Framed Abstract Prints

Artist: Joan Miro Title: Plate IV Portfolio: Lithographe II Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 12 1/2” x 9 1/4” Image Size: 1...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floate...

This Limited Edition abstract print, "Neighbors," by Sofie Swann measures 24" x 30" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wire...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in white, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created prior to shipping. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in white, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater frame options are available in silver, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. This print by Sofie Swann features dark shapes, each composed of two parts, that emerge from either side of the canvas and nearly meet in the middle, leaving a somewhat jagged space white space between them. Small and mid-sized, colorful outlines of perfect circles fill the dark shapes. The piece is titled, "Coup de Foudre...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

A fantastic signed and framed screenprint by Harold Cohen, credited as one of the first digital artists. Derrynan IV features in the Tate collection. Year: 1967 Framed size: 75.5cm...

This Limited Edition abstract print, "Sand and Sea," by Sofie Swann is an edition of 95. Printed on canvas, this print ships rolled with natural canvas edges and can be stretched upo...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater frame options are available in silver, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. This print by Sofie Swann features dark shapes, each composed of two parts, that emerge from either side of the canvas and nearly meet in the middle, leaving a somewhat jagged space white space between them. Small and mid-sized, colorful outlines of perfect circles fill the dark shapes. The piece is titled, "Coup de Foudre...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

Artist: Joan Miro Title: Plate 18 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

This limited edition print is an abstract landscape by Elwood Howell. It features a high, blurred horizon line, with green beneath it and light grey above it. The green area is spatt...

This limited edition abstract landscape print by Elwood Howell features a light, serene palette. The artist's signature horizon line is high up on the canvas, with what looks like a ...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in an orange palette by Post War artist Josef Albers. The artwork is numbered 1981.524.1.31 ...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 30" x 24" and is an edition of 95. Printed on canvas, this gicl...

This Limited Edition abstract print, "Neighbors," by Sofie Swann measures 48" x 60" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wire...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Complete set of four color screenprints on Fabriano wove paper. Signed and dated, 1 of 4 and numbered 68/100 in pencil Co-published by Prestige Art Ltd., Mamaroneck, New York and ...

One Two Three (Red and Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnou...

Artist/Designer; Manufacturer: Hong Sung Yong (Korean, b. 1976) Marking(s); notes: signed; ed. 3/70; 2013 Country of origin; materials: Korean; Lenticular 3D Dimensions (H, W, D): ...

Hoshi, Joichi (Japanese, 1913-1979. NECKLACE C. Color woodblock print, 1964. Titled, signed, dated and numbered 16/50 in pencil.16 3/4 x 12 7/8 inches (image), plus margins. In an at...

Untitled by Mark Lancaster, 1967 Additional information: Medium: lithograph 73 x 63.5 cm 28 3/4 x 25 in signed Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

This striking set of three original abstract monotypes by acclaimed Denver modernist Wilma Fiori (1929–2019) showcases her signature use of color and form. Rendered in a refined pale...

Spring, from The Four Seasons by Richard Lin, 1966 Additional information: Medium: screenprint on TH Saunders paper 68.5 x 91 cm 27 x 35 7/8 in inscribed 'Proof' in pencil Born in ...

Artist: Robert Indiana Medium: Original serigraph Title: Decade: Autoportrait 1969 Portfolio: The American Dream Year: 1997 Edition: 76/395 Image Size: 14 1/8 x 14 inches Sheet Size:...

ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Universe III by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in signed, titled, dated and numbered in pencil

Rita Letendre, Canadian, 1928-2021 SHARAS, 1973 silkscreen 28 x 38 in 71 x 96 cm INSCRIPTIONS Signed lower right , titled, dated 1973 and numbered 63/80 PROVENANCE Acquired directly ...

The Clifford Suite VI by Peter Stroud, 1972 Additional information: Medium: screenprint 38 x 42.5 cm 15 x 16 3/4 in signed, dated and numbered in pencil

Marc-Aurèle Fortin, 1888-1970, Canadian Le pont du Havre en construction, c. 1940 Etching 8 x 11 in INSCRIPTIONS Numbered and titled Lower left “Le pont du Havre en construction”; in...

Untitled (Abstract), Aquatint Painting by Johnny Friedlaender, 1960 Additional information: Medium: 76.2 x 57.1 cm 30 x 22 1/2 in Signed and numbered 92/95 in pencil

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Stephen Buckley b. 1944 Untitled (Small Etching B), 1979 etching and aquatint 28 x 24.2 cm 11 x 9 1/2 in signed and dated verso, edition of 40 Stephen Buckley is a British abstract ...

The Bather is a lithograph on checked cloth backed with chiffon de Mandeure, image size 34 x 23.5 inches, signed Miró lower left and annotated lower center. The Bather is the first ...

Vibrant Archival ink print on Epson matte finish canvas, artwork can be shipped in a tube or framed in a crate, edition of 15 Size: 83.82 x 83.82 cm unframed - 99.06 x 99.06 cm with...

Lithography Edition 7 Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication an...

Rav 4 by Brian Fielding, 1982 circa Additional information: Medium: lithograph 76.5 x 58 cm 30 1/8 x 22 7/8 in signed, titled and inscribed AP in penci...

"In Real Form" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and titled/editioned "A/P" in the lower left with graphite. This piec...

"Fan Shape with Dancers" is a silkscreen print by Schomer Lichtner in blue and pink. The print is signed in pencil lower right and is edition 13/200. In this work, the Matissean arabesque figures...

Lithograph on St. Armand Special Etching paper, 1997, signed and numbered in pencil, an artist’s proof aside from the edition of 97, published by Brooke Alexander Editions, New York,...

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your ev...

Stephen Buckley b. 1944 Untitled (Small Etching J), 1979 etching and aquatint 28 x 24.2 cm 11 x 9 1/2 in signed, and dated verso, edition of 40 Stephen Buckley is a British abstrac...

Watercolor, Ink and digital retouch. Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all ...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...