Framed Abstract Prints

Large scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. "ELS MESTRES DE CATAL...

This is a signature color-field composition with multiple thin colored stripes created by Gene Davis. Gene Davis (American, 1920-1985) Screenprint Black Watch I, II and III, 1974 ...

This modern, geometric abstract, giclee print is by artist and graphic designer Burton Kramer. Mesmerizing circles in black and white pop against a deep blue background, edged in ne...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Grey Oval is a lithograph realized by Marcello Avenali between the 1960s and 1970s. It is a composition with female legs and shoes and some abstract figures instead of the body.  Ha...

Lithograph, linocut, and screenprint in colors with hand-coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

Artist: James Rosenquist Title: Israel Flag at the Speed of Light Year: 2006 Medium: Lithograph, Signed and numbered in Pencil Edition: 50 Size: 33.5 x 22 ...

Parade of Mannequins in Peru is a lithograph on paper, image size 48 x 33", signed Miró lower right and annotated lower left. "Mannequin Parade is a series of 8 prints (1969, no.62...

Artist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” *Signed by Kelly in pencil lower right Year: 1972 Medium: Original Lithograph on Special Arjomari paper Limited...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Artist: Chryssa, Greek (1933 - 2013) Title: Jobs and Employment Classifieds Year: 1982 Medium: Monoprint Silkscreen, signed l.r. Image Size: 29.5 x 21 inches Size: 39 in. x 29.5 in. ...

"Kosmos 06" is an original, hand-signed lithograph on hand-made paper from 2003 by internationally acclaimed German ZERO group artist Günther Uecker. E...

"Fast Sketch Still Life with Abstract" abstract serigraph of a bowl of fruit with flower by artist Tom Wesselmann. Published by International Images. Printed by Steve Maiorano, Scree...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Hand signed rf Lichtenstein, numbered and dated '85 in pencil lower right. Printed by Studio Henrici, New York. Published by the artist, for the Institute of Contemporary Art, Univer...

Artist: Joan Miro Title: Plate V Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

Takesada Matsutani (Japanese, b. 1937) Propagation-L, 1971 Screenprint in colors Edition 51/75 28 x 27 inches 28.25 x 27.25 inches, framed Takesada Matsutani is a Japanese avant-ga...

Untitled. SF-353 from “Papierski Portfolio” 1992. Signed by the artist. Artwork size : 56 x 76 cm Frame size : 75x97x4 cm Museum glass anti-reflective. Signed AP (artist proof) Sam Francis Archive Number: SF-353 Publisher: The Litho Shop, Santa Monica. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

This abstract landscape limited edition print by Ken Elliott features a warm, vibrant palette and captures a landscape with the sun just along the horizon. The painting has an impres...

This piece titled "the same mysterious animacy" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, ...

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

"Homage to the Square - Portfolio 2, Folder 24, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

No Reply Portfolio by KAWS. Screenprint on wove paper. Each of the 10 screen prints are hand signed, dated and numbered by the artist. Edition PP 3/5. (Pr...

Park Seo-Bo Ecriture No. 1 - 06 ((2006). Edition 72/99 Print (casting with handmade paper), hand-coloring with acrylic Signed, titled, dated and numbered in pencil 76 x 55.5cm (shee...

Anish Kapoor Untitled, 2002 Etching with aquatint in colours signed and numbered by the artist in pencil 87 x 101 cm - Framed / 72 x 86.5 cm - Paper / 48 x 66 cm - Image Edition of 2...

"Wayne Thiebaud: Survey 1947-1976" Show Poster from the Oakland Museum 1976-1977 Silkscreen poster from the Oakland Museum 1976-1977 show "Wayne Thiebaud: Survey 1947-1976" with a printing of an original drawing (Six Candied Apples...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Graphic work of the ...

Signed, lower right, 'Estève' for Maurice Estève (French, 1904-2001) and inscribed, lower left 'E d'A' for Epreuve d'Artiste. Provenance: Collection of Ann and Norman Bikales, Pebble Beach, California. Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. In 1913, he joined them in Paris, where he discovered the Louvre Museum and was particularly impressed by Uccello's Battle of San Romano...

Tracey Emin Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997 Monotype on paper. Created expressly for Willow, the d...

Victor Vasarely "Okta-2" 1985 Lithograph 31 x 25 1/2 in Ed 192 of 250 Perfect Condition Frame included

Large lithograph, signed lower right, number: 43/50 André Lanskoy He was born in Moscow. After 1905, the family moved to St. Petersburg, the capital in 1909. In 1918, he moved to Kie...

(NOTE: I apologize for the reflections in these photos; the piece has a custom lucite frame, very solid and sealed in back, and I didn't want to take the frame apart to shoot the pie...

Artist: Joan Miro Title: Plate 13 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

"Serie 23 no. 14-4" 1971 Serigraph in color Edition 157 of 200 30 x 30 in Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...

Artist: Joan Miro Title: La Foundation Marguerite et Aime Maeght Medium: Lithograph Date: 1964 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 185/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed...

Romare Bearden Louisiana Serenade (from Jazz Series) - 1979 Print - Lithograph Framed - 33 x 42 inches Edition: Signed in pencil and marked 159/175 Romare Bearden is among the pree...

"de Kus" (The Kiss) Abstract Monotype in Ink on Paper Bright and bold abstract monotype by Dutch-American artist Anouk Johanna (b. 1946). Two abstracted human-like dark grey shapes are mirror images of each other, surrounded in a multicolored background. The background has a textured look, with blended variations in shades of yellow, green, teal, and magenta. Signed and dated "Anouk Johanna '93" in the lower right corner. Numbered "1/1" in the lower left corner. Titled "de Kus" in the lower middle. Presented in a wood frame and an off-white mat. Frame size: 17.5"H x 15.75"W Image size: 9.25"H x 7.75"W Anouk Johanna (Dutch, b. 1946) grew up in Amsterdam Holland and already knew as a young child she was going to be an artist. In Amsterdam she was exposed to world class art and early on she showed signs of a multitude of talents in visual as well as performing arts. Her parents fully supported and encouraged her. She studied drama as well as costume and textile design and was part of a traveling theater group before she started studying sculpture at the prestigious Rietveld Akademie. In 1969 she was offered an opportunity to travel to the USA to study sculpture at the Brooklyn Museum Art School in Brooklyn, New York. There she met and married an American sculptor. They traveled and lived all over the US and in Holland and had two daughters. In Amsterdam they bought an old sailboat where they lived a romantic life as true bohemian artists and made art even when the children were very small. In 1971 they moved back to New York City and Johanna created large fiber art wall hangings for several years. In 1975 her husband and she, now living in L.A., learned to be silversmiths and started selling their jewelry at Arts and Crafts Fairs. This was a more lucrative way to raise a family than as sculptors. It was at the Californian Art Fairs that they were first introduced to the art of "scrimshaw" (engraving and inking of images on ivory or bone) and began to create their own scrimshaw pieces happy to be able to combine sculpture and drawing skills. In 1980, after a divorce, Johanna settled with her daughters in Santa Cruz, CA where she started taking classes at Cabrillo College and studied painting, drawing, jewelry, printmaking and art history while continuing to sell her scrimshaw jewelry...

John Hoyland was a British artist and one of the country's leading abstract painters. Hoyland was born in Sheffield, Yorkshire, and educated at Leighton Park School, before going on...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

Richard Pettibone The Appropriation Print: Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 (Andy Warhol's Electric Chair, Frank Stella's Empress of India and Roy Lichtenstein's Spray) Silkscreen in colors on smooth wove paper Pencil signed and dated 1971 on the front Frame included: Elegantly floated and framed in a white wood frame under UV plexiglass in accordance with museum conservation standards Measurements: frame: 15 7/8 x 19 3/4 x 1 3/4 inches sheet: 12 1/4 x 16 inches This is one of Richard Pettibone's most iconic, popular and desirable prints done in 1970 - during the most influential era of the Pop Art movement. This homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. Pencil signed and dated recto. It was created in limited edition - though the exact number is not known. More about RIchard Pettibone: As a young painter, Richard Pettibone began replicating on a miniature scale works by newly famous artists, and later also modernist masters, signing the original artist’s name as well as his own. His versions of Andy Warhol’s soup...

Linear Development A, Variation by Victor Pasmore, 1971 Additional information: Medium: screenprint 91.4 x 59 cm 36 x 23 1/4 in signed and dated in pencil Victor Pasmore was a Brit...

Serigraph on paper. Hand signed and numbered by the artist. Image size 35.5 x 20 inches. Frame size approx 49 x 32 inches. From the edition of 250. Certificate of authenticity i...

Sheila Maki , the artist, is Canadian and died in Toronto, Ontario. She enjoyed the challenge of creating original prints through varied processes such as etching and silk-screening...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

A darkening sky is illuminated by the eclipsed view of a bold deep blue moon in this contemplative piece by Otto Rogers. He was seen as a ‘big attack painter’ by the renowned art cri...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...

Artist: Joan Miro Title: Joan Miro (Plate 3) Portfolio: Joan Miro Medium: Original lithograph Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22 1/4" Sheet Size: 9" x 15" Signa...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

Space Balls is a unique, trial-proof screenprint on paper, 32 x 40" sheet size, signed and numbered lower right margin ‘TP14/40 Kenny Scharf,’ and framed in a contemporary, white mou...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...