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1960s Abstract Paintings

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Period: 1960s
Robert Mus Untitled 1
Located in Saint Ouen, FR
Robert Mus Untitled 1 Acrylic, oil and paper on Isorel 1968 90 x 118 Certificate from the artist's daughter 2300 euros
Category

Abstract 1960s Abstract Paintings

Materials

Paper

Large Modernist Art French Abstract Expressionist Colorful Painting Roger Lersy
Located in Surfside, FL
Roger Lersy, French (1920 - 2004) Painting on paper (not sure if this is watercolor, acrylic or oil, the paper has a velvet finish and texture to it and there is some texture to the ...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Paint, Paper

Undulating Units
By Francis Celentano
Located in Palm Desert, CA
An abstract, Op Art painting by Francis Celentano. "Undulating Units" is a black and white, abstract Op Art painting from seminal Op Artist Francis Celentano. "Undulating Units" is a large format, black and white, acrylic on canvas painting. Signed verso, “F. Celentano 1968” Provenance: Jacobsen Howard Gallery, New York, New York Loretta Howard...
Category

Op Art 1960s Abstract Paintings

Materials

Canvas, Acrylic

Sunken Caesarea
By Mordechai Ardon
Located in Jerusalem, IL
A one of a kind piece by world famous Israeli artist Mordechai Ardon. It is a framed oil on canvas painting. 65X54 cm (25 5/8 x 21 ¼ in). Signed and dated "Ardon 60" (upper right). S...
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Surreal Nude Woman Abstract Signed Framed Mid Century Modern Oil Painting
Located in Buffalo, NY
Antique American modernist oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 21 inches overall and 30 by 20 painting alone.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Geometric Multicolor Surrealist Drawings, France 1960s
Located in Atlanta, GA
These exceptional original drawings, painted with colored pencil on translucent tracing paper, were designed by a French artist, circa the 1960s. The two rare paintings feature a geo...
Category

Surrealist 1960s Abstract Paintings

Materials

Paper

Pool Table
Located in Greenville, DE
Excellent example of Loper Sr.'s work from this period. Exhibited at the Delaware art Museum show titled "Edward L. Loper from the Prism's Edge". Signed lower right. 43.75" x 30.75" ...
Category

Abstract Impressionist 1960s Abstract Paintings

Materials

Oil, Panel

Large Figural Abstract Oil Painting Collage LA California Artist Peter Liashkov
Located in Surfside, FL
Peter Liashkov (b. 1939) French, Russian, Argentine, American artist "Life and Death (Two Figures)," 1966 Oil on board (mixed media with collage) Hand ...
Category

Abstract 1960s Abstract Paintings

Materials

Mixed Media, Oil

Studio Corner (Mid-Century Modern Abstract, Cubist Still Life of Interior Scene)
Located in Hudson, NY
Studio Corner (Geometric Abstract Oil Painting in Yellow, White, Orange & Blue) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life pa...
Category

Abstract Geometric 1960s Abstract Paintings

Materials

Canvas, Oil

Vintage Nicely Framed American Modernist Print
Located in Buffalo, NY
Nicely executed American modernist abstract print. Signed. Image size, 15H by 22L.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Antique American Modernist Surreal Framed Abstract Still Life Oil Painting
Located in Buffalo, NY
Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 24L.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Nude Woman at Home
Located in London, GB
'Nude Woman at Home', oil on fine paper (1969), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso painted many work...
Category

Cubist 1960s Abstract Paintings

Materials

Paper, Oil

[Studies in Fragility] – Oil on Canvas Still Life by Paul Gorka, circa 1965
By Paul Gorka
Located in Miami, FL
PAUL GORKA – UNTITLED [STUDIES IN FRAGILITY] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A COMPLEX, SYMBOLIC STILL LIFE OF MIDCENTURY AMERICAN INTROSPECTION Untit...
Category

American Realist 1960s Abstract Paintings

Materials

Canvas, Oil

Planete
Located in San Francisco, CA
Artist: Paul Van Hoeydonck – Belgian (1925 - ) Title: Planete Year: 1961 Medium: Mixed media Size: 48 x 48 inches. Signature: Signed, dated, titled on the reverse Condition: Good This mid century work by Paul Van Hoeydonck is a direct and strong composition, like so many of Van Hoeydonck’s Planete works. It measures 48” x 48” and is a mixed media composition. It is a composition on masonite or a similar material. There is flat black and gloss black paint. Perhaps the gloss is lacquer. The surface is highly textured. The black areas have small finish nails, lying flat, attached to the surface. The other areas have sand or some other particulate in the paint. It is signed, titled and dated on the reverse. The date looks like “1961” but it could be “1969.” Please see pictures. Stylistically, this work looks very much like his work from 1961-1962. The piece is in good condition. There is a faint scratch in the upper left and some very small chips on the edges. Please see pictures. There also might be very, very light surface dirt throughout. Please refer to the artist's website as well as Whitford Gallery for extensive biographies of the artist. Public collections include Galleria Comunale d’Arte Moderna, Rome Israel Museum, Jerusalem Koninklijk Museum voor Schone Kunsten, Antwerp Museum of Modern Art, New York Stedelijk Museum, Ostende Van Abbemuseum, Eindhoven The Solomon R. Guggenheim Museum, New York PAUL VAN HOEYDONCK BIOGRAPHY 1925 Born in Antwerp, Belgium 1945-51 Graduated in History of Art and Archaeology in Antwerp, Belgium. 1952 First solo-exhibition, figurative paintings, Gallery Buyle, Antwerp, Belgium. (OMS) Figurative paintings, Gallery Unicum, Bruges, Belgium.(OMS) Figurative paintings, Au Cheval de Verre, Brussels, Belgium.(OMS) 1953 One-man show figurative paintings, Gallery Unicum, Bruges, Belgium. "Open Air Party", Driekoningen Castle, Beernem, Belgium.(GE) "Salon Quadriennal de Belgique" Liège, Belgium.(GE) 1954 Creates Coloured Geometrical Abstract paintings Gilbert Swimberge and Paul Van Hoeydonck, Galerie Théâtre du Poche, Brussels, Belgium.(GE) "Zomersalon Salon d'été" Gallery Unicum, Bruges, Belgium.(GE) "Salon quadriennal des Beaux-Arts" Ghent, Belgium.(GE) 1955 Gallery Dutilleul, Brussels, Belgium.(OMS) 1956 Co-founder of art group “FORMES” "Lauréats du prix Jeune Peinture Belge", Palais du Beaux-Arts, Brussels, Belgium.(GE) Diamond among the works 'distinguished by the jury' "La peintres du groupe Formes" Cercle Jean Jaurès, Salle de l'Académie de musique, Morlanwelz.(GE) "Défense du petit format", Gallery Saint-LaurentBrussels, Belgium.(GE) Gallery Saint Laurent, Brussels, Belgium.(OMS) 1957 Created first monochrome collages. "Salon national du meuble social moderne" Museum voor Sierkunst, Ghent, Belgium.(GE) "Lauréats du Prix Jeune Peinture" Société Royale des Beaux-Arts, Verviers, Belgium.(GE) Gallery le rouge et le noir, Charleroi, Belgium.(GE) "Groupes" Gallery Accent, Antwerp, Belgium.(GE) "Défense du petit format" Gallery Saint Laurent, Brussels, Belgium.(GE) "Summer Exhibition" Gallery Accent, Antwerp, Belgium.(GE) "Paul Van Hoeydonck" Gallery Saint Laurent, Brussels, Belgium.(OMS) "Peintres belges inspirés par l'Espagne" Gallery Giroux, Brussels, Belgium.(GE) 1958 Creates first monochrome light works with the introduction of small plexiglass structures. "Paul Van Hoeydonck" Gallery Accent, Antwerp, Belgium.(OMS) "Oeuvres graphiques" Gallery Saint-Laurent, Brussels Exhibition G58 with Georges Van Tongerloo at Castle Middelheim Museum, Antwerp Belgium.(GE) Co-founder of the G58 Hessenhuis group in Antwerp. Opening Exhibition G58, Hessenhuis, Antwerp, Belgium.(GE) Participation at the World Exhibition Brussels, Belgium.(GE) "Groupe Art Abstrait" Gallery Hella Neblung, Düsseldorf, Germany.(GE) 1959 Begins showing in exhibitions concerned with monochrome painting and “Zerogroup” "Vision in Motion/Motion in Vision" first international exhibition in G58, Antwerp, Belgium.(GE) "Lauréats du Prix Jeune Peinture Belge1958" Palais des Beaux-Arts, Brussels, Belgium.(GE) "Oeuvres d'art acquises par l'Etat en 1958", Palais des Beaux-Arts, Brussels, Belgium.(GE) 1960 3th group exhibition G58 Hessenhuis, Antwerp, Belgium.(GE) 1961 Introduction of the “Boites A Monocles” as a reaction to the criticism concerning the light works G58 Hessenhuis, Antwerp, Belgium.(OMS) First important one-man show, Brussels, Palace of Fine Arts Iris Clert Gallery, Paris, France.(OMS° Museum of Modern Art, New York, purchases a light work First trip to New York,USA, private show introduced by Harry Torczyner 1962 Robert Elkon Gallery, New York, USA Created first Spacescapes and White Planets (Planetscapes) “Zero 3” exhibition in Dusseldorf, Germany.(OMS) 1963 Exhibits his first environment “Space Control Station” at the Forum exhibition Ghent, Belgium Participates in the Tokyo Biennale, Japan.(GE) "Contemporary painting in Belgium" St-Louis, Denver, L.A., San Francisco, USA (GE) 1964 Creation of a new race “The Mutants” Participation Documenta III, Kassel, Germany.(GE) The Hague, Vienna, Berlin, Otterlo, Bern and Brussels Pierre Restany “baptises” him “archaeologist of the future” Gallery Iris Clert, Paris, France.(OMS) Participated Floating Biennale Iris Clert, Canale Grande, Venice, Italy.(GE) Article in Times Magazine. Participated Iris Clert in Berlin, Germany.(GE) "Nieuw Realisme-Pop Art " City Museum Den Hague, Netherlands.(GE) 1965 Joins the Waddell Gallery, New York, where he presents several one-man shows Svensk-Franska Gallery, Stockholm, Sweden.(OMS) Gallery Theelen, Essen, Germany.(OMS) Gallery Waddell Gallery, New York, USA.(OMS) "Pop-Art/Nouveau Réalisme" PSK/Palais des Beaux-Arts, Brussels, Belgium. (GE) Biënnale Middelheim, Antwerp, Belgium. (GE) "Flemish Art" Gallery Arditti, Paris, France.(GE) "Belgian Drawings since Permeke", Lima, Peru.(GE) "45 years Belgian Art" Rio de Janeiro, Brasil.(GE) "Collection Graindorge" Copenhague, Denmark.(GE) "Sculptures from al directions" Worldhouse Gallery, New York, USA.(GE) "White on White" Lincoln, USA.(GE) "Pop, pop, whence pop" Heckster Museum, Huntington, New York, USA.(GE) "Nouvelles Recherches Flamandes" Palais des Beaux-Arts, Charleroi, Belgium.(GE) "Flemish Art, Svensk Handelsbanken, Stockholm, Sweden.(GE) "Art for collectors" Rhode Island, USA.(GE) 1966 joins the Gallery Bonnier, Lausanne, Geneva and Stockholm Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery der Spiegel, Köln, Germany.(OMS) Gallery Cogéime, Brussels, Belgium.(OMS) Stadtisches Museum Schloss Moirsbach, Leverkusen, Germany.(GE) "Weis auf Weis" Kunsthalle Bern, Suisse.(GE) "Premio Marzotto" Valdagno, Italy (GE) "L'Espace dans l'Art" Museum of Modern Art, Brussels, Belgium.(GE) Triënale of the Suthern Netherlands, Belgium/Netherlands. 1967 Produces CYBS (Cybernetics) Starts using elements from sawn-up car fenders Waddell Gallery, New York, USA.(OMS) Palais des Beaux Arts, Brussels, Belgium.(OMS) Gallery Foncke, Ghent, Belgium.(OMS) "45 years of Belgium Contemporary Art" National Art Gallery, Budapest, Hungary.(GE) "45 years of Belgium Contemporary Art" Salles d'état Dalles, Buckarest, Romania.(GE) "New Flemish School" City Gallery, Zürich, Suisse. (GE) "Actual Belgium Drawings" Madrid, Sevilla, Barcelona, Spain. (GE) "Collection Stuyvesant" Palais des Beaux-Arts, Brussels, Belgium. (GE) "Superlund" curator Pierre RestanyKunsthall Lund, Sweden. (GE) "Hommage to Bosch, De Moriaan, 's Hertogenbosch, Netherlands.(GE) "Science Fiction", kunsthalle, Bern, Suisse.(GE) 1968 First contact with NASA Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery Bonhier, Lausanne, Suisse.(OMS) Belgium Haus, Köln, Germany.(OMS) International Monetary Fund, Washington, USA.(OMS) One-man show Gallery Müller, Stuttgart, Germany. "Contrasts 1947-1967, Royal Museum of Fine Arts, Antwerp, Belgium.(GE) "Science Fiction" Musée des Arts Decoratifs, Paris, France.(GE) "Science Fiction" Kunstverein, Düsseldorf,Germany.(GE) "40 ans d'Art Vivant" Hommage à Robert Giron, Palais des Beaux-Arts, Brussels Belgium. (GE) "L'eglise ouverte à l'Art Contemporain" La Biënnale, Centre Notre-Dame, Argenteuil, France.(GE) "Triënale" Hallen Brugge, Belgium.(GE) "The obsessive image 1960-1968", Institute of Contemporary Arts, London, UK.(GE) "Im Reiche des Phantastischen" Kunstverein, Recklinghausen, Germany.(GE) "Destruction Art" at Finch College, New York, USA "Art Vivant" at Vence, France. "Three blind mice" Abbe Museum, Eindhoven, Netherlands. "Three blind mice" Saint-Peter Monnastry, Ghent Lignano Biënale in Italy, Proclaimed as the official laureate. "Contact 68 Kelkheim" Pfarzencentrum Kelkheim, Germany. "Belgium Art" Archeological Museum Teheran, Iran. 1969 Contemporary Art Museum Chicago, USA.(OMS) Contemporary Art Museum Houston, USA.(OMS) Kunstverein Freiburg, Germany.(OMS) Gallery Withofs, Brussels, Belgium.(OMS) Gallery Waddell, New York, USA.(OMS) "Painting and sculpture today" Museum of Art Indianapolis, USA.(GE) "Belgium Art" Museum Bagdad, Iraq.(GE) "Belgium Art" Museum Beirout, Libannon.(GE) "Exposition Internationale de gravure" Museum of Modern Art, Ljubjana, Yugoslavia.(GE) "10 Belgische Maler" Gallery 66 Hofheim, Germany.(GE) "Space Art" Technical High School, Eindhoven, Netherlands.(GE) Gallery Foncke Ghent, Belgium.(OMS) "Apollo Mission of the Moon" National Gallery of Art, Washington, USA.(OMS) "The Jaques Kaplan collection" Finch College Museum New York, USA.(GE) 1970 The Apollo 15 Crew officially placed the statue “Fallen Astronaut” on the moon.(OMS) Creation of the first Astro's Palacio National de Bellas Artes Mexico City, Mexico.(OMS) One-man show Gallery Foncke Bruges and Ghent, Belgium. "Belgian Art 1960-1970" Kunstverein Köln, Germany.(GE) Gallery Bonnier, Genève, Suisse.(OMS) Gallery Engelberts Genève, Suisse.(OMS) "Jeu de blancs" Gallery Withofs, Brussels, Belgium.(GE) Gallery Rive Gauche, Brussels, Belgium.(OMS) "Jewels by Belgian Artists" Belgian Pavillon Osaka, Japan.(GE) "Itirénaires 'blancs' " Musée d'Art Moderne St-Ett-ienne, France.(GE) "Zeitgenossen" Kunsthalle Recklinghausen, Germany. "Second annual internal moonwalk festival" Cape Kennedy, USA. 1971 Gallery Waddell, New York, USA.(OMS) "Die Puppe" Aspekte zum Bild der Frau, Berlin/Leverkusen/Frankfurt, Germany.(GE) "Travelling Exhibition" Playboy Art...
Category

1960s Abstract Paintings

Materials

Masonite, Paint, Mixed Media

"Untitled #128, " 1960s Modern Abstract Painting
Located in Westport, CT
This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...
Category

Modern 1960s Abstract Paintings

Materials

Paper, Gouache

Little Blue Head (Abstract Female Portrait)
Located in Wilton Manors, FL
Elliot Barowitz (b.1937). Little Blue Head, 1965. Oil on canvas, 1965, signed 'E.O. Barowitz', titled and dated on the stretcher. 16 x 16 in., 16 3/4 x 16 3/...
Category

Pop Art 1960s Abstract Paintings

Materials

Oil

Blue Lace Oversized Geometric Abstract
Located in Douglas Manor, NY
5075 Oil and Mixed media geometric on blue backround Rapped canvas no frame required
Category

1960s Abstract Paintings

Materials

India Ink, Oil

Witches Entrance 1960s Abstract Geometric Composition, Figures in Red Green Blue
Located in Denver, CO
A dynamic and boldly imaginative work by celebrated mid-century Denver artist Edward Marecak, "Witches Entrance" is an original abstract painting dating to the 1960s. Rich in color a...
Category

Abstract Geometric 1960s Abstract Paintings

Materials

Oil Pastel, Acrylic

Torso No. 3, Mid-Century Figural Abstract Acrylic Painting, Ohio artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Torso No. 3, 1967 Acrylic on paper Signed and dated lower right 13 x 9 inches 21 x 17 inches A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category

American Modern 1960s Abstract Paintings

Materials

Acrylic

Mid-Century Ink & Acrylic Abstracted Painting of Sailboat by Gino Hollander
Located in New York, NY
This Mid-Century Modernist Ink & Acrylic Abstracted Painting of Sailboat is by Gino Hollander American, C.1969. This small yet impactful compostiion features a base layer of expressi...
Category

1960s Abstract Paintings

Materials

Ink, Acrylic

Untitled
Located in New York, NY
Oil, gouache and color crayons on paper. Signed i, v. Wicht, lower right recto. Provenance: private collection, Chicago, IL.
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Crayon, Oil, Gouache

Abstract Waves
Located in Soquel, CA
Abstract waves watercolor painting by listed artist Doris Ann Warner (American, 1925-2010). Signed "Warner" lower left. Unframed. Image size, 15"H x 2...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Paper, Watercolor

Abstract Waves
Abstract Waves
$600 Sale Price
20% Off
"Resting Amazon" Modern Abstract Painting
Located in Westport, CT
This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a warm muted pink rectangular shape at the center of the composition, with a...
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Air Chamber, Mid-Century Figural Abstract Collage, Anatomy & Ovoids
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Air Chamber, 1965 Collage, graphite and gouache on paper Signed and dated upper left 30 x 22 inches Provenance: Descended through the family. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category

American Modern 1960s Abstract Paintings

Materials

Gouache, Graphite

“Dune Watch”
Located in Southampton, NY
Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Oil, Board

The Dance of water oil on canvas 1968
Located in Soquel, CA
The Dance of water oil on canvas 1968 Abstract expressionist painting of three fish circling the water as the focal point. Hues of dark blue fade to light with hints of yellows and reds. Signed "Mary T...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Canvas, Oil

Antique American Modernist Shaped Geometric Abstract Framed Oil Painting
Located in Buffalo, NY
Nicely painted American school abstract geometric painting. Oil on canvas. Framed.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Komposition rot/schwarz
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower left, inscribed label verso. 59.25 x 55.25 in. 61 x 57 in. (framed) Custom framed in a wooden double tray frame, hand-painted white. Provenance Galerie Lovers of Fine Art, Gstaad, Switzerland This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland. Carl Walter Liner was born in the Swiss canton of Appenzell, near the border with Liechtenstein, in 1914. The son of famed artist Carl August Liner, the younger Liner enjoyed more critical and commercial renown for his landscapes. In 1938 at the age of 24, he undertook what would become the first of several residencies in Paris. This particular sojourn helped to establish the trajectory of his career, as Paris would provide the setting in which he became acquainted with early twentieth century masters Maurice de Vlaminck, Georges Braque, Ossip Zadkine, Gérard Schneider, and Erich Heckel. The stylistic and technical influence of his contemporaries is clearly evident in Liner’s work from this point forward. Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes. By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Canvas, Oil

1960s "Yellow and Black Abstract" Gouache and Oil Pastel Female Artist
Located in Arp, TX
Gloria Dudfield Yellow and Black Abstract Gouache and Oil Pastel on paper 35 x 36 in c. 1960 Framed Size: 38.5 x 39.5 x 1.5 Good Condition - Wear consistent with age and history. Cr...
Category

Abstract 1960s Abstract Paintings

Materials

Oil Pastel, Gouache, Archival Paper

"Year of the Dragon, " 1960s Modern Abstract Painting
Located in Westport, CT
This Modern abstract painting Stanley Bate features an earthy and warm palette and textured paint application. The painting is signed by artist lower right and is framed in the origi...
Category

Modern 1960s Abstract Paintings

Materials

Silver

Circle Composition Abstract
Located in Greenwich, CT
A vibrant and fun work by the celebrated and beloved Sir Terry Frost - British artist. Framed in clean and contemporary white matting and lacquered frame this is an attention gettin...
Category

Abstract 1960s Abstract Paintings

Materials

Paper, Watercolor, Gouache

Antique American School Abstract Expressionist Modernist Framed Oil Painting
Located in Buffalo, NY
Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Mid-Century "The Horse Race" Pierre Bosco #50 B (Italy/France, 1909-1993)
Located in SANTA FE, NM
Mid-Century "The Horse Race" #50 B Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery. It i...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Canvas, Oil

Havannah Purple
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Havannah Purple 1966 Gouache on paper Image: 17.2 x 23.5 cm Frame: 31.1 x 37.1 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Tru...
Category

Abstract 1960s Abstract Paintings

Materials

Gouache

Wifredo Lam Cuban Artist Original Watercolor, 1961
Located in Phoenix, AZ
This original watercolor on paper by Cuban artist Wifredo Lam is in excellent condition and measures 12"h x 10"w. It is signed lower right and dated 1961. It bears a simple gold fr...
Category

1960s Abstract Paintings

Materials

Paint

Mem Sahib
Located in Palm Desert, CA
A painting by Arne Heirsoux. "Mem Sahib" is an acrylic and paper on canvas, abstract painting by Post War artist Arne Hiersoux. "Mem Sahib" is depicted in deep reds, blues, blacks, t...
Category

Post-War 1960s Abstract Paintings

Materials

Acrylic, Canvas, Paper

Antique Rare Framed European Modernist Town Center Architectural Oil Painting
Located in Buffalo, NY
Wonderful mid 20th century European modernist cityscape oil painting. Framed. Oil on board. Signed. Image size, 20H by 26L.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

B-139
By Tadasky / Tadasuke Kuwayama
Located in Palm Desert, CA
A painting by Tadasky (Tadasuke) Kuwayama. "B-139" is an abstract painting executed in circles of red, blue and yellow by Op Artist Tadasky (Tadasuke) Kuwayama. Signed, verso, "Tadas...
Category

Op Art 1960s Abstract Paintings

Materials

Canvas, Acrylic

"Room Interior" abstract cubist cubism dark colorful pop mellow 60's signed
Located in Milwaukee, WI
"Room Interior" is an original acrylic painting on masonite by David Barnett. The artist used bright, non-mimetic colors to create an abstracted interior scene. Artist signed piece o...
Category

Abstract 1960s Abstract Paintings

Materials

Masonite, Acrylic

Shore V, large colorful red, black & blue mid-century abstract expressionist
Located in Beachwood, OH
Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Acrylic

Surrealist Geometric Color Variation Drawings, France 1960s
Located in Atlanta, GA
These exceptional original project drawings, painted with colored pencil on translucent tracing paper, are by a French artist, circa the 1960s. The two paintings feature a geometric ...
Category

Surrealist 1960s Abstract Paintings

Materials

Paper

Untitled Mid-Century Painting - Group of Men
Located in Soquel, CA
Untitled painting of a group of men by Antonio Rodríguez Luna (1910-1985.) This moody piece by Antonio Rodríguez Luna is an excellent example of his work from the early 1960s, which...
Category

Neo-Expressionist 1960s Abstract Paintings

Materials

Oil, Stretcher Bars, Linen

Funny and Sad Faces, Surrealist Geometric Colorful Drawing, France 1960
Located in Atlanta, GA
This exceptional original project drawing, painted with colored pencil on translucent tracing paper, is by a French artist, circa the 1960s. The original painting features a geometri...
Category

Surrealist 1960s Abstract Paintings

Materials

Paper, Color Pencil

Huge Antique American School Original Oil On Canvas Landscape Abstract Painting
Located in Buffalo, NY
Antique American modernist abstract landscape. Oil on canvas, circa 1950. Unsigned. Image size 60L x 36H. Unframed
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Surrealist Geometric Colorist Project Drawings, circa 1960
Located in Atlanta, GA
These exceptional original drawings, painted with colored pencil on translucent tracing paper, were designed by a French artist, circa the 1960s. The two rare paintings feature a geo...
Category

Modern 1960s Abstract Paintings

Materials

Paper, Color Pencil

Accolade
Located in Palm Desert, CA
An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Accolade" is executed in bold strokes, splashes and drips of yellow, red, black and blue against a...
Category

Post-War 1960s Abstract Paintings

Materials

Canvas, Paper, Acrylic

Abstract Composition
Located in Sheffield, MA
John Von Wicht American, 1888-1970 Abstract Composition Oil & mix media on Paper 19 by 25 in. W/frame 30 ½ by 36 ½ in. Signed lower right Johannes Von Wicht was born in Malente, ...
Category

Abstract 1960s Abstract Paintings

Materials

Mixed Media

Abstract
Located in Sheffield, MA
Jenner Augusto da Silveira Brazilian, 1924-2003 Abstract Oil on canvas 27 ½ by 35 ½ in. W/frame 29 by 37 in. Signed and dated "Jenner Augusto 1962" in lower right Jenner Augusto da Silveira (Aracaju SE 1924 - Salvador BA 2003). Painter, cartazista, illustrator, designer, writer. Reside in several cities of Sergipe. The Lizard city holds posters for the local cinema. In Orange, around 1940, studying painting of Horace Time . Returns to live in Singapore in 1944, when it dedicated to painting and works in trade. In 1949, conducts free panels in modernist style to the decor of the Bar Cacique. In 1949, he moved to Salvador, and works as an assistant in the studio of Mario Cravo...
Category

Abstract 1960s Abstract Paintings

Materials

Oil

Torment by Pierre Vogel - Oil on canvas 46x55 cm
Located in Geneva, CH
Work on canvas Wooden frame with golden patina 65,6 x 56,5 x 3,5 cm
Category

Abstract 1960s Abstract Paintings

Materials

Oil

"Storm King, " 1960s Modern Abstract Painting
Located in Westport, CT
"Storm King" by Modernist artist Stanley Bate is a moderately sized oil painting on canvas. The predominantly greyscale painting features a warm off-white w...
Category

Modern 1960s Abstract Paintings

Materials

Canvas, Oil

Kibbutz Abstract Jerusalem Nightscape Israeli Tempera Collage Painting Judaica
Located in Surfside, FL
Abstract Expressionist cityscape of Old City of Jerusalem in moody blues and gold. Yitzhak Greenfield, painter, born 1932, Brooklyn, New York His focus is on the heavenly and the terrestrial Jerusalem; on the Hebrew alphabet; and on central themes in Jewish tradition and culture. He deals with the tension between figurative and abstract. Education 1946 Educational Alliance Art School, New York City, with Abba Ostrowsky, Chaim Gross, and Louis Lozowick. 1948 Thomas Jefferson High School, Brooklyn, New York, Art 1953 Drawing and Drawing Wall Murals,Seminar at Givat Haviva with P. Pelzig, Yohanan Simon, and Naftali Bezem. 1960 Printmaking with the artist and printmaker Borin, Venice, Italy 1979-1981 Morris Blackburn Print Workshop, New York City, U.S.A. Teaching Art Kibbutz Gal-On and Gat 1961-1963 Arts, regional school at Mateh-Yehuda Regional school, Mate-Yehuda Anglican school, Jerusalem 1965–70 Bet Ha'am, Popular University Outreach Program, Jerusalem Ruth Youth Wing, Israel Museum, Jerusalem Shira Mushkin: Majestic scenes in blue, gold and indigo, radiating spheres and grand expanses hover above architectural forms and clusters of Hebrew letters, revealing dreamlike realities. These are the creations of the artist Yitzhak Greenfield who works in watercolor and acrylic paints layered with collages of painted papers, discarded book materials, and fragments of his own prints. Applying parts of broken furniture, clock springs, iron locks and keys, the artist forms assemblages that hint at familiar settings, resonating the past. For Brooklyn born, Israeli artist Yitzhak Greenfield, these visions are the essence of the Jerusalem landscape, inspired by the city’s ever-changing magical scenery. For generations, Jerusalem has been a focal point for the Jewish people. It is the center of Jewish life, faith, hope, history, and consciousness. Jerusalem holds a particular significance for Greenfield, who moved to Ein Kerem, Jerusalem over fifty years ago, after living on a kibbutz. Greenfield is a Jerusalem artist, and he remarks: “Living and working in Jerusalem is a special journey for me. My works are visionary landscapes, which are reconstructions of Jerusalem, not always relating to specific sites.” The artist has always been intrigued by the historical and dynamic nature of the city, as he constantly explores his own connection to the traditional and spiritual forms of Judaism. Greenfield’s art is linked to Jewish and Israeli history and symbols, such as the Hebrew letters, Jewish amulets, and the Ten Sephirot (Kabbalah emanations), containing aesthetic qualities of the material and the spiritual. Working in a distinctive modernist method, Greenfield’s artwork lends itself to rich possibilities of expression. The exhibition Yitzhak Greenfield: Exploring Jerusalem comprises three main series from the artist’s career, which span over the course of many years and continue to this day; Jerusalem Visions, Jerusalem Assemblages, and Landscape and Meditation on the Hebrew Letter. These artworks portray timeless dream-landscapes of Jerusalem. The hidden secrets of the city are locked away in assemblage constructions, and prints depicting Hebrew letters illuminate into mystical meanings. The spectator travels along with Greenfield through his creations, exploring Jerusalem and experiencing a spiritual and living Judaism, in which the artist constantly searches for the expression of his cultural and spiritual legacy as he reconstructs Jerusalem. 1966 General Exhibition - Jerusalem Artists' House Artists: Hirszenberg, Samuel Boris Schatz, Lilien, Ephraim Moses, Joseph Budko, Leopold Krakauer, Meir Gur Arie, Jacob Eisenberg, Ben Zvi, Zeev Palombo...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Mixed Media, Tempera

"Untitled #296 (Modern), " 1960s Modern Abstract Painting
Located in Westport, CT
This Modern painting by Abstract Expressionist painter Stanley Bate features a textured aesthetic and a deep, colorful palette. Deep blue and red is contrasted by a brighter accents ...
Category

Modern 1960s Abstract Paintings

Materials

Canvas, Oil

Abstract Still Life
Located in New York, NY
Unknown/ Unidentified Artist, Untitled Still Life, Abstract Still Life, 18 x 14, 1968 Colors: Black, White, Red, Green, Blue, Brown, Purple Note: Artist Signature on bottom right ha...
Category

Abstract 1960s Abstract Paintings

Materials

Oil

Mid-Century Modern Dancers Figurative Abstract, Bay Area Figurative School 1960s
Located in Soquel, CA
Mid-Century Modern Dancers Figurative Abstract, Bay Area Figurative School 1960s A gorgeous and colorful mid-century modern figurative abst...
Category

Neo-Expressionist 1960s Abstract Paintings

Materials

Canvas, Oil

Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. 77.25 x 59 in. 79.75 x 62 in. (framed) Custom framed in a solid hardwood floater, with a matte white finish. Provenance Estate of the artist Hollis Taggart...
Category

Abstract Geometric 1960s Abstract Paintings

Materials

Canvas, Oil

Abstract Expressionist Painting American Late 1960's Mid Century New York Blue
Located in Buffalo, NY
Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in hues of blue comes house in a contemporary natural wood frame presentation.. The ar...
Category

Abstract Expressionist 1960s Abstract Paintings

Materials

Acrylic, Masonite

Un Fuego Magico, Abstract Expressionist Oil Painting by Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman Title: Un Fuego Magico (Variation) Year: 1965 Medium: Oil on Masonite, signed and dated l.r. Size: 24 x 31.5 inches Frame: 28 x 36 inches
Category

Abstract 1960s Abstract Paintings

Materials

Oil, Masonite

Antique American Modernist Surreal Abstract Large Framed MCM Rare Oil Painting
Located in Buffalo, NY
Impressive early American modernist abstract surreal landscape oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 36L.
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

"Cathedral #79" Modern Abstract Painting
Located in Westport, CT
This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a warm, deep yellow palette. The artist layers paint over the canvas to crea...
Category

Abstract 1960s Abstract Paintings

Materials

Canvas, Oil

Mid-Century Expressionist Portrait of Kenneth Lucas by Richard Lofton, 1962
Located in Soquel, CA
Colorful and bold impasto oil portrait with dynamic, expressive brushstrokes by Richard Lofton (American, 1908-1966). The name of the sitter, Kenneth Lucas, is inscribed along the ri...
Category

Expressionist 1960s Abstract Paintings

Materials

Canvas, Oil

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