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Acacio Gil Borsoi

Acacio Gil Borsoi Unique Slat Bench Brazil 1950s
By Acácio Gil Borsoi
Located in Roosendaal, Noord Brabant
designed in the 1950’s by Brazillian architect Acácio Gil Borsoi, an architect that was born in the Rio
Category

Vintage 1950s Brazilian Mid-Century Modern Benches

Materials

Metal

Acacio Gil Borsoi Unique Slat Bench Brazil 1950s
Acacio Gil Borsoi Unique Slat Bench Brazil 1950s
H 14.97 in W 78.75 in D 23.23 in

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Recent Sales

1950's Stool in Iron and Brass by Acácio Gil Borsoi, Brazil
By Acácio Gil Borsoi
Located in Sao Paulo, SP
1950's stool designed by Acácio Gil Borsoi and made of wrought iron and brass (1958). In 2017, we
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Mid-20th Century Brazilian Mid-Century Modern Stools

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Floating Wall Shelving Unit by Acácio Gil Borsoi, Brazil, 1958
By Acácio Gil Borsoi
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authorship: Acácio Gil Borsoi, an architect born in Rio that moved to Recife in the early 1950s. His body of
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Mid-20th Century Brazilian Mid-Century Modern Shelves

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Coffee Table in Six Brazilian Hardwoods by Acácio Gil Borsoi, Brazil, 1958
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Mid-20th Century Brazilian Mid-Century Modern Coffee and Cocktail Tables

1950s Pair of Lounge Chairs in Pau Marfim Wood by Acácio Gil Borsoi, Brazil
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1950s Bench / Auxiliary Table in Pau Marfim Wood by Acácio Gil Borsoi, Brazil
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present all these pieces to the public, and very happy to be able to determine its authorship: Acácio Gil
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Mid-20th Century Brazilian Mid-Century Modern Side Tables

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1958 Two-Tone Blue Sofa in Pau Marfim Wood by Acácio Gil Borsoi, Brazil Modern
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to be able to determine it's authorship: Acácio Gil Borsoi, an architect born in Rio that moved to
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Set of Three Bar Stools in Iron and Brass by Acácio Gil Borsoi, Brazil, 1950's
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, and very happy to be able to determine it's authorship: Acácio Gil Borsoi, an architect born in Rio
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1950's Slat Bench in Pau Marfim and Wrought Iron by Acácio Gil Borsoi, Brazil
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able to determine it's authorship: Acácio Gil Borsoi, an architect born in Rio that moved to Recife in
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1950s Chair in Brass and Cane by Acácio Gil Borsoi, Brazilian Mid Century Modern
By Acácio Gil Borsoi
Located in Sao Paulo, SP
present all these pieces to the public, and very happy to be able to determine it's authorship: Acácio Gil
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Midcentury Coffee Table by Acacio Gil Borsoi - Brazil, 1950s
By Acácio Gil Borsoi
Located in Dubai, AE
Acacio Gil Borsoi Coffee table Property of a private residence in Recife Produced by Casa
Category

Vintage 1950s Brazilian Mid-Century Modern Coffee and Cocktail Tables

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Wood, Jacaranda

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Acacio Gil Borsoi For Sale on 1stDibs

Find many varieties of an authentic acacio gil borsoi available at 1stDibs. A acacio gil borsoi — often made from hardwood, metal and wood — can elevate any home. You’ve searched high and low for the perfect acacio gil borsoi — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. A acacio gil borsoi is a generally popular piece of furniture, but those created in Mid-Century Modern styles are sought with frequency. You’ll likely find more than one acacio gil borsoi that is appealing in its simplicity, but Acácio Gil Borsoi produced versions that are worth a look.

How Much is a Acacio Gil Borsoi?

Prices for a acacio gil borsoi can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $2,050 and can go as high as $19,000, while the average can fetch as much as $7,700.

A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

On the Origins of Brazil

More often than not, vintage mid-century Brazilian furniture designs, with their gleaming wood, soft leathers and inviting shapes, share a sensuous, unique quality that distinguishes them from the more rectilinear output of American and Scandinavian makers of the same era.

Commencing in the 1940s and '50s, a group of architects and designers transformed the local cultural landscape in Brazil, merging the modernist vernacular popular in Europe and the United States with the South American country's traditional techniques and indigenous materials.

Key mid-century influencers on Brazilian furniture design include natives Oscar NiemeyerSergio Rodrigues and José Zanine Caldas as well as such European immigrants as Joaquim TenreiroJean Gillon and Jorge Zalszupin. These creators frequently collaborated; for instance, Niemeyer, an internationally acclaimed architect, commissioned many of them to furnish his residential and institutional buildings.

The popularity of Brazilian modern furniture has made household names of these designers and other greats. Their particular brand of modernism is characterized by an émigré point of view (some were Lithuanian, German, Polish, Ukrainian, Portuguese, and Italian), a preference for highly figured indigenous Brazilian woods, a reverence for nature as an inspiration and an atelier or small-production mentality.

Hallmarks of Brazilian mid-century design include smooth, sculptural forms and the use of native woods like rosewoodjacaranda and pequi. The work of designers today exhibits many of the same qualities, though with a marked interest in exploring new materials (witness the Campana Brothers' stuffed-animal chairs) and an emphasis on looking inward rather than to other countries for inspiration.

Find a collection of vintage Brazilian furniture on 1stDibs that includes chairssofastables and more.