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Modern Landscape Prints

MODERN STYLE

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

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Style: Modern
Red Trees
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Early 20th Century Modern Landscape Prints

Materials

Screen

Red Trees
$2,000 Sale Price
20% Off
Dufy, Au Maroc, Lettre à mon peintre Raoul Dufy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Miró, Composition, Prints from the Mourlot Press (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Modernist Silkscreen Screenprint 'El Station, Interior' NYC Subway, WPA Artist
Located in Surfside, FL
screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...
Category

1980s Modern Landscape Prints

Materials

Screen

Composition, Vers un monde volage, Marcel Gromaire
Located in Auburn Hills, MI
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category

1920s Modern Landscape Prints

Materials

Etching

Braque, Séléné, Œdipe roi de Sophocle (after)
Located in Auburn Hills, MI
Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...
Category

1980s Modern Landscape Prints

Materials

Lithograph

Dufy, Réception d'un amiral anglais, Raoul Dufy, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...
Category

1960s Modern Landscape Prints

Materials

Lithograph

The Thames from Waterloo.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Original British Columbia United Air Lines travel poster
Located in Spokane, WA
Behold the original British Columbia United Air Lines vintage Travel Poster—a rare gem from the mid-century Modern era. This archival linen-backed beauty is in excellent condition an...
Category

1960s Modern Landscape Prints

Materials

Screen

San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Landscape Prints

Materials

Drypoint, Etching

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Miró, Composition (Mourlot 872-881; Cramer 164), El tapís de Tarragona (after)
Located in Auburn Hills, MI
Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró, 1972. Published by Sala Ga...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Dufy, L’atelier de Impasse Guelma, Raoul Dufy, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Poplars III, Modern Lithograph by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Poplars III, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/80, Image Size: 21 x 16.5 inche...
Category

1960s Modern Landscape Prints

Materials

Lithograph

A Feminity of Nudes, 1979-1980
Located in Bournemouth, Dorset
Morris Cox (1903-1998) A Feminity of Nudes, 1979-80 Screenprint 11.0 x 8.0 cm 25.0 x 21.0 cm Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmaker, ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Matisse, Margueritte Matisse, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.84 x 7.08 inches Inscription: Signed in the...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Composition (Vallier 153), Le Tir à l'arc mis en lumière par Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Braque, Composition, Braque Espaces, 13 Dessins, Lavis, Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 2 (double) Janvier 19...
Category

1950s Modern Landscape Prints

Materials

Lithograph

From the Ponte Vecchio, Florence
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

1920s Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Rainbow Cloud, Modern Lithograph by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Rainbow Cloud, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 68/125, Image Size: 18.75 x 24 ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Uses and Customs - View of the Lake of Como taken from... - Lithograph - 1862
Located in Roma, IT
Uses and Customs - View of the Lake of Como taken from Bellagio is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of th...
Category

1860s Modern Landscape Prints

Materials

Lithograph

Fugaku Hyakkei - View of Mount Fuji from Edo by Katsushika Hokusai - 1834
Located in Roma, IT
Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.
Category

1830s Modern Landscape Prints

Materials

Woodcut

Inspired Village of Montmartre - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio &q...
Category

1950s Modern Landscape Prints

Materials

Stencil

Composition, Parallèlement, Léonor Fini
Located in Auburn Hills, MI
Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Kollwitz, Working-Class Woman with Sleeping Child (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Matisse, La Gerbe (Duthuit 139), Verve: Revue Artistique (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Fish Market Japan Neon - A Modern Architecture Noir Photograph
Located in Brooklyn, NY
"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...
Category

2010s Modern Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Color, Archival Pigment

Estève, Alalito, Souvenirs et portraits d'artistes (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Wrapped Walk Ways, Loose Park, Kansas City (large-scale, site-specific install)
Located in Kansas City, MO
Christo and Jeanne-Claude Wrapped Walk Ways, Loose Park, Kansas City, Missouri, 1977-78 Photo: Jeanne-Claude, 1978 Year: 1991 Publisher: Poligrafa Size: 25.47 x 37.3 inches Unsigned ...
Category

1990s Modern Landscape Prints

Materials

Offset

"The Caissons Go Rolling Along".
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Masson, Le départ, Souvenirs et portraits d'artistes (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Braque, Composition, Braque Espaces, 13 Dessins, Lavis, Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Central Park Zoo, New York City, Limited Edition Hand Colored Etching
Located in Los Angeles, CA
This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...
Category

1970s Modern Landscape Prints

Materials

Etching, Ink, Watercolor

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

1930s Modern Landscape Prints

Materials

Lithograph, Stencil

Landscape with Trees
Located in San Francisco, CA
This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Picasso, L'Épervier, Histoire naturelle (after)
Located in Auburn Hills, MI
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Dufy, Le Flûtiste, réplique, Lettre à mon peintre Raoul Dufy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Lettre à mon pei...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Cathedral of Saint Cyr and Saint Julitta, Nevers
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category

Mid-20th Century Modern Landscape Prints

Materials

Laid Paper, Handmade Paper, Etching

Brianchon, Voyage du Vin, Vins, Fleurs et Flammes (after)
Located in Auburn Hills, MI
Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Le Cancer (Cancer), Les Signes du zodiaque, Jean Lurçat
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...
Category

1950s Modern Landscape Prints

Materials

Lithograph

de Segonzac, Paysage a la petite route, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

1930s Modern Landscape Prints

Materials

Lithograph, Stencil

de Segonzac, Les canotiers, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 11 (double) ...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Picasso, Le Papillon, Histoire naturelle (after)
Located in Auburn Hills, MI
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category

1970s Modern Landscape Prints

Materials

Lithograph

View of Venice - Etching by Alcione Gubellini - Mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition. 
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

The city, The roofs - Original lithograph, HANDSIGNED, 1959
Located in Paris, IDF
Fernand Léger The roofs, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25.9 ...
Category

1950s Modern Landscape Prints

Materials

Lithograph

His Timmer Staff
Located in New Orleans, LA
"His Timmer Staff" is an image of herding pigs by William Strang. It is a fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Binyon 119 One...
Category

1890s Modern Landscape Prints

Materials

Etching, Engraving, Mezzotint

Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Auburn Hills, MI
Lithograph on Velin d'Arches paper, mounted on supporting sheet by the publisher, as issued. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From t...
Category

1940s Modern Landscape Prints

Materials

Lithograph

Mid Century Vintage 356 Porsche, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
TOM BLACHFORD Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on C...
Category

2010s Modern Landscape Prints

Materials

Cotton, Archival Ink, Photographic Paper

Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Landscape Prints

Materials

Stencil

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

1890s Modern Landscape Prints

Materials

Woodcut

Schwarzer Fleck (Roethel 145), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

1930s Modern Landscape Prints

Materials

Woodcut

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

1930s Modern Landscape Prints

Materials

Lithograph, Stencil

Picasso, Composition (Hodorisch B2), Le manuscrit trouvé dans un chapeau (after)
Located in Auburn Hills, MI
Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Le manuscrit trouvé dans un ch...
Category

1910s Modern Landscape Prints

Materials

Lithograph

Composition (Vallier 153), Le Tir à l'arc mis en lumière par Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Modern landscape prints for sale on 1stDibs.

Find a wide variety of authentic Modern landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Giuseppe Malandrino, John Taylor Arms, Giuseppe Vasi, and Robert Savary. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Modern landscape prints, so small editions measuring 1.5 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $44 and tops out at $80,000, while the average work sells for $352.

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