1930s Drawings and Watercolor Paintings

Norman Carton (American, 1908-1980), "Decoration", Pen and Ink on Paper, 1934, depicting a grape harvest, signed, titled, and dated to lower margin, applied card signed "Carton" twic...

Woman Portrait is an original watercolor drawing realized by Paul Bonet in 1930. Hand-signed and dated on the lower margin. Dedication handwritten by the artist "pour mon ami Lévrie...

Woman with a Hat is an original drawing in pencil, realized by Cesare Breveglieri, in the 1930', hand-signed and, dated, with the stamp of collezione culturale d'artre Milano " Azur ...

Drawing by Novello for the cartoon " The conductor" during Verdi, Wagner and the waltz " Don't love me like this". ink drawing. Handsigned in the lower ...

Illustration is an original drawing in china ink applied on paper realized by Italian artist Bruno Angoletta. Passepartout: 49 x 34 cm. The artwork is in a good condition except f...

Cianfresca da Rimini is a drawing pencil realized in the 1930s., by Gabriele Galantara.   Good conditions. Egeo Carcavallo was an italian humorist. In the 1917 he published the col...

Eros is a pencil drawing realized by Maurice Vertès in the 1930s. Good conditions with slight folding.

Theatrical Costume is an original drawing in China ink, realized by Russian scenographer Eugène Berman, hand-signed. Image Dimension: 23x 10.5 cm Included a Passepartout. In good ...

S. Thérèse is a small and meaningful artwork realized by Paul Bony, a famous French artist active especially in the middle of the last century. The artwork is painted on branded pape...

In Good Company is an original pencil drawing on paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s. Black ink stamp on t...

Study for a Cover of "Il Selvaggio" is an original Pencil Drawing realized by Mino Maccari in 1930/1940s. Good condition on a brown paper. No signature. Mino Maccari (1898-1989) ...

Nude Girl is an original pen drawing on paper realized by Lucien Coutaud in the 1930s. Stamped on the rear "Fond Coutaud" Included a Passepartout: 40x...

Official Palettes is an original drawing on paper, realized by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989) around the 1930s. Black China Ink (fountain...

The Saint and the Animal is an original drawing in pencil and tempera realized by Paul Henri Bony, French artist, active in the first half of 20th century, with three color study on ...

Pen Drawing is an original pen drawing realized by Leo Longanesi in 1937. The drawing is in good conditions, no signature. Leo Longanesi, born Leopoldo...

The Musical Group is an Original Drawing, china ink on yellowed paper, realized by the french artist Georges Guido Filiberti. Hand signed on th...

Portrait of a Man is a beautiful original pencil drawing on cream-colored paper made by the Italian artist Ildebrando Urbani (1901 - 1985). Realized by a skilled hand, this double-sided sheet composed by a male profile with hat on the recto and on the verso two male portraits with hats...

"Flower Shop" is an original china ink drawing on ivory-colorated paper realized by Katerina Wilczynski in 1934. In excellent conditions. Containe...

Figures is an original modern drawing in pencil on paper realized by an anonymous Italian artist in 1930s. Sheet dimension:34 x 25.5 good conditions except for the folding line in the middle of the paper. The artwork represents two figures reading...

Musician is an original artwork realized by Emmanuel Gondouin (Versailles, 1883 - Parigi, 1934) in 1930's. This charcoal drawing is a study for the ...

Garibaldi to Aspromonte is an original artwork realized by V. Malinverno in the 1930s. Original Oleography. Good condition. The artist represented a scene in which Garibaldi, afte...

Embracing the Death is original black China ink drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman arou...

Figure is a Pencil drawing realized by Louis Roux in Late-19th Century. The Artwork id represented through strong strokes. Good conditions with slight foxing.

Nude after Michelangelo is an artwork realized by Luigi Russolo in 1933/34. Mixed Media on Paper. cm. 33x24,3. Good conditions! Luigi Carlo Filippo Russolo (Portogruaro, 30 Apr...

The Caricature is an original drawing pencil realized by a Italian Anonymous artist. Dated 1936 Sheet dimension: 23.5 x 32.5 cm Hand-signed "Nisco" on the lower right and dated 193...

Into the Woods is an original modern artwork realized in the 1930s by the French artist Pierre Segogne (1890-1958). Original colored watercolor on cardboard. Hand-signed by the ar...

The Bedroom is an original pen drawing realized by Leo Longanesi in 1937. The little drawing is in good conditions, sigled and numbered on the lower lef...

Africa - Life in the Village is an original artwork realized by Emmanuel Gondouin (Versailles, 1883 - Parigi, 1934) in 1930s. Original Lithograph on ivory paper. This drawing is pa...

This original 1933 black-and-white line drawing titled "Pinto" by renowned New Mexico modernist artist Hilaire Hiler (1898-1966) captures a striking Native American figure wearing a feathered bonnet headdress, riding horseback. Rendered in fine ink on vellum, this drawing reflects Hiler’s signature style with clean, fluid lines that embody the modernist movement. The artwork is signed by the artist in the lower right corner, adding authenticity and value. Custom framing options are available to enhance this timeless piece. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he developed an early interest in art. He studied at the prestigious Rhode Island School of Design as a child, before pursuing further education at several renowned institutions, including the Pennsylvania Academy of the Fine Arts and the University of Paris. Hiler lived in Paris from 1919 to 1934, supporting himself as a jazz musician while continuing his artistic endeavors. After relocating to San Francisco in 1934, Hiler became involved with the Works Progress Administration (WPA), where he painted murals in the Aquatic Park...

Tibor Duray was born in Budapest in January 1912. He was a hungarian painter best known for his works created in the first half of the 20th century. He studied at the Academy of Fin...

Lighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

Snowy Peaks (Mont Blanc) Watercolor on paper, c. 1930 Signed "R. Hallowell" lower right (see photo) The image depicts is of Mont Blanc in France. Mont Blanc is the highest mountain i...

Raphael DELORME (1886-1962) Study of woman's legs Watercolor and pencil on paper Annotated “antithèse” lower right 32 x 21 cm Small traces of folds, tiny tear at the top edge Born ...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 2010), no. 62, p. 76, full-pa...

Graphite on blue paper Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Um...

Horse in the fields, a figurative watercolor landscape by Louis John Stellman (American, 1877-1961), c.1935. Presented in a wooden frame with linen liner. Signed "Stellman" lower right. Image size, 15"H x 19"W. Stellman moved to CA in 1901. By 1920 he had settled in San Francisco where he worked both as an artist and a writer for the Call-Bulletin newspaper. He later moved to the Monterey Peninsula where he remained until his death. Married to artist Edith K. Stellman (1877-1957). Works held: de Young Legion of Honor. His books include: Mate o'dreams and Other Poems Mother Lode; The Story of California's Gold Rush Port O' Gold A History-Romance of the San Francisco Argonauts Said the Observer Sam Brannan, Builder of San Francisco; A Biography That Was a Dream Worth Building; the Spirit of San Francisco's Great Fair Portrayed in Pictures and Words The Vanished Ruin Eta; San Francisco's Classic Artistry of Ruin Depicted in Picture and Song Stellmann was a protegé of Arnold Genthe...

HARRY CARLETON ATTWOOD (1907-1985) Plenty - Design for Eltham Palace Chalks Framed 20.5 by 12 cm., 8 by 4 ¾ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.) Attwood was born i...

Leon Dolice (1892 - 1960) New York Harbor Skyline at Twilight (Searching), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower left Provenance: Spanierman Gallery, New York The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young man who was someday to be spoken of as showing promise of becoming "one of the greatest etchers of all time". Leon Dolice, born in Vienna on August 14, 1892, even as a young boy, preferred the lure of painting to the scholastic studies which his early years had expected of him. His father was a machinist, which exposed the boy to welding and metal crafts. However, his interest in art led him to abandon a secure future in the family business, and he spent most of his late teens and early twenties traveling through the capital cities of Europe studying the works of the Masters. As with many itinerant artists, he made his way in a variety of fashions metalworker, chef, designer somehow always managing to give vent to his creative instincts. Lured by the adventure of crossing the great Atlantic and by the freedoms of the New World, he came to America in 1920. There he was greeted by the turbulence of New York in the Roaring Twenties. Finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. With the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930's and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes and even experiments with Abstract Expressionism at the height of its new found favor in the 1940's punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...

Art Week Poster Design American Scene Modern c. 1930s WPA Era Illustration Antonio Petruccelli (1907 - 1994) Art Week 22 X 17 inches Gouache on board, c. 19...

A fine and detailed Art Deco pencil, black, red and white chalk portrait of a young woman by Hubert Williams. The work dates to circa 1930 and is very skilful in its execution. A bea...

Unknown American Modernism School Untitled (Kitchen), c. 1930 Pencil on paper Sight size: 10 x 12 in. Framed: 16 3/4 x 20 3/4 in.

Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artistic heritage to publicity. “I am 58, and in five Years my c...

This original watercolor painting by acclaimed American artist Samuel Bolton Colburn captures a quiet farmstead nestled in a mountain valley. Rendered with Colburn’s signature contro...

JOHN DRONSFIELD (1900-1951) Boy with Whip and Top Signed l.r.: Dronsfield Watercolour Unframed 40 by 33 cm., 15 ¾ by 13 in. (mount size 59.5 by 51 cm., 23 ½ by 20 in.) John Marsd...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880 - 1964) Cambridge Revisited (1933) Pen, ink, and wash 24 x 35 cm Signed and dated lower right. Renowned for his architectural fantasies, Richardson here depicts Sir Christopher Wren...

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of Anemones Signed upper left Pastel on paper 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

HARRY CARLETON ATTWOOD (1907-1985) The Model - Design for Eltham Palace Coloured chalks, arched top Framed 21 by 13 cm., 8 ¼ by 5 in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Donald L Hadden (British, 20th century) Design for bedroom furniture for Geo. M Hammer 23x31.5cm Watercolour c. 1930 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture...

Alexander O. Levy was a painter, illustrator, printmaker and designer who was born in 1881 in Bonn, Germany. He died in 1946 in Buffalo, New York. At age three, he was brought to ...

This circa 1930 ink poster project, titled "Modes," is a striking representation of Art Deco fashion illustration. Hand-drawn in black ink and wash, the artwork captures the essence ...

This original 1931 ink poster project was created as a concept for the Exposition Coloniale Internationale, held in Paris from May to November 1931. The striking black-and-white composition features a bold, angular depiction of a man in traditional North African attire, set against an architectural backdrop reminiscent of Islamic and colonial influences. The typography, arranged in a dynamic diagonal layout, gives the piece a sense of power and movement. As a preliminary design, this ink project was likely part of a larger effort to develop the visual identity of the Exposition Coloniale, which was one of the most significant international exhibitions of its time. The exposition, hosted in Bois de Vincennes, aimed to showcase the cultural, economic, and artistic achievements of France’s colonial empire, with pavilions representing territories such as North Africa, Indochina, and West Africa. The artwork's bold contrasts, dramatic perspective, and modernist style reflect the Art Deco and early 20th-century graphic design trends, emphasizing strong geometric forms and high-impact visuals. As a hand-drawn project, it provides a fascinating glimpse into the creative process behind exhibition advertising, where artists experimented with layouts, typography, and imagery before finalizing a printed poster. Today, this ink poster project is a historical artifact, offering insight into both colonial-era propaganda and vintage graphic...

Art Sz: 10 1/2"H x 13 1/2"W Frame Sz: 19 5/8"H x 22 3/4"W Provenance: a Saratoga Springs, New York Equestrian Estate

Aquarelle sur papier, signée et datée 1937. Dimensions avec le cadre: 51x68 cm. Odilon Roche est né le 3 octobre 1868 à Châteauneuf-sur-Loire. Mort le 27 août 1947 à Six-Fours (Var...

Harvesting hay 1930s. Paper, oil, 16x15 cm

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Douglas L Hadden (British, 20th century) Design for Poster/Showcard 'Furniture of Distinction' 33x20cm Pen and ink c. 1930 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture. Their lift-top school desks are particularly well regarded, and always carried their brass name plate. Hammer were renowned for their interior woodwork, they were commissioned to undertake the choir stalls in Sir Basil Spence...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Douglas L Hadden (British, 20th century) Design for Poster/Showcard 'Attractive & Exclusive' 32x24cm Pen and ink c. 1930 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture...

Raymonde Heudebert 1905-1991) Study of a hand holding a cigarette Pencil on paper Annotated “Jean de Vogué” on the back Dimensions of the drawing : 26 x 27 cm Dimensions of the frame...

Henry Yuzuru Sugimoto Suburb of Gif-sur-Yvette, France, circa 1928-32 Signed lower left Watercolor on paper 11 x 14 inches Henry Sugimoto was born in Wakayama, Japan, on March 12, 1900. His father left for the United States shortly after he was born, and his mother joined him some years later, with the result that the young Henry was raised largely by his grandparents. Following the end of World War I, Henry Sugimoto arrived in the United States as a "yobiyose" (child brought over) and settled with his parents in Hanford, California. After attending Hanford High School, he enrolled at the University of California, Berkeley. He soon grew absorbed in art and his parents agreed to let him enroll at the California School of Arts and Crafts. After studying there for four years with a concentration in oil painting, he graduated with honors in 1928. He then moved to the California School for Fine Arts, but after a year there he decided to travel to France, the international artistic capital, for further study. Once arrived in Paris, Sugimoto became close to the circle of Japanese...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...