1960s Abstract Paintings

Larry Zox Red, White and Blue painting, 1963 Original acrylic painting on board Signed and dated upper right front; Signed, titled and dated on the back as well Unique This work was originally sold by Jill Kornblee of the legendary Kornblee Gallery, with the back of the panel bearing Kornblee's original Upper East Side address before the gallery moved to West 57th Street Frame included: Elegantly double framed. Measurements: Outer Frame 13.5 inches vertical by 13.5 horizontal by 2.5 inches Original Frame: 10 inches vertical by 9.75 inches horizontal Painting 9.25 inches vertical x 9 inches horizontal Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Artist: Victor Chab, Argentine (1930 - ) Title: Untitled - Abstract Bird Year: 1964 Medium: Oil on Canvas, signed and dated verso Size: 32 x 25.5 inches (81 x 65 cm)

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

Original abstract oil painting on heavy card stock by the American artist Martin Rosenthal. Signed lower left and dated 1960. Condition is very good. Slight bow to board. Nicely pro...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph. 1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed. Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland. Select Exhibitions Eleonore Austerer Gallery, Palm Desert ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey Galerie fur Gegenwartskunst,, Bonstetten, Switzerland Galerie Annamarie Anderson, Zurich, Switzerland “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...

An original oil and spray paint on paper by Denis Bowen who played an important role in the Post War British art movement. This simple yet stunning work dates to 1962. Signed and dated verso. Provenance. Northern collection. Condition. Oil and spray paint on paper. Image size 26 inches by 18 inches and in fine gallery condition. Housed in a simple black gallery frame in excellent condition, 28 inches by 20 inches. Denis Bowen (1921-2006) was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Denis Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946. Between 1940 and 1986 Bowen taught art at numerous institutions including: the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951 Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organised with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson and Halima Nalecz...

Paris, Tuileries Garden. 1961. Oil on canvas, 27x41 cm Andree Cottavoz (1922-2012) André Cottavoz is a painter and lithographer who belonged to the Sanzistes group and Paris School...

This signed painting by acclaimed African-American artist David Hammons displays an early experimental use of painted material during the artist’s formative years at Otis Art Institu...

Diana Kurz OP #7, 1960-61 Signed, titled, dated on verso Oil on canvas 66 x 52 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family ...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Really impressive mid 1900s American school painting of Central Park. An amazing piece with hints of abstraction. Framed. No signature found.

Vintage Mid Century Modern expressionist surreal abstract oil painting by Mary Kremer. Oil on canvas. Signed.

A. Rigollot (France, 20th Century) designed this superb post-cubist and colorist abstract oil on board painting. Colorist painting is characterized by intense color use, which become...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

In this composition, Sylvia Spiczza works in the manner of color field artists like Mark Rothko and Helen Frankenthaler, presenting a gradation of colors shifting from yellow to red ...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Giacomo Soffiantino (Turin 1929 - Turin, 2013) He taught at the artistic high school and at the Albertina Academy in Turin. He was a pupil of Francesco Menzio, Aldo Bertini and Mario...

"Annie Nobles Miller" Abstract Florida landscape oil on board painting Hand signed lower left Inscribed on verso St. Lucie County. Measures: Board 24"H x 30"W; Framed - 32"H x 38"W. Annie Miller was a member of the Indian River School of Painting, which was not a formal school but was a group of mostly African-American Florida working class people who wanted to paint. Following is the explanation of that school and its participants. Indian River School is a name applied to Floridian artists in the 1950's and 1960's. They were heavily influenced by nature. Most of the artists in this movement were African American. Their work is characterized by quick strokes and eschews traditional methods of paintings. The main influence for the group was a man named A.E. Backus, a Bohemian white man who mentored the group of young black artists. The group used to congregate in his studio and learnt to paint from 'Beanie' (as he was called) as a way out of their lower class labour jobs. Their work was powerful, dramatic yet captured the serenity and beauty of the Florida Although the exact count of artists mentored by A.E. Backus remains unknown, experts estimate it to be around 20 individuals, many of whom he supported through college. Albert Ernest "Beanie" Backus (1906–1990) was famous for his vivid, naturalist Florida landscapes capturing a fast-vanishing Florida wild lands. Backus would come to be seen as the seminal Florida landscape painter, and others who followed would emulate him. Primarily of the Indian River and Everglades areas of Florida. Backus was a Native Floridian artist of great importance recreating scenes of Florida's sky, rivers, ocean, back country, unpredictable weather, clouds, and birds. Born in Fort Pierce, FL to a family of talented boat designers and builders. His "Uncle" Reg Goodwin helped Backus as a young painter go to the Parsons School of Fine Art in New York in 1924. He was referred to as “Florida’s painter laureate,” and the “Dean of Florida’s landscape painters.”In addition to his influence on the Florida Highwaymen painters (Alfred Hair...

Pierre MONTHEILLET (1923-2011) Composition in yellow Watercolor and gouache on paper Signed lower left Dimensions of the work: 50 x 65 cm Dimensions of the frame: 60 x 80 cm Pierre ...

Anthony Thomas Triano (American 1928-1997) Abstract 1966 Oil on Board Signed & Lower Right 30" x 15" inches unframed Submitted by Leni Robbi...

Beautiful blue, green, and yellow abstract mountain landscape by Herbert Mears circa 1960s. Signed by artist. Artist Biography: Born in ...

Diana Kurz Studio Interior, 1964 Signed, titled, dated on verso Oil on canvas 52 x 72 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's fami...

Antique American abstract expressionist mixed media painting by Bernyce Alpert Winick 1922-2022. Watercolor and collage paper. Signed. Framed. I...

Red Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in 1966. In good conditions. Tempera, oil pai...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in hues of blue comes house in a contemporary natural wood frame presentation.. The ar...

"Gravity Zero" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Gravity Zero: 24 x 18 inches Signed on verso Oil on panel Provenance...

Antique French American modernist still life oil painting by Dimitri Berea (1908 - 1975). Oil on canvas. Signed. Framed. Measuring 30 by 34 inches overall and 18 by 22 painting alone.

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

"Zuen" by Stanley Bate is a Modern abstract painting made in 1951, featuring geometric shapes, line work, and light blue shapes complemented by pops of muted yellow, red, deep eggpla...

Nicely painted mid century abstract landscape. Oil on canvas. Framed.

Masaaki Yamada (1929-2010) Work C.87 Executed in 1961 Oil on canvas 65.2 x 45.6 cm. (25 5/8 x 17 6/8 in.) Signed, dated and artist’s seal in Japanese (on the reverse)

Antique American modernist farm landscape oil painting. Oil on canvas. Signed. Framed. Measuring 19 by 25 overall and 18 by 24 painting alone.

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction with White Border 16 x 12 inches Estate stamp verso Oil on p...

An original ink on canvas by Theodore Mendez who played an important role in the Post War British art movement and the Post Modern art movement. This simple yet stunning work, circa ...

"Spring Thaw" by Modernist painter, Stanley Bate is a textured and energetic abstract painting, created in the early 1960s. Bate, who was inspired by his Abstract Expressionist peers...

Modern warm toned Cubist style still life painting by Texas artist David Adickes. The work features a collection of bottles and fruit displayed on a pedestal against a deep maroon ba...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

This untitled artwork by Stanley Bate was created circa 1960. It is a Modern abstract oil painting on canvas, featuring an earthy palette of sandy brown and umber, light blue, muted ...

This Modern painting by Abstract Expressionist painter Stanley Bate features a textured aesthetic and a deep, colorful palette. Deep blue and red is contrasted by a brighter accents ...

A dreamy and expertly painted abstraction by this noted American/Asian artist. Presented in a contemporary and high quality silvered leaf float frame which allows it to breath. Wave of Ur...

Antique American modernist abstract expressionist oil painting. No signature found.

Vintage American modernist abstract landscape painting. Oil on canvas. Framed in a great gold leaf molding. Impressive piece in person!

A lovely charismatic Water colour painting by Mel Fowler 1921-1987 . This busy London London street scene was painted by the artist during the late 1960s early 70s . Mel Fowler (19...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

Signed center right, 'Ide' for Tom Ide (Canadian-American, 1919-1996) and dated 1965. Exhibited: Maxwell Galleries, San Francisco, circa 1965. Ide studied at the Art Institute of Chicago (1951-1955) and moved to San Francisco in 1960, where he became a notable exponent of Bay Area abstract expressionism. He exhibited with success including at Maxwell Galleries (1964 solo), where the present piece was exhibited. Tom Ide's work was included in the 2021 exhibit “East/West Abstraction: Asian American Artists...

India ink on paper Handsigned by the artist in pencil LCD4792

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

Jean Baier (Swiss, 1932-1999) "Composition" 1960 An original enamel composition on metal wall mount art. This post war contemporary work features geometric abstract designs character...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Nicely painted mid century modern abstract expressionist textural oil painting. Great color and composition. Framed. No signature found.

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Very finely painted American modernist abstract painting by Alton S. Tobey (1914 - 2005) . Oil on board. Framed. Signed. Image size, 48 by 48 inches.

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963. A superb image and ahead of the conceptual ideas of the swinging sixties a...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is ver...

Edward Avedisian ( 1936-2007 ) 15 X 8.5 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert B...

Mid Century Modern Abstract Landscape - San Francisco Hills in the Fog Beautiful mid-century modern abstract landscape evoking ...

Shirley Goldfarb Untitled (7), 1963 Initialed lower right; signed, dated, and numbered on the reverse Oil on paper 9 3/4 x 8 1/2 inches Provenance: The artist Eric Locke Gallery, Sa...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 44 1/2 x 47 3/4 in. Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. ...

Abstracto Rojo (Red Abstract) Hand signed and dated 1966 Angel Ponce de León (Spanish-French, 1925-) The artist, apparently still living in his ...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

A mid-century modern geometric abstract painting by American artist Richard Huntington. Richard Huntington (b. 1936) is an American painter, printmaker, and writer, is Critic Emerit...

Impressive early American modernist seascape oil painting. Framed. Oil on canvas. Image size, 14H by 22L.

Abstract oil on canvas painting by Ivan Freitas. 25" x 31" inch canvas, framed to 30" x 36". Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo. Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006) Son of muralist Severino Araújo, Ivan started painting as a self-taught artist. His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation. Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad. The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space. In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. " Selec Solo Exhibitions 1957 - João Pessoa Public Library; João Pessoa, PB. 1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ. 1961 - MAM-BA , Salvador , BA. 1962 - Rubbers Gallery; Buenos Aires , Argentina . 1962 - La Cabana Galeria; Trieste , Italy . 1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ. 1962 - Brazil-Uruguay Institute; Montevideo , Uruguay . 1962 - Barcinski Gallery; Rio de Janeiro - RJ. 1963 - Galleria Del Canale, Naples , Italy. 1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ. 1964 - Barcinski Gallery; Rio de Janeiro - RJ. 1966 - Relief Gallery; Rio de Janeiro - RJ. 1968 - Relief Gallery; Rio de Janeiro - RJ. 1969 - Pan American Union; Washington , United States. 1971 - Miramar Gallery; New York, United States. 1971 - Bloomingdale's Art Gallery; New York, United States. 1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ. 1973 - Galeria Collection; São Paulo , SP. 1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ. 1975 - Arte Global Gallery; São Paulo-SP. 1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP. 1977 - Paulo Prado Gallery; Sao Paulo-SP. 1978 - Paraíba State Cultural Foundation; João Pessoa, PB. 1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ. 1980 - Individual, at Galeria do Sesi; Sao Paulo-SP. 1980 - Paulo Prado Gallery; Sao Paulo-SP. 1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP. 1987 - Applied Art Gallery; Sao Paulo-SP. 1989 - Evasion Arte Gallery; Sao Paulo-SP. 1994 - GB Arte Gallery; Rio de Janeiro - RJ. Select Group Exhibitions 1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ. 1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ. 1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ. 1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP. 1963 - Art from America and Spain; Europe . 1963 - 2nd Youth Biennial; Paris, France. 1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP. 1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Current Brazilian Art; Bonn , Germany . 1965 - Current Brazilian Art; London , England . 1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ. 1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP. 1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.* 1965 - Current Brazilian Art; Vienna , Austria . 1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina. 1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay. 1966 - 1st National Biennial of Plastic Arts; Salvador BA. 1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP. 1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ. 1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ. Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...

Structure XXIII is an original contemporary artwork realized by Nato Frascà in 1964. Acrylic painting on canvas. Title, signature and date on the back of...

Pat Adams Extended Alike, 1969 Gouache on Paper Mounted to Canvas (Zabriskie Gallery 25th Anniversary & Contemporary Arts Center, Ohio Exhibition Labels) Signed 'Pat Adams 12.69' upper left front In vintage period frame This unique, hand signed gouache on paper, mounted to canvas by renowned artist and longtime member of the Bennington College art department and National Academician Pat Adams, bears labels verso from the following exhibitions: 'Pat Adams Paintings', The Contemporary Arts Center, Cincinnati Ohio, Dec. 7-Jan. 20th. Adams at Zabriskie '(25th Anniversary Exhibition) Zabriskie Gallery, New York, NY, Dec. 5, 1978-Jan. 6, 1979, Cat. no. 41 and' Zabriskie Gallery, New York, Jan. 6-Jan 24, 1970 Measurements: Framed: 19 1/2" H x 13 1/4" W Artwork: 18" H x 11 1/2" W; Excellent condition, held in a vintage frame PAT ADAMS BIOGRAPHY: Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

Clarence Holbrook Carter (American, 1904-2000) King Tut No. 2, 1968 Gouache on paper Signed and dated upper right 11.25 x 8.25 inches 25.5 x 20.5 inches A surrealist mid-century fig...

This Modern abstract oil painting on canvas by Modernist artist Stanley Bate features a geometric composition and a soft palette. The white and creme colors are complemented by earth...

Pierre MONTHEILLET (1923-2011) Composition in green and yellow Watercolor and gouache on paper Signed lower left Dimensions of the work: 50 x 65 cm Dimensions of the frame: 60 x 80 c...

Roy Conn (1931–2018) 'Grater', 1968 23.5 x 41.0 cm Frame: 43.0 x 59.5 cm Painter, born in London. Trained as a structural engineer, he was mainly self-taught...

Unique figurative harlequin painting with Picasso style and abstract elements with dream-like layering by Robert Moesle (American, b.1932). Signed "Moesle" lower left. Titled "The Harlequin Prince" on verso. Displayed in a rustic painted giltwood frame with linen liner. Image size: 40"H x 32"W. Framed Size; 45"H x 37"W. Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...