Surrealist More Prints

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Elements in his prints seem to defy gravity. Si...

Act III, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate on the lower left margin. Perfect conditions. The ...

The Sodomites - Hell Plate 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited e...

Beatrice Resolves Dante's Doubts is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on...

The Famine is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and da...

Henri Matisse (1869-1954) - Bateau Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Good condition. -...

Rubus incombustus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

The Fraudulent  - Hell  is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Odyssey is a splendid artwork realized after Marc Chagall and published in 1989. Mixed colored lithograph on paper. This beautiful artwork is from the German edition of Chagall's O...

Don't Touch Me is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed an...

Digital print realized by the italian artist Chiara Santoro in 2023. Stamp signed, limited edition.

Holy Bible -  The Travels of John the Baptist is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani be...

Invasion de l'espace is an original print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the ...

T'ou't  se tient is an Artwork realized in 1975, by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Lithograph on paper. The ...

Holy Bible - Give Up My Body And Life For The Laws Of Our Fathers is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by ...

Invasion de l'espace is a vintage print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the Fr...

Sanctus Hieronymus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

Ecce Quasi Filius Hominis in Nubibus us Caeli on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969....

Artist: Salvador Dali Title: Santiago of Compostela Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20"...

La divina Commedia - Hard Margins is a Color Wood-cut on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

This artwork titled "Careful with that Ax, Eugene" 2001 is an original color serigraph by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 62/100 ...

Hommage à San Lazzaro is a lithograph realized by Marc Chagall for the Art Revew "XXème Siècle". This original print (not signed and not numbered) comes from the portfolio Hommage à...

Sublime Deviation captures the essence of artistry that transcends the conventional, exploring the realms of human experience often left unspoken. The canvas becomes a tapestry of ra...

Holy Bible - Iesu Nativitas is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani b...

Ieremiæ Prophetia Contra Regem Ioachin is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between...

Composition is an artwork realized  in the Mid-20th Century. Lithograph. The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a dy...

Adveniat Regnuum Tuum is a lithograph from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1964. Signed and dated "1964" on plate on the lower left margin. In excellent condition. Reference: R. Michel, L. W. Löpsinger, Dalì, Catalogue Raisonné of Prints II, Lithographs and Wood engravings, 1956-1980, p. 180, n. 1599. Pater Noster is a beautiful artists' book illustrated by the oldest and mystic Salvador Dalí. Nine colored plates protected by Japanese paper represent the verses of the Lord's Prayer. The pages of a 14th-century missal reproduce a Pater Noster in Gregorian chant...

Et Posuerunt Eum in Monumento is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Passion is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated...

Act I, Scene I - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the higher left margin. Perfect conditions. The ...

Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...

Lucifer - Paradise 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of...

Then stood up Elias the prophet as fire, and his word burnt like a torch is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is publ...

The Falsifiers - Hell Plate 29 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on t...

Holy Bible -  The Dance Of Herodias Daughter is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani bet...

Holy Bible -  Losias sepultus in Mausoleo Patrum is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani...

Holy Bible -  Iesus A Satrana Tentatur is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1...

Holy Bible - Tobias Listens to Raphael is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1...

The Family of Mattathias is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969...

Curved Desolation becomes an evocative exploration of emotional desolation, depicting a figure whose very form seems to mirror the contours of inner turmoil. The canvas becomes a tes...

Erinnyes - Hell  plate 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editio...

Rapture Unveiled becomes a realm of poetic expression, where romantic architecture melds seamlessly with the contours of the human silhouette, draped in silken fabric that imparts a...

The Blood of the New Covenant is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and...

Gloria vultus Moysi is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

Act II, Scene III - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated on plate on the lower...

David and Goliath is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by  Salvador Dalì , realized in 1963. Good conditions. Not signed. Plate n.8 (as reported o...

The Giants - Hell Plate 2 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

The Simonists - hell 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Sculpted Agony becomes an epitome of emotional expression, as the artistry delves into the depths of suffering. The canvas portrays a figure twisted in agony, each sculpted curve a t...

The Avaricious - Hell  plate 7 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited ...

Abraham, Pater Multarem Gentium is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Ethereal beauty takes tangible Gossamer Grace, where the lines of romantic architecture intertwine with the human figure, swathed in silken drapery that embodies the essence of grace...

Leonor Fini Dancer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Couture Castle stands as an innovative masterpiece, harmonizing architectural magnificence with the whimsy of anime fashion. This artwork fuses the essence of an iconic character's d...

Leonor Fini Pendant l'été, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Luminous Flux transforms the canvas into a river of luminous currents, where flux and flow become a poetic narrative. The interplay of light and texture crafts an immersive experienc...

Shrunk Abyss presents a chilling tableau of emotional abyss, with a figure shrunken and twisted by the weight of inner suffering. The canvas becomes a reflection of the human psyche'...