Miniature Abstract Paintings

An abstract painting that focuses on slight shifts in hue to set mood. The artist, being a surfer himself, imagines a wave of red and pink hues in this smaller scale abstract paintin...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Tapas Ghosal - Untitled - 12 x 12 inches ( unframed size) ) Acrylic on Canvas , 2021 *** Framed ( packing :complimentary; shipping cost would need to be extra) Style : In Hindu philosophy, the 'Antahkaran' refers to the totality of two levels of mind , namely the Buddhi, the intellect or higher mind, and the Manas, the middle levels of mind which exist as or include the mental body. It refers to the entire psychological process, including mind and emotions. Ghoshal’s paintings weaves an Antahkaran, creating structural spaces, sometimes meditative & melancholic in nature. His contemplative mind, enters into the inner realm of reality, dissects it and extracts a kind of mystic silence. The extant contemplative in wardress in him got charged with meditative spirituality through his association with this heritage city. Benaras, started flowing in his canvasses both through landscapes and human faces. Since 1995-96 his Benaras paintings started transforming. Initially his landscapes contained reflection of naturalness transformed through melancholic chiaroscuro. Gradually the naturalness started disintegrating into expressionistic structures. At a certain stage during 2004-05 some of these structures yielded into abstractions shedding all the links with naturalness. Then again the sign-symbols integrated into geometrical structures reflecting traces of original locations. About the Artist and his works : Born : Born in 1965. Tapas spent his childhood and early youth in the quiet idyllic environment of rural Bengal. The soothing lyrical landscape and the intrinsic mythical past within the rural life made a great impact in his inner being, which aroused in him love for beauty, spiritual in nature, making him contemplative and inward looking. Educational Qualification : 1989 : Graduation in Painting from Govt.College of Art and Craft, Kolkata (First Class First) 1992 : Post Graduate in Painting from Benaras Hindu University, Varanasi (First Class). Solo Exhibition : 1993 : The Centre Art Gallery, Kolkata; 1994 : Gallery Katayun, Kolkata; 1997 : Gallery Katayun, Kolkata; 1997 : ABC Art...

Max Andrews (British, b. 1969) Moonlit horses Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 12.1/5 in. (32 x 31.8 cm.)

Flowers in a vase. Cardboard, oil, 27x21 cm

Covers 13 Green (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

This is an abstract painting using left over paint after each painting session. :: Painting :: Abstract :: This piece comes with an official cer...

Ana Hefco's "White Sand Beach #32" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite...

Birds. 2003. Cardboard, author's technique, 19x27 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an ar...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

In BLUE CIRCLE QUILT, 1, Natalie Harrison deconstructs both the historically domestic crafts of molding and quilting and her own personal creative history to create a new work of collage. Shaping multicolored, leftover paint from her past work through a candy mold...

Medium: Oil on canvas Dimensions: 35 x 25 cm (each) Framed: Yes Small size, Soft palette. Description: Pequeñas Vibraciones is a series of small-format abstract paintings that explo...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russi...

Untitled is an artwork realized by Martine Goyens, in 2019. Acrylic on panel. cm 20 x 20; cm 30 x 30 with frame. Hand signed on the back. Very good conditions!

Swansong by Colin Rosbon [2021] original Oil on canvas Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:3.5cm Sold Unframed Please note that insit...

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

🔹 Landscape BW – Contemporary Minimalist Art Diptych Small Format 24x18 cm Pure Pigment, Mineral Oxide & Oil on Canvas Panel Descriptio...

3D GALLERY QUALITY - READY TO HANG The technique I used is: palette knife, professional varnished acrylic pigments, neon acrylics on stretched 3D canvas. At the end I covered with a ...

Pink Cliff [2020] Original Abstract Acrylic on Canvas Image size: H:30 cm x W:30 cm Framed Size: H:33.5 cm x W:33.5 cm x D:5cm Sold Framed Please note that insitu images are purely a...

Jill Campbell Fell SkyLand 6 Original Landscape Painting Acrylic on canvas Image Size: H 40cm x W 40cm x D 1.5cm Framed Size: H 43cm x W 43cm x D 3cm Sold Framed (Wooden White Float ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is paper, acrylic paint with a plexiglas...

Porthtowan winter swimmers is an Original painting by Eleanor Woolley Painted on the beach in Porthtowan this painting depicts some cold water swimmers braving the water. The headlan...

Spring Blossom By Natalie Bird [2023] Pastel on thick Pastelmat paper. Fixed and mounted in an antique white acid free mountboard and sealed in protective cellophane envelope. Addi...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

A splash of orange Montbretia against the blue sea of Cardigan Bay. Rupert Aker artist sells his works online and in our art gallery at Wychwood Art. Rupert Aker is a Cotswold based ...

In MULTICOLOR CIRCLE QUILT, 2, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Sha...

This is a bold, abstracted city scene. It appears to be New York City, It could be any large metropolis with skyscrapers and a bustle to it. It is signed S. Chait and signed with ini...

Emotional color chart 56 – Spring (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series expresses Kyong Lee's personal emotions and experience ab...

"Sun Drops" is a striking modern geometric abstract painting, with a red, yellow and orange palette. Viveiros paints directly onto panel, with a custom built wooden substrate. The si...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

"Lemon yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist usi...

Amanda Horvath The Light of Spring Original Acrylic Painting on Canvas Acrylics on canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed Please note that insitu images are pure...

Danny McCaw's (US based) "Connected" is an original, handmade oil painting with impasto brushstrokes that depicts two abstracted female figures. Bio/artist statement: Danny McCaw is...

Burst of Color by Yvette Dubois-Habasque (1929-2016) signed with initials verso oil painting on artists board, unframed painting measures: 16 x 10.5 inches Stunning original abstra...

Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT where he is an Assistant Professor of Art in Painting and Drawing at the Universi...

Untitled (Stack), Gouache and Pencil Painting by Prunella Clough, 1975 circa Additional information: Medium: Gouache and pencil 21.6 x 18.2 cm 8 1/2 x 7 1/8 in Prunella Clough was ...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

Collage and acrylic paint on sintra panel, excellent gift

Gordon Hunt Just Swim V Original Seaside Painting Oil Paint on Canvas Canvas Size: 30 cm x 30 cm x 4 cm Sold Unframed Please note that in situ images are purely an indication of how ...

Post Dogmatist Collage on Panel, signed verso Art is 6 x 6 with frame approximately 7 x 7 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, p...

Jill Campbell A December Dawn Original Landscape Painting Acrylic on canvas Image Size: H 40cm x W 40cm x D 1.5cm Framed Size: H 43cm x W 43cm x D 3cm Sold Framed (Wooden White Float...

Untitled 2011 (Abstract Painting) Oil on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge w...

In this piece I have used acrylic paints to create an abstract art experience that captures a world of color and movement. The mix of cool blues and vibrant pinks is meant to convey ...

Sunlit Waters is an original landscape oil painting by Harry Brioche. Oil on Board. Sold Framed in a stylish brown frame. Frame size: 47.5 x 47.5 cm, board size: 32 x 32 cm. Fro...

The original painting 40x40x2cm ( 16"16" ) was created in 2022. This painting will be shipped from Switzerland. All duty and customs fees are the responsibility of the purchaser. Wio...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 8 inches condition: very good provenance: from a large private collection o...

Framed (Abstract painting) Casein on Arches paper. Unframed. Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. ...

This 10" x 11" watercolor on paper painting by Lisa Miceli depicts an imaginative abstracted landscape and is part of the latticeWorks series. The use of c...

A memory of past travels to the beautiful, unspoilt and timeless Kakadu National Park in Australia's Northern Territories. The white egret provides the focal point, flying above the wetlands towards the distant gum trees with their distinctive white trunks. The main colours are blends of blues and greens with a cream strip defining the break between floodplains and land. Helen Robinson, painter, is available for sale online and in our art gallery at Wychwood Art. Helen Robinson's atmospheric oil paintings represent impressionable moments in her life, mostly inspired by her love of travel and the sea. Following a career in town planning, Helen pursued her interest in art and has now been painting regularly for over 15 years. In 2013, she obtained an Honours degree in Art History when she found she was drawn mostly to artists who painted light. Influences include the 17th century Dutch landscape painters...

Title: 1960's British Surrealist Oil Painting - "Creating + Decaying" Medium: Oil on board, unframed Size: 6 height x 4 width Condition: Good Provenance: all the paintings we have b...

Deddington fields [March 2022] original Oil Paint on Canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Deddington fields is an original painting by Eleanor Woolley. This painting is the view from across the fields returning from Deddington to Stow on the Wold...

I know what it's like to feel tired, feel torn, not just physically. The world that we live in is an exhausting place to be. It is wearing. It is thankless. It is endlessly trying a...

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