Face Figurative Prints

The Cat is an original etching on paper realized by Gian Paolo Berto in 1970s. Good conditions. The artwork represents a cat through perfect hatching. The artwork is depicted skill...

Cécile Plaisance uses a technique of lenticular developing, super imposing images which creates an image of Barbie from a functional role to undressed. From Lens Series. Edition of...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXVIe Année...

An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...

Ida Applebroog has been employing printed art as part of her artistic practice since the beginning of her very long career. Born in 1929, she has been exhibiting in galleries and mu...

Living For Kicks (2009) by Prefab77 Screen Print, handfinished 76,5 × 57,5 cm Limited Edition of 30 Signed, Numbered (24/30), and Stamped by the artist The print was stored flat but...

The Greeting is an original Lithograph realized in Late 19th Century by Alfred Grévin (1827-1892). In good condition. The artwork is depicted skillfull...

Citron, Minna (American, 1896-1991). SUBWAY TECHNIQUE. Lithograph, 1933. Edition of 20, numbered 10/20, titled, and signed in pencil. A few spots of foxing in the margins, away from ...

Siren is a Linocut Print realized by Mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist, winner...

SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...

- Dans La Menagerie - is an original Modern Artwork realized in 1888. Original Lithograph on paper. Passepartout is included. Dimensions: 70 x 50 cm. ...

Yvon TAILLANDIER The Yellow Catitipède from Paris Original screen print Handsigned in pencil Justified e.a (Artist's proof) On thin paper 56 x 38 cm (c. 22 x 14.9 in) Very good co...

Print Ponte Corvo black and white limited edition no2 of 50 In a moulded gilded frame length 91cm, height 75cm, depth 4cm Framers label on reverse L'Ariete Galleria Torino just pur...

Silhouette is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London,...

Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...

"George Burns" original etching by Al Hirschfeld. Caricature portrait. Hand pulled from an edition of 200 plus 30 artist's proofs in 1982. Hand numbered 2...

Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...

Gallant is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Pari...

A Standing Man is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) ...

The Human Body is a original etching realized as plate no. 8 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major advanc...

Screen print in colors on Essex Offset Kid Finish paper. Hand signed and numbered by Andy Warhol. Published by Dr. Frank Braun, Düsseldorf. Hand numbered AP 21/35. From the Artist Proof edition (outside the main edition of 250). Frame size approx 31 x 23 inches. The artwork is in excellent condition. Gallery Art issued COA included. All reasonable offers will be considered. Andy Warhol’s Saint Apollonia...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Impressions De Ménage is a satirical illustration, an original hand-colored lithograph on creamy paper realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalie...

Pablo Picasso (1881-1973) The Man With a Goat, 1967 Lithograph with stencil after a watercolor (Jacomet workshop) Not signed Limited edition of 500 un-numbered copies On vellum 108...

Blood Wedding is an original vintage poster of mid-20th Century. The poster is an offset print, depicts the protagonists of the film and on the back the poster of the film with all ...

Original poster showing a “Baby in a Bidet”. In Italian it is Maniffatura Ceramica Pozzi. Linen backed in very fine condition, ready to frame. This Italian poster was only know...

Artist: Dan May (American, 1955-) Title: "Baker" *Signed and numbered by May in pencil lower left Year: 1994 Medium: Original Screenprint on unbranded white wove paper Limited editio...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #212 Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

EARLY JACOULET PAUL JACOULET (1896 – 1960) UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935 A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29) Color woodcut, with metallic ...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 18.5 x 15 inches. Image size 16 x 12.5 inches. Artwork is in exc...

Hermant's “moralistic tale” is interpreted and illuminated by Brunelleschi's radically modern designs, which are found throughout the volume, both as 12 full-page plates and smaller ...

Richard Mock, American (1944 - 2006) - South African Vote, Year: 1995, Medium: Linocut on BFK Rives, signed, titled, dated and numbered in pencil, Edition: 80, Image Size: 21.5 x...

Richard Mock, American (1944 - 2006) - Tribalism Over Nationalism, Year: 1995, Medium: Linocut on BFK Rives, signed, titled, dated and numbered in pencil, Edition: 80, Image Size:...

Richard Mock, American (1944 - 2006) - Juveniles + Justice, Year: 1998, Medium: Linocut on BFK Rives, signed, titled, dated and numbered in pencil, Edition: 80, Image Size: 17 x ...

Richard Mock, American (1944 - 2006) - Computer Man, Year: 1996, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 12 x 13 inch...

Richard Mock, American (1944 - 2006) - Ban Landmines, Year: 1997, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 14.25 x 13....

"Tribal 2" by Raphael Mazzucco. Archival print and mixed media encased in resin. Includes signed Certificate of Authentication on back.

Lilian Shao "Flora's Dream" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 163/300 on the left. Sheet siz...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

SANDRA CHEVRIER - La Cage, Benediction Ou Malediction (Gold & Silver Leaf Edition) Date of creation: 2023 Medium: Screen print on Somerset paper with gold and silver leaf Edition: 1...

En Rubben to seen is an artwork, realized by Christoph Suhr in 1808. Etching hand colored. Titled on the lower margin. The artwork belongs to the Series "Der Ausruf in Hamburg vorg...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

"Rappel" is an original lithograph poster designed by Jules Cheret. This poster depicts a young man drumming. There is a small stain in the upper left corner. This poster was publish...

Pablo PICASSO (1881-1973) Le Goût du Bonheur, Sailor Man, 1964 Lithograph Unsigned Printed date in the plate On vellum 32.5 x 25 cm (c. 12.6 9.8 in) INFORMATION : Created for the ...

Artist: Henri Matisse Title: Plate 1: Et il Faudra Mourir sans Avoir Tué le Vent (And He Will Die without Having Killed the Winds) Portfolio: Pasiphae Medium: Linocut on Arches vellu...

Mel Ramos (American, 1935-2018) Juijyfruits Judy, 2015 Medium: Lithograph on card Dimensions: 80.5 x 57.5 cm Edition of 199: Hand-signed and numbered Condition: Exclellent

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Inscribed in the plate:"You Could Have Been / A Gay Icon / You Could Have Been / A Gay Icon". Initialed and dated in pencil lower right: "SZ 2016". A fine imp...

A Man of the Sandwich Islands Dancing (Hawaii) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official artist for the third voyage of Captain James Cook (1728-1779). The purpose of this voyage was to discover the Northwest Passage and to explore the Pacific Ocean north of the Equator. These engravings were published in 1784-85 by G. Nichol and Thomas Cadell of London in the four large format atlas, Voyage to the Pacific Ocean. Captain Cook was an extraordinary explorer known for discovering and mapping unknown territory and for his many contributions to the scientific world. These original engravings from Webber’s drawings and paintings are only a glimpse into this great man’s historical contributions that make him one of the greatest explorers of all times. This image shows a Hawaiian dancer...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East...

Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Alexander Calder Plate 7 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 7 Portfolio: Derriere le M...

ARTIST: Salvador Dali TITLE: The Mythology Narcissus MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: XXXI/C MEASUREMENTS: 18" x 30" YEAR...

Erotic is an original etching by Chas Laborde in the 1920s. This original print is hand-colored in watercolor. In very good condition, including white cardboard Passepartout, 52 x 37cm. This artwork belongs to the erotic series of Chas Laborde in which you recognize his authentic style of illustration. Chas Laborde (Buenos Aires, 1886 - Paris, 1941) Charles Laborde...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Yvon TAILLANDIER The Traveller, Havana, 1982 Original screen print Handsigned in pencil Justified ‘prueba de color’ (colour test) On Canson paper 43 x 57.5 cm (c. 16.9 x 22.6 in) I...

This surrealist etching by Mexican artist Teódulo Rómulo depicts a fantastical cow adorned with geometric and textural motifs, blending human and animal features in a signature fusio...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...