Modern Figurative Prints

This artwork titled "Bottles" 1980 is an original lithograph on Arches paper by Israeli artist Amos Yaskil, b.1935. It is hand signed and numbered XIX/CCXXV in pencil by the artist. ...

Tamarin is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Japanese Customs is an original Hand-colored lithograph on creamy paper realized by an anonymous artist in the 19th Century. Signed on the plate on the lower. Titled in Italian on t...

The Ram And Sheep is an original colored lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", a...

Dancing is an original drawing in pencil realized by an anonymous artist in the Late 19th Century Good conditions. The artwork is depicted through perfect hatching in a well-balanc...

Christmas is an original etching on paper realized by Gian Paolo Berto, in 1976. Good conditions . Hand-signed and numbered on the lower right, rare edition of 9/20. Sheet dimensi...

Gabrijel Stupica, Slovenian (1913 - 1990) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Printed on a slightly reflective metallic silver finished paper. there is a companion piece on a money green paper. A depiction of a ballet dancer, superimposed upon canceled dance c...

The Radiant Prince Genji is an original artwork realized in the mid-19th Century by Utagawa Kunisada (1786-1865). From the series "Sono sugata ukari utsushie" (Faithful Images of t...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Detroit-born Leo Meissner lived in New York and was respected as a painter, draftsman, and illustrator, but is most known for his wood engravings. His ski...

A very good impression of this lithograph, from an edition of 250. Signed in pencil by Covarrubias. Published by Associated American Artists, New York.

Ancient Roman Fresco Of Birds, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on t...

Mary Sister of Martha is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of...

"Horseman" is an original woodcut artwork realized by Mino Maccari (1898-1989). In Good conditions, except for very small foxing along the margins which does not affect the image. ...

Abstract color composition, 1959 aquatint lithograph "the Master and his Pupils". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob...

Peter Grippe, American (1912 - 2002) - Negative, Year: 1960, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 39 x 20 inches, Size: 46 x ...

Jean-Gabriel DOMERGUE At the Cabaret : Nude and Harlequine , 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFO...

Valletta From the Quarantine Harbour is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capit...

Green Script is an original lithograph realized after Maurice Estève (after) from "La Meme Pierre". The artwork is from A même la pierre, Fernand Mourlot Lithographe, Pierre Bordas ...

Moonlit by Ian Phillips [2022] limited_edition and hadn't signed by the artist Linocut Edition number 19/30 Image size: H:41 cm x W:28.5 cm Complete Size ...

Image dimensions: 13 x 8 cm. Colombine is an original etching realized during the XIX century by an anonymous artist. The artwork is printed by Delatre, Paris (as reported on the l...

Mark Tobey, American (1890 - 1976) - Folk Dance on Independence Day, Year: 1972, Medium: Screenprint on laid Richard de Bas, signed and numbered in pencil, Edition: 35/175, Image S...

Theatrical Costume is a splendid hand lithograph engraved by Anonymous Artist in the Early XX Century. The state of preservation of the artwork is exc...

A Woman from Harem is an original lithograph, Hand-colored on paper realized by an Anonymous artist of the XIX century, Titled on the lower center in Italian" Una Donna Dell'Harem". ...

Dante et Virgile is an original artwork realized by Lucian Carred in 1886. Original etching on paper. Passepartout included (cm 32.5 x 50). Artist Proof after Eugène Delacroix. Bon à tirer...

Seeping Man is an etching on paper realized by Francois Blaise (1825-). Signed on the plate, with the same drawing in pencil on the rear, with an inscription on the lower center. Th...

Harfur de Tondano is a hand colored lithograph realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples ...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

These wonderful lithographs from the imagination of the Glasgow artist Robert Colquhoun are full of colour and dynamism. Robert Colquhoun (1914-1962) Poems of Sleep and dream Three ...

This Map of Casablanca is an original etching realized by George Braun and Franz Hogenberg as part of the famous "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas o...

This artwork "Aloha" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 22/50 in pencil by the artist. The artw...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fro...

Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...

Amusing original colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804- 1866). Plate 2, from the series Les Étudians de Paris, Bauger, Paris, 1847, Imp. d'Aubert and Cie. Signed on plate on lower-right. With the printed capture: "Ma chère, comment peux tu sopporter un homme qui pipe toute la journee dans des horreurs de machine comme ça...

A lithograph reproduction from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nu se tordant les cheveux". The original painting was completed in 1952. In the...

Henri Matisse Odalisque à la culotte de satin rouge 1925 Lithograph on Chine paper, Edition of 50 Paper size: 28.5 x 36.5 cms (11 1/4 x 14 3/8 ins) Image size: 19 x 27 cms (7 1/2 x 1...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

This artwork titled "Summer Queen" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2010. ...

Ira Moskowitz, Polish/American (1912 - 2001) - Music to Heaven, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29.5 x 21 in. (74.93 x 53.34 cm...

Original Les Vignobles de France , Vins du Sud-Quest French vintage wine map poster. Horizontal. Size 36.5" x 27". Archival linen backed and re...

Marc Chagall Original Lithograph Title: Bateau Mouche au bouquet 1963 Dimensions: 39 x 30 cm Edition: 180 Unsigned as issued. From Regards sur Paris Published by André Sauret Condit...

'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Tan bárbara la seguridad como el delito (The custody is as barbarous as the crime) is a black and White Etching after Francisco Goya, published in 1881-1886 . Good Conditions. Edit...

Faces is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 1...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Le manuscrit trouvé dans un ch...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Que Sacrificio is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Ve...

Alexander Calder's "Pinwheels and Pyramids," a lithograph from 1970, is a striking example of his signature style that blends abstraction with a sense of playfulness. Known for his i...

The Swiss  Lieutenant is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the rig...

Marc Chagall (1887-1985) The Bible, The Young Lady in the Field Original lithography (Mourlot workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back,...

This original lithograph in colours is hand signed by the artist in pencil “Moore” at the lower left margin. It is hand numbered in pencil from the edition of 180, at the lower left ...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours On the reverse: another black and white original lithograph Year: 1960...

Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...

Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...