Musen-jippo background. In classic form with hand-finished silver metal rims. Soft pink contrastin...

Studio pottery signed weed pot / vase circa 1970.

A large rare Chinese enamel over brass vase. The unusual shaped vase is adorned with polychrome images of flowers surrounded by floral and wavy motifs against a bright turquoise back...

This is a very large English George III or Regency brass bound mahogany peat bucket. The bucket is in overall very good condition. The bucket features side...

Handsome black enamel urn with brass detail. The interior is lined with Brass. This could be used decorative or to hold special items. Neoclassical Style that mixes well with Trad...

A beautiful baroque style white reticulated cast iron cachepot planter Italy, circa mid-20th century Measures: 17"W x 11"D x 3.5"H Good original vintage condition. Minor su...

Vintage Midcentury Art Pottery Studio Very Rare XL Vase by Marcel Guillot (1910 - 1985). Made in France, 1950's period. Marcel Guillot is a fellow ceramist from the same time period as Roger Capron, Pol Chambost, Georges Jouve, Jacques Blin, Jean de Lespinasse, ... Hand made large heavy vase with grey white base glaze and yellow, gray striped over...

Baccarat, France. Art Deco vase in clear crystal glass. 1930s. Measures: 28 x 11 cm. In excellent condition.

An original ceramic vessel with an erotic theme by Roger Herman, signed and dated RH 97. Rim of vase is intentionally 'chipped' aka deconstructed. This piece is believed to be import...

Gorgeous postmodern broken ceramic vase, circa 1970s. The piece is assembled with irregular pieces of blue and cream glazed ceramic giving it a real "jagged" look. The vase is in ver...

Vase created by the Lalique glassworks. Made in 1985 to commemorate the 125th anniversary of Rène Lalique's birth. It has transparent parts alternated with stylized, satiny feather...

Pair of large Sèvres style pedestals in porcelain, ormolu and green onyx French, late 19th century Height 87cm, width 40cm, depth 40cm Thes...

RARE FRENCH PORCELAIN Sevres Style Cornucopia Ormolu Horn Vase Urn. French chinoiserie 19th century Porcelain Vases Gilt Bronze Ormolu Mounts....

Vintage midcentury petite vase by Cenedese Vetri of Murano, Italy. Elegant form and striking light opaline blue color/colour. Dimensions are: 12.1cm tall, 10.8cm at widest point....