Modern Figurative Prints

Piramide - Porta S.Paolo is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corl...

Pablo PICASSO (1881-1973), Nude Woman and Servant, 1954 Original lithography (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INF...

This artwork titled "Happy Birthday Liberty, 100th Birthday of the Statue of Liberty" 1986 is an original color serigraph on thick paper by renown artist Hiro Yamagata (Japanese, b. ...

The donkey in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of on...

Death and the Lumberjack is an original artwork realized by Alphonse Legros (1837-1911) in 1876. The original work is contained in a cream colored cardboard passepartout (50x35 cm)....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, XXe Siècle, Hommage à Manzù, 1984. Pub...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered edition of 500 by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. The work is presented in an excellent brown wood frame with silk linen matting using all acid-free conservation materials. Tete Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Bound volume with complete text and 8 color screenprints. One of 1500 numbered copies. Signed by John Hersey, Robert Penn Warren and Lawrence and numbered ...

Kabuki Actor is a woodcut print realized by Utagawa Kunisada in 1848/49. Lifetime impression in very good condition, except for some very minor sign of time.

Pablo Picasso (1881-1973) - La Guerre et la Paix Lithograph from 1954. Dimensions of work: 53 x 35.5 cm. Publisher: Éditions Cercle d'Art, Paris. Each copy of this Lithograph was...

The Drugs Don’t Work by BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. 40 x 30 inches / 101 x 76 cm paper size signed and numbered...

"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print "The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...

color lithograph on Arches paper, Edited in 1952 Limited edition of 200 copies Current copy numbered: 101/200 on the lower left corner signed in pencil by artist in lower right corne...

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published by Éditions Raisons d'être, Paris; printed by Mourlot Frères, Paris, April 24, 1952. Excerpted from the folio (translated from French), Printing of this folio was finished on April, Twenty-Four, M.CM.LII for the Éditions Raisons d'être, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Frères who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large vélin d'Arches a la form, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on vélin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative copies on Grand Vélin. HISTORY OF THE EDITION: According to the Minneapolis Institute of Art, This publication was a joint effort by Matisse and author André Rouveyre...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Ryoanji Temple in the Snow at Sunset is an original artwork realized in 1850 by Hasegawa Sadanobu (1809-1979). Chuban yokoe. From the series "Miyako meisho no uchi", Famous Viws o...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

Polo Players is a print realized by an anonymous in the mid-20th century. Woodcut print on paper. Good conditions.

William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...

This lithograph is in excellent condition. The photos shown are of one of the pieces in the edition. The piece you purchase will have a unique edition number and is new- never preowned. "Concert of the Night" is part of the 4-piece "Concert of the Hours of the Day Lithograph Suite. In this lithograph, Alvar shows a figure playing Chopin’s Nocturne No.1 at the piano. Next to the pianist there appears a figure eluding to George Sand who is holding laurel leaves symbolizing the inspiration of the artist whose portrait (extracted from a portrait of Chopin by the French painter Delacroix) appears in the lithograph. Being a nocturne, the chromatic range in the work consists predominately of blue tones, dominated by the brilliance of the lunar light in an atmosphere of seclusion and intimacy. This lithograph is hand-embellished with a watercolor over a lithograph drawing at the bottom of the main image. This piece was created, signed, and numbered by the artist. More about Alvar: Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Mediterranean coast near Barcelona. By the age of 17, he was accepted into the Escuela Superior de Bellas Artes de San Jorge in Barcelona. In 1960, he moved to Paris and exhibited with other major Spanish artists including Picasso, Miró, and Dalí. Today, Alvar is recognized on an international platform for his exploration of the psychological and historical complexities of art-making and creation in relation to one’s environment and experiences. The examination of both interiors and exterior spaces place a significant role in all of Alvar’s works. Alvar strengthens his artistic vision through the use of various mediums including oil paintings, lithographs, watercolors, drawings, bronzes, and ceramic bas relief sculptures. His works can be found in the permanent collection of over fourteen museums worldwide and he has several public commissions around the world, including his most recent bronze sculpture created in honor of Catalan cellist Pablo Casals that is located in Paris, France. Additionally, Alvar has had three consecutive retrospectives since 2014. His first was hosted at Las Casa...

The Cultivation of Dictators is an original woodcut print by Primo Zeglio in the 1940s. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition.

After Marc Chagall (1887 - 1985) By Charles Sorlier (French, 1921-1990) "Bataille de Fleurs (Carnaval of Flowers)" (from Nice and the Côte d’Azur), 1967 Reference: CS 33 Color Lithograph Image Size: 24 7/16 in x 18 in (62 cm x 45.8 cm) Sheet Size: 29 9/16 in x 20 11/16 in (75 x 52.5 cm) Framed Size: approx. 34 x 27 inches Edition: Numbered 1 of 150 in pencil in the lower left margin and printed on Arches wove paper (aside from an edition of 75 signed and numbered in Roman numerals and 10 artist's proofs). Signature: This work is hand signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin. Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew...

Lake Biwa, sunset in Yabase is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1920s. Woodcut Print Oban Yokoe Format. Reprint of of the Taisho...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut print Chuban Yokoe Format. Signed...

Artist: Byron Browne (after), American (1907 - 1961) Title: Sousaphone Player in Marching Band Year: circa 1940 Medium: Collotype, signed in the plate Image Size: 26.5 x 20.5 in. (67...

Artist: Joan Miro Title: Joan Miro (Plate 7) Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 15 1/4" x 21 1/2" Sheet Size: 9" x 15" Signature: Unsi...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle: N°7, 1956. Published and printed under the...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours On the reverse: another black and white original lithograph Year: 1960...

Pablo PICASSO (1881-1973) Diurnes, Human Shadow, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFER...

Bonaparte in Jaffa is an Etching realized by Gros Pina in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite ...

Uses and Customs - Ancient Army Stuff is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

Georgia O'Keeffe, Red Poppy poster, with Friendship Quote, 1987 "Still - in a way - nobody sees a flower - it is so small - we haven't time- and to see takes time, like to have a fr...

"Silver Mine, Russell Gulch (12/25)" is a captivating black and white lithograph by American artist Arnold Ronnebeck. The piece features a mining scene in Russell Gulch, Colorado, wi...

"Trovatore tra le nubi" is a hand-signed lithograph realized by Giorgio de Chirico in 1973. Numbered, edition of 110. Good conditions with slight folding on the lower and very sma...

Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...

Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...

Fritz Eichenberg, 'A Visit to the King of the Waters' from the suite 'The Adventurous Simplicissimus', wood engraving, 1977, artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition. Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm). Archivally sleeved, unmatted. ABOUT THIS WORK 'Simplicius Simplicissimus' (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669. The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons. He is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he is so simple that he does not know his own name. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service and, from there, embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage, denouncing the world as corrupt. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 36-37-38, 1951. Published b...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Original Some Like it Hot vintage movie poster. A Qualcuno Piace Caldo". Linen-backed Italian size 39" x 55", in Good condition. Ready to frame. The images are of the exact poster you will receive. These Italian vintage movie...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Corset Tesant un Livre". The original painting was completed in 1918. In the 1970's...

Suite de Vases is an original artwork realized by the French artist Jacques François Saly (1717-1776) Etching print. drawing on the back, 1750 c. Passepartout cm 21x22,5 Good cond...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Blue Nude IV realized in 1952, is a photolithograph realized in 1993 after Henri Matisse. Dated and signed on the plate. On Milano handmade paper.

Dundee, from the opposite side of the Tay is a lithograph on paper realized by the artist W.H. Bartlett. Signed on the plate on the lower left. Titled on the lower center. The stat...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Andre DUNOYER DE SEGONZAC Divine : Young Girl Hidden by the Curtains, 1930 Original stone lithograph Unsigned On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

The final plate from Marc Chagall's renowned Circus suite brings the sweeping and energetic series to a close with a musician's serenade. Untitled (M.527) is a lithograph on paper wi...

Jèsus sera en Agonie jusqu'à la fin du Monde; from Folio Miserere, 1922 Aquatint of Jesus' crucifixion by Georges Rouault (French, 1871-1958). Jesus is depicted with his head lowere...

Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil. The...

"Derriere Le Miroir" is an original color lithograph signed by the artist Saul Steinberg. The artist's signature is in the bottom left margin. Image Size: 14"x20" Frame Size: 25 5/8...