Surrealist More Prints

Ego Sum Deus Tuus  is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Untitled from Le XX Siècle is an original artwork realized by Richard Lindner in 1974. Original colored lithograph. Good conditions. Printed by Mourlot, France. This lithograph wa...

Peccatum Originis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Artist: Salvador Dali Title: The sacred cow Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image S...

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Curse Conquered MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.75" x 26" YEAR: 1974 FRA...

ARTIST: Salvador Dali TITLE: Faust Tete de Veau MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 9/145 MEASUREMENTS: 11" x 15.4" YEAR: ...

Japan Poster is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

Surrealist Composition is an original collotype print realized after André Masson in the mid-20th Century. The artwork is in good conditions, and not signed. André Masson (1896-198...

Henri Matisse (1869-1954) - La Perruche et la Sirène Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this...

To see our other original vintage World War Two public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. 'Zero' Hans Schleger (1898-1976) Grow Your Own Food Lithographic poster c. 1940 Printed by Fosh & Kosh Limited for HMSO 76x51cm A copy of this poster is in the collection of the Imperial War Museum. Provenance: the estate of the artist. In this poster the public are encouraged to Dig For Victory...

Artist: Ralph Steadman Title: Twisted Meat Artist Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 15 x 22 Inches Edition: of 250 Year: 2006 Notes: ...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Crazy Crazy Crazy Minerv MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 29.25" x 21.75" YEAR: 1971 ...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Ouraboros MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISHER: Art e...

ARTIST: Salvador Dali TITLE: Monument To Picasso MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 158/500 MEASUREMENTS: 22.25" x 30" YEAR: 1973 FRAMED: No CONDITION: ...

"A seagull named Jonathan" is a linocut print artwork created in 1973. The artwork is made on paper and measures 32x30 cm. Linocut is a printmaking technique in which the image is ca...

Poem IV Joan Miro, Spanish (1893–1983) Date: 1947 Etching and Aquatint on laid paper, signed in the plate Image Size: 6.75 x 5.5 inches Size: 14.75 x 11.5 in. (37.47 x 29.21 cm) Prin...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 37.5 inches Size: 27.5 x 39 in. (69.85 x 99.06 cm)"

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 30.5 inches Size: 29.5 x...

ARTIST: Salvador Dali TITLE: Les Amours Jaunes Good Fortune & Fortune MEDIUM: Etching + Gold Flakes SIGNED: Hand Signed EDITION NUMBER: CLXII/CC MEASUREMENTS: 11" x 14.75" Fra...

Artist: Michael Hasted Title: Light of Discovery Medium: Lithograph Signed: Hand Signed Year: 1980 Edition: Edition of 250 Measurements: 18" x 24" Note: This piece is sold UNFR...

Anne Storno Water Baby A limited edition of 30. Image Size: H:50 cm x W:50 cm Paper Size: H60cm x W60cm Sold Unframed Please note that in situ images are purely an indication of how ...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Unsigned, as published in "Chagall Lithographe 1957-1962. VOLUME II" Edition of several thousand Condition : Excellent M...

Henri Matisse (1869-1954) - Femmes et Singes Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally publ...

Franz Graw Reclining Female (Surreal, Colorful, Vibrant, Modern) Color Offset Lithograph Year: 2021 Size: 16.53 x 11.73 inches (42 x 29.8 cm) Edition: 100 Signed and numbered in penc...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph 1975 Dimensions: Sheet : 97.5 x 71.5 cm Image : 80 x 60 cm Handsigned and numbered Edition: 50 Reference: ...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...

Asger Jorn (1914-1973) - Composition Lithograph from 1966. Dimensions of work: 73.5 x 53.5 cm Printed by Erker Presse, St. Gallen. The work is in Excellent condition. Fast and s...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches ...

Marc Chagall (1887-1985) - Vision de Paris Lithograph from 1952. Dimensions of work: 35 x 52 cm Publisher: Tériade, Paris. On the verso another Lithographs in black. Reference: ...

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Salvador Dali (1904-1989) - The Paradise, Canto 16 - The Ancestor's Apparition Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The...

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Marc Chagall (1887-1985) - Les Monstres de Notre-Dame Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Maeght Éditeur, Paris. ...

Salvador Dali (1904-1989) - The Paradise, Canto 11 - Opposition Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exc...

Marc Chagall Original Lithograph Double-page spread from the 1974 book "Chagall" by André Pieyre de Mandiargues. Unsigned, edition of approximately 10,000 Published by Maeght 1974 D...

Holy Bible - Annunciation of Mary is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Medio...

Marc Chagall (1887-1985) - Quai aux Fleurs Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Maeght Éditeur, Paris. Printer: F...

Carte Postale is a digital print realized by the italian artist Chiara Santoro in 2021. Stamp signed.

Sanctus Raphael et Tobias is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 196...

Henri Matisse (1869-1954) - La Piscine Lithograph from 1958. Dimensions of work: 103 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally published w...

Viktorija Pashuta "Smoking Lady" photography Original Fashion Photograph from the Series TRANSPARENT MIRRORS by an award-winning fashion photograph...

ARTIST: Salvador Dali TITLE: Wealth Health Fame and Love MEDIUM: Lithograph on Japon Paper SIGNED: Hand Signed PUBLISHER: Levine & Levine for Collectors Guild/Center Art EDITIO...

Salvador Dali (1904-1989) - Le chavelier de la mort Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 7...

Salvador Dali (1904-1989) - St. George Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wor...

A very good impression of this color etching, aquatint and carborundum. Signed and numbered 20/50 in pencil by Miro. Printed by J. J. Torralba, Barcelona. Published by Sala Gaspar, B...

Color aquatint and etching. Signed and numbered 10/75 in pencil, lower margin. Printed and published by Maeght, Paris. Catalogue reference: Dupin 396.

Salvador Dali (1904-1989) - The Inferno, Canto 25 - The Centaur Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exc...

Salvador Dali (1904-1989) - The Inferno, Canto 8 - The Angry Ones Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in E...