Fabric Abstract Paintings

Poppy & Daisy Flurry [2022] original Acrylic on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:1.5cm Sold Unframed Please note that i...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This is an abstract painting by Bianca Wellwood, an Irish American artist living in Los Angeles. It is not stretched so could be mailed in a tube. Further framing possible. Please c...

This original abstracted coastal landscape oil painting by artist Bri Custer features a vibrant blue and yellow palette. It captures an abstracted view of a shoreline, with thick layers of paint, loosely applied on the surface of the canvas. The painting is made on gallery wrapped canvas and has clean white sides. It is wired and ready to hang. "A memory of the Freeport, Maine coastline...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Original abstract painting exploring the language of paint and colour. Additional information: #607 Jessie Woodward Original abstract painting Acrylic painting Sold Unframed 90 H x ...

Khoury's art is characterized by her masterful use of vivid fluorescent colors, dark tones, and high-contrast compositions that are both striking and visually compelling. She employs...

Untitled Blue (Abstract painting) Acrylic on canvas - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositi...

'Ferocious Seas' by Contemporary Spanish artist Bernard. A vibrant and bold painting of sail boats on the open water. Colourful sails of red, g...

"Every Shad of Joy” is a luminous jewel of a painting. Vivid warm, Spring colors dance this canvas creating a visual harmony that feels both regal and refreshing. This contemporary...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Gordon Hunt Just Swim Original Seaside Painting Oil Paint on Canvas Canvas Size: 30 cm x 30 cm x 4 cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Tremaine’s oil paintings merge the personal and universal. In her Crosscurrents series, swans and seabirds move through layered abstract fields, suggesting emotional depth and natura...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

Janet Jennings Oil Painting on Canvas Peace and Plenty, 1989. Hand signed Dimensions: Canvas, 65 1/2" x W: 59 1/2". framed 68 X 62 inches Janet Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island, the Hamptons and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery, Gallery North, Elaine Benson Gallery, Glenn Horowitz Gallery, Mark Humphrey...

Ford at Middle Duntisbourne [2020] Original Landscape Oil paint on canvas Image size: H:40 cm x W:40 cm Frame Size: H:54 cm x W:54 cm x D:5cm Sold Framed Please note that insitu imag...

"Prosper" is a contemporary acrylic painting on canvas by Maria Burtis. This piece is characterized by fluid, swirling brushstrokes in shades of blue, whi...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Through undulations in shades of blue with green and a mauve shade of brown, Margaret Neill explores the properties of abstract curvilinear forms found in the localized conditions of...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This contemporary abstract piece, done with a mix of expressionism and impressionism, is titled "Vibrant Nature" and was created by French artist Nataya Mougenot. It is part of her s...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Tristan Fabris 1950's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 55' inscribed verso framed: 25 x 33 inches canvas: 23 x 32...

This item is in excellent condition and has only been displayed in a gallery setting. Jose Cortez is one of the principal professors at the Escuela Nacional de Bellas Artes del Pe...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Urban Landscape with figures in an abstract city environment ADDITIONAL INFORMATION: Oil Paint on Canvas 52 H x 61 W x 4 D cm (20.47 x 24.02 x 1.57 in) Sold framed Please note tha...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Alison Johnson’s atmospheric oil painting invites the viewer i...

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on canvas. Framed. Signed.

Artist Statement My paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acry...

Untitled XLVI is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed and...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

This painting is part of a series that is influenced by trying to find simplicity and beauty in todays chaotic world. I start each painting with a feeling; be it hope, despair, happi...

"Daffodils for Victory" is a painting about rebirth and the power of life. It has become a symbol of the triumph of good over evil, of life over death. The daffodils depicted on the...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

Axelle Gosse creates intricate, tactile compositions using rope and fabric, transforming everyday materials into striking contemporary artworks. Inspired by her extensive travels acr...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

Capturing movement in acrylic paint, Armen Ges experiments with optical illusions and perspective in his original pop artworks. To create these intriguing visuals, Ges employs tradit...

Hunt Slonem "Canticle" Multicolor Birds on a White and Gold Background A group of parrots and a cardinal on a metallic background Canvas 40 x 40 inches Unframed (framing options avai...

In crafting this piece, I've poured my soul into rendering the delicate interplay of petal and light, capturing the essence of blooms with a whisper of nostalgia. The textured oil st...

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette.

Landscape mixed media on canvas 40x50 cm Original Art Ready to hang Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on the ae...

Abstract Landscape Art with Pink Flowers on a Deep Blue Turquoise Background by Contemporary British Artist, Angela Wakefield. This original is from the ...

A Transendental Abstraction by famed Chicago Modernist, William S. Schwartz titled "Impressions of the West #7". Anecdotally, Schwartz's notable "Impressions of the West" series wer...

#1625 (Abstract painting) Oil on Canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will ev...

This is one of the most loved paintings of Shizico Yi to date. To document the streets they've walked and her late dog's favourite trees, Shizico Yi embark...

Jill Campell Fell 13 Original Landscape Painting Acrylic on canvas Image Size: H 40cm x W 40cm x D 1.5cm Framed Size: H 43cm x W 43cm x D 3cm Sold Framed (Wooden White Float Frame) F...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Vintage American modernist abstract oil painting by Christine Opolus. Oil on canvas, circa 1960. Signed. Framed. Image size, 32L x 12"H.

"Hot Air Balloon Flight" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and cu...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

acrylic & oil stick on canvas

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid. Partiall...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Amber Goldhammer’s The Mood is Set, a bold and dynamic 36-inch tall by 60-inch wide graffiti-inspired abstract painting, showcases her signature layering of soothing tones and urban ...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: Sign In The Light 2, ...