Modern Landscape Prints

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Beautiful proof of state on vélin, 6th state, sanguine. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Original WWII poster: A British "Commando" raid on a German-held port in Norway. Back Them Up! Linen backed and ready to frame. Printed in England...

Le Canal St Martin is a black and white etching realized by Adolphe Martial-Potémont (1827-1883) in 1870s. Titled in the lower. Image size: 30cmx21cm. Very Good condition. Realiz...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio. From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...

The Sunrise by River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19...

Le Faucon Hagard is an etching realized in 1771 by Jacques Blanchon. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Ancient View of Naples is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. In...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 61 x 80 cm Numbered 37/75 lower left, titled below, marked as artist's proof, and signed lower right, all in pencil. A blue- and grey-hued linocut of King's. A version of this print, owned by the Government Art Collection, hangs in the British Embassy in Tunis. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle sé...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Chapter-House, Furness Abbey is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capi...

The Sea is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. ...

This impression is signed and annotated as etched and printed by the artist. It is numbered No. 56. Scarborough is a resort town on England’s North Sea coast. Its 2 bays with sandy...

Paul Cezanne Near Paris, View on the Montgeroult Castle, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. ...

Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...

Linda Plotkin, American (1938 - ) - Vezelay, Year: 1966, Medium: Etching, signed, titled and numbered in pencil, Edition: AP, Image Size: 15 x 11.75 inches, Size: 20 x 17 in. (5...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Prudhomme-Estève, Monique, et al. Maurice E...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Année N°40, Juin 1973, Cahiers d'art cr...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Beautiful proof of state on vélin, 4th state. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Yesterday, Today, Tomorrow by Dorothy Dell Dennison, American (1908–1994) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 1...

Claude HASTAIRE Great Pyramid of Kheops Original lithograph Handsigned in pencil Numbered / 175 On Arches vellum 76 x 56 cm (c. 30 x 22 inch) Excellent...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Paul Cezanne View from the lake, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATI...

Linda Plotkin, American (1938 - ) - Haystacks, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9.5 inches, Size: 9...

Linda Plotkin, American (1938 - ) - Fiesole, Year: 1965, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 15.5 x 15.5 inches, Siz...

Artist: Gordon Grant, American (1875 - 1962) Title: Arching Elms Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40....

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Map of Italy is an Etching realized in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasBatt" realize...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 7.08 inches Inscription...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Vlaminck, 1958; published by Éditions André Sauret, Paris, and Universe Books...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 6.69 inches Inscription...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Beautiful proof of state on vélin, 5th state. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Beautiful proof of state on vélin, 6th state. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...

Beautiful proof of state on vélin, 2nd essai. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Landscape is an original artwork realized by Rodolphe Piguet (1840-1915) in 1875. Original etching. The work is contained in a white passepartout. Hand-signed and dated by the art...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form. SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacre aux Papiers Colles de Georges Braqu...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Bob Cato, American (1923 - 1999) - Cattails from the Nantucket Series (Tan), Year: circa 1970, Medium: Screenprint on Somerset, signed and numbered in penci...

The Fisherman's village is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching on cardboard. Edition of 80. The artist wants to define a well-b...

Vannes is a print on paper realized by Adolphe Rouargue (French 1810-1884)in the mid 19th Century. Signed on the plate and titled. VANNES: LAUNDRY WOMEN under the TOWER of the CONS...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Repos is a black and White etching realized by Auguste Mathieu in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh inkin...

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...