Surrealist More Prints

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Marc Chagall (1887-1985) - Poèmes, Planche XXII (trial proof) Woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43...

Francisco Bores (1898 - 1972) - Earth Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXIII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carp...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche V Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche II Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Ruth Zachary (American/Michigan) Signed: Ruth Zachary (Lower, Right) " Earth Woman ", circa 1970s Etching in Colors Numbered: 28/30 Plate Size: 11 1/2" x 8 3/4" Overall Size: 2...

Artist: Salvador Dali Title: James the Lesser (Vicar of Britain) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame ...

Candies Casters - The intent of the work is to recreate a link between the pictorial world known by linking it to the modern times in which we live, highlighting the change over the ...

Surrealist Composition 6 is a vintage collotype realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) was a Fr...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XIV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Surrealist Composition is an original collotype print realized after a drawing by André Masson. The artwork is in good conditions, no signature on a yellowed paper. André Masson (1...

Untitled 3 is an original artwork realized in 1970 by Paul Wunderlich. Hand signed lithograph. Edition of 30 prints (in Roman Numerals). Image dimensions: 60x45 cm. Very Good Conditi...

Georges Braque (1882-1963) - Le Coq Lithograph from 1952. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 37.5 inches Size: 27.5 x 39 in. (69.85 x 99.06 cm)"

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche VIII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Beautiful hand signed lithograph by the Greek painter naturalized French citizen Antoine Malliarakis (Mayo, 1905-1990). Edition 68/100, signed and dated in pencil lower right. Very ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XX Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Japan Poster is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

Spring Flight is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered.

T(HERE) - is a beautiful print on canvas of a digital collage realized in 2017 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. The work is inspired ...

Supermarket is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

Lay is a beautiful print on canvas of a digital collage realized in 2022 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered.

Centaurus - is a beautiful print on canvas of a digital collage realized in 2022 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and ...

MMXX - is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro Edition of 10. Hand-signed and numbered. Modern collage

Untitled from Le XX Siècle is an original artwork realized by Richard Lindner in 1974. Original colored lithograph. Good conditions. Printed by Mourlot, France. This lithograph wa...

TREE ROOTS I is an original hand drawn, limited edition lithograph(not a digital print or photo reproduction) printed using traditional hand lithography techniques on archival Arches paper 100% acid free. Superb impression of a finely detailed surrealist style tree whose finger-like roots entwine among pipelines, presenting a intriguing fantasy landscape. TREE ROOTS I presents smoothly shaded airbrush drawing which define the pale yellow and light purple red pipeline structures; fine pen drawing creates the tiny leaves that form the puffy clustered green foliage. TREE ROOTS I is an imaginative rendition of nature and man interlocking in the natural environment. TREE ROOTS I is excellent condition, unframed, hand signed in pencil by Hanna Kay...

Leaves at time is a beautiful print on canvas of a digital collage realized in 2018 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. The work represen...

Delivery City is a beautiful print on canvas of a digital collage realized in 2021 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. Isolation as it do...

Masks is a multi-layered composition where the central theme is the masks immersed in the frame of the water theme, in the background a historical scene from the 1990s that marked t...

Image dimensions: 33x22.5 cm. Edition of 25 prints, numbered and hand signed. Very good conditions.

Marc Chagall (1887-1985) - Poèmes, Planche IV Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Image dimensions: 23x28 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

Puppen is an original black and white serigraph on paper, realized the German artist Wolfgang Jörg (1934), during the 1970's. Signed and numbered in p...

Bengt Lindström (1925-2008) - L'homme et son chien Lithograph from 1990. Edition of 100. Dimensions of work: 56 x 76 cm. Hand signed. The work is in Excellent condition.

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Heavily pigmented with a deep burgundy hue, Tighe O'Donoghue's Surrealistic rendering of a single rose stem is accented by scratchy script above and elegant typeface along the bottom...

Marc Chagall (1887-1985) - Poèmes, Planche IX (trial proof) Woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43.2...

Surrealist Composition 8 is an original collotype realized after André Masson in the Mid-20th. The artwork is in good conditions, no signature on a yellowed paper. André Masson (18...

Surrealist Composition 9 is an original collotype realized by André Masson. The artwork is in good conditions, no signature on a yellowed paper. André Masson (1896-1987)was a Frenc...

Marc Chagall (1887-1985) - Poèmes, Planche XIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Marc Chagall (1887-1985) - Marc Chagall - L'Odyssée, Planche I Lithograph from 1974. An unnumbered and unsigned copy from a limited edition of 270. Dimensions of work: 42.5 x 32 c...

Happy New Year is an original black marker drawing on paper with autograph wishing notes by the French artist Léon Gischia to Nesto Jacometti, editor and collector of Graphic art. ...

This Correspondence between Léon Gischia and Nesto Jacometti, written in French and Italian , in 1960, is composed of 7 items, prefectly readable and in excellent conditions, except...

Extraterrestrial Fantasy is a wonderful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, published by La Nuova Foglio, the publishing house of Macerata. Hand-signed and numbered in pencil on lower right margin. Edition of 100 prints. This contemporary artwork representing three extraterrestrial guardians at the entrance of a futuristic world is in excellent conditions. Maurice Henry...

Image dimensions: 30x24 cm. Edition of 50 prints, numbered and hand signed by the Artist. Excellent conditions. Insurance may be requested by customers as additional service, contac...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XIX Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

An ex libris print with themes of ancient Greece and surrealist fantasy, showing elements from the Acropolis against a backdrop of the universe. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Marc Chagall (1887-1985) - Bouquet and Bird (trial proof) Woodcut print from 1960. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 73.2 x 53.3 cm ...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Signed in pencil on lower right margin...

Orphée is an original artwork realized by Jeanne Esmein in 1967. Serigraph on paper. Hand-signed and dated in pencil by the artist on the lower right. Titled and numbered in pencil...

Marc Chagall (1887-1985) - Poèmes, Planche XX Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Bengt Lindström (1925-2008) - Le Visage Lithograph from 1970. On Arches Paper. Dimensions of work: 74 x 54 cm. Hand signed. The work is in Excellent condition.

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Fruit With Holes MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION N...

Abraham Rattner (1895 - 1978) - Autumn Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 250 Image Size: 24 x 19.5 inches Size: 27.5 x 22 in. (69.85 x 55.88 cm)"

Henri Matisse (1869-1954) - Décoration - Fruits Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally pu...

The Shepherd Tighe O’Donoghue, American (1942–2023) Date: circa 1978 Etching with Aquatint, signed and numbered in pencil Edition of m 2/10 Image Size: 14.5 x 18 inches Size: 22 x 30...