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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Art by Medium: Engraving

Materials

Etching, Drypoint

Picador

Picador

By Pablo Picasso

Located in OPOLE, PL

Paulo Picasso - Picador Drypoint etching from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Reference: ...

Category

1960s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)
Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Femme se lavant dans sa baignoire (Woman Washing in Her Bathtub), originates from the celebrated album Degas Danse dess...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Art by Medium: Engraving

Materials

Etching, Archival Paper, Drypoint

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse a la barre (Dancer at the Barre), originates from the celebrated album Degas Danse dessin (Degas Dance Drawing...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Art by Medium: Engraving

Materials

Drypoint, Aquatint

162R13061 1-2-3 (Abstract Print)
162R13061 1-2-3 (Abstract Print)

162R13061 1-2-3 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Dimensions (3x): 65 × 50 cm/25.6 x 19.6'' Edition of 11 copies, numbered from 1 to 11/11. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is ...

Category

2010s Abstract Art by Medium: Engraving

Materials

Paper, Engraving, Ink

Temple of Vesta
Temple of Vesta

Temple of Vesta

By Matthew Dubourg

Located in Middletown, NY

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inc...

Category

Mid-19th Century English School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving, Etching, Aquatint

Low Country (South Carolina)
Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Archival Paper, Drypoint, Etching

Homme Nu Debout avec un Cheval
Homme Nu Debout avec un Cheval

Homme Nu Debout avec un Cheval

By Pablo Picasso

Located in Fairlawn, OH

One of only a handful of etchings done in the style of the painting Guernica. from 1937, one the artist's most famous works. Homme Nu Debout avec un Cheval Drypoint, 1938 Unsigned (...

Category

1930s French School Art by Medium: Engraving

Materials

Drypoint

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Art by Medium: Engraving

Materials

Mezzotint

De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene
De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene

De Launay (1739-1792) After Rubens (1577-1640) - Engraving, Marche de Silene

By Nicolas de Launay

Located in Corsham, GB

A finely detailed engraving by Nicolas De Launay (1739-1792) after Drunken Silenus supported by Satyrs, a painting from the studio of Peter Paul Rubens (1577-1640) and thought to hav...

Category

Early 18th Century Art by Medium: Engraving

Materials

Engraving

The Way Home. A Winter Evening

The Way Home. A Winter Evening

Located in Middletown, NY

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

Category

Late 19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Ilusiones, Christian Bozon
Ilusiones, Christian Bozon

Ilusiones, Christian Bozon

By Christian Bozon

Located in Palm Springs, CA

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Category

21st Century and Contemporary Abstract Art by Medium: Engraving

Materials

Drypoint, Aquatint

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Art by Medium: Engraving

Materials

Engraving

Girl / Boy Diptych Sculpture, Contemporary Acrylic and Found Objects
Girl / Boy Diptych Sculpture, Contemporary Acrylic and Found Objects

Girl / Boy Diptych Sculpture, Contemporary Acrylic and Found Objects

By Hyland Mather (X-O)

Located in Philadelphia, PA

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

Category

2010s Contemporary Art by Medium: Engraving

Materials

Thread, Wood, Paper, Found Objects, Acrylic, Engraving

"Un rideau" original drypoint

"Un rideau" original drypoint

By Fernand Khnopff

Located in Henderson, NV

Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...

Category

Early 1900s Art by Medium: Engraving

Materials

Drypoint, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Icart, Composition, Le Sopha (after)
Icart, Composition, Le Sopha (after)

Icart, Composition, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Coenties Slip
Coenties Slip

Coenties Slip

By Charles Frederick William Mielatz

Located in Middletown, NY

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Category

Late 19th Century American Modern Art by Medium: Engraving

Materials

Etching, Drypoint, Handmade Paper

Shame on Nude Bathers on the Themes Engraving late 19th Century
Shame on Nude Bathers on the Themes Engraving late 19th Century

Shame on Nude Bathers on the Themes Engraving late 19th Century

Located in Douglas Manor, NY

5066 Late 19th century watercolored engraving set in a silvered wood frame

Category

Late 19th Century Art by Medium: Engraving

Materials

Watercolor, Engraving

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)

By Salvador Dalí­

Located in Fairfield, CT

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

Category

1970s Surrealist Art by Medium: Engraving

Materials

Mixed Media, Drypoint, Lithograph, Screen

Argentinean signed limited edition original art print silkscreen 27x19 in. n9

Argentinean signed limited edition original art print silkscreen 27x19 in. n9

Located in Miami, FL

Justo Barboza (Argentina, 1938) '17 huellas', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 20 Unframed ID: BAR1437-009-025 Hand-signed by author

Category

20th Century Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Screen

Hidden Cities III: Continuum, by Peter Milton
Hidden Cities III: Continuum, by Peter Milton

Hidden Cities III: Continuum, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Engraving, Etching

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), published by Ambrois...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

Icart, Sans titre, Le Sopha (after)
Icart, Sans titre, Le Sopha (after)

Icart, Sans titre, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Yovani Bauta, ¨Untitled¨, 2003, Engraving, 14x11.8 in

Yovani Bauta, ¨Untitled¨, 2003, Engraving, 14x11.8 in

Located in Miami, FL

Yovani Bauta (Cuba, 1957) 'Untitled 2 (pareja)', 2003 engraving on paper Guarro Super Alpha 250g. 14 x 11.9 in. (35.5 x 30 cm.) Edition of 7 ID: BAU-316 Unframed

Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Etching, Aquatint

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

By Winslow Homer

Located in Alamo, CA

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Category

1870s American Impressionist Art by Medium: Engraving

Materials

Engraving, Woodcut

Icart, Sans titre, Le Sopha (after)
Icart, Sans titre, Le Sopha (after)

Icart, Sans titre, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911

Located in Roma, IT

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Category

1910s Modern Art by Medium: Engraving

Materials

Paper, Engraving

The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting

The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting

By (After) Sir Godfrey Kneller

Located in Alamo, CA

This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694. The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge. An author wrote of her: "The line of Vere, so long renown’d in arms, Concludes with luster in St. Albans’s charms; Her conquering eyes have made their race complete, It rose in valor, and in beauty set." This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace. Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...

Category

Late 17th Century Art by Medium: Engraving

Materials

Mezzotint

Reguliersracht during winter, Amsterdam
Reguliersracht during winter, Amsterdam

Reguliersracht during winter, Amsterdam

Located in Middletown, NY

Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...

Category

Early 20th Century Dutch School Art by Medium: Engraving

Materials

Drypoint, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art
Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

By Serge Helenon

Located in Saint Augustine, FL

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engraving on Moulin de Larroque ...

Category

1980s Abstract Expressionist Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Intaglio

Icart, Sans titre, Le Sopha (after)
Icart, Sans titre, Le Sopha (after)

Icart, Sans titre, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Icart, Sans titre, Le Sopha (after)
Icart, Sans titre, Le Sopha (after)

Icart, Sans titre, Le Sopha (after)

By Louis Icart

Located in Southampton, NY

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Mid-18th Century Old Masters Art by Medium: Engraving

Materials

Engraving, Etching

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

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