Surrealist More Prints

Shrunk Abyss presents a chilling tableau of emotional abyss, with a figure shrunken and twisted by the weight of inner suffering. The canvas becomes a reflection of the human psyche'...

Metallic Stream flows as a masterpiece of dynamic elegance, where metal becomes a liquid symphony. The canvas captures the allure of motion, as metallic substance cascades with a gra...

Black Luminescence embodies the luminescent allure of silver, casting a radiant spell on the canvas. Each contour and texture becomes a reflection of purity and light. Shimmers and g...

Lustrous Fusion creates a mesmerizing tapestry of textures and reflections, where metal and liquid intertwine in perfect harmony. The canvas becomes a medley of contrasts, as the lus...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Sculpted Elegance forges an artistic narrative through meticulous form, as elegance takes shape on the canvas. The interplay of light and shadow carves intricate textures into the co...

Women - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. ...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Crimson Commodes presents an art piece that encapsulates the intersection of elegance and the visceral. This installation showcases a collection of toilets sculpted entirely from the...

Awakening of the Horsemen is a striking masterpiece that melds the strength of mythology with the elegance of human and equine forms. With vigorous brushstrokes and a vibrant color p...

Tribute to Michelangelo is an abstract color etching realized by the German artist Paul Wunderlich (Eberswalde, 1927 - Saint-Pierre-de-Vassols, 2010) in 1975. Signed in pencil on th...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Exhibition Poster Galerie Gerald Cramer is a lithographed poster realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the artis...

Untitled is a beautiful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, and published by La Nuova Foglio, a publishing house of Macerata. Hand-signed and numbered in pencil on lower margin. Edition of 100 prints. This contemporary artwork representing a surreal composition in a futuristic world to decipher as a rebus game, is in excellent conditions. Maurice Henry...

This artwork titled "Panic in the Minefield" 2001 is an original color serigraph by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 62/100 in pen...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

On The Edge of the Seventh Circle - Hell  plate 4 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good co...

Charon is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realize...

Betrayers of their Hosts - Hell 33 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limi...

Minos - Hell  plate 5 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition o...

David's Mourning At The Death Of Saul is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

Idolum Nomine Bel is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Abraham, Abraham! is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Blanchefleur is a contemporary artwork realized by Salvador Dalì in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed...

Mane, Thecel, Phares is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. S...

Aquae Diluvii Super Terram is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 19...

Jean is a lithograph on Arches paper realized by Dorothea Tanning in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Good conditio...

Won is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. This...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

Carousel is a beautiful print on canvas of a digital collage realized in 2019 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numb...

Joan Miro (1893-1983) - Litografía original IX Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

Ruth Zachary (American/Michigan) Signed: Ruth Zachary (Lower, Right) " Earth Woman ", circa 1970s Etching in Colors Numbered: 28/30 Plate Size: 11 1/2" x 8 3/4" Overall Size: 2...

With each brushstroke, Graceful Form transcends the boundaries of medium and form, as romantic architecture finds its mirror in the human embodiment, adorned in silken elegance. The ...

Amorous Embodiment redefines elegance through a captivating portrayal where romantic architecture and the human silhouette unite in a dance of visual poetry. The gentle caress of del...

With each brushstroke, Graceful Form transcends the boundaries of medium and form, as romantic architecture finds its mirror in the human embodiment, adorned in silken elegance. The ...

Gilded Gears is an exquisite portrayal of steampunk interior architecture, where vintage opulence intertwines seamlessly with the mechanized essence of an era gone by. The canvas rev...

In Cherished Silhouettes the scene unfolds as romantic architecture finds its perfect counterpart in the human embodiment, a convergence that is made even more captivating by the int...

Reflective Essence becomes a canvas of captivating dichotomies, where the essence of reflection becomes art. The composition embraces the interplay of light and substance, each refle...

Ethereal Harmony captivates the senses with its symphonic blend of otherworldly elements. The canvas portrays a delicate dance of unity, where harmonious forms intertwine in sublime ...

Harmonious Gleam celebrates the interplay of light and unity, as gleaming elements harmonize in luminous splendor. The canvas becomes a tapestry of interconnected radiance, where eac...

Metamorphic Dread becomes an artistic metamorphosis of suffering, portraying a figure whose very form seems to undergo a transformative journey through anguish. The canvas delves int...

Sculpted Luminescence forges an enchanting bond between light and form, as luminescent materials become art's sculptural masterpiece. The canvas transforms into an exploration of dim...

Candy Prism introduces a mesmerizing symphony of form and color, where a rainbow candy gum structure transcends the ordinary. This artwork beckons with elegance, revealing layers of ...

Ethereal beauty takes tangible Gossamer Grace, where the lines of romantic architecture intertwine with the human figure, swathed in silken drapery that embodies the essence of grace...

Yellow is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. The work is openly inspired by a ...

In Velvet Vows, elegance finds its most expressive form as the human figure becomes a canvas for the structural splendor of romantic architecture, swathed in the soft embrace of deli...

Transcendent Flow captures the essence of ethereal movement, as flowing forms transcend their earthly origins. The canvas becomes a testament to metamorphosis, where shapes and color...

Awakening of the Horseman unfurls a captivating narrative, where a figure shrouded in shadows emerges from the canvas. Amidst an ethereal tapestry of light and shadow, the horseman's...

Metal Elixir encapsulates the alchemical allure of artistry, as liquid and metal converge to craft a captivating narrative. The canvas unveils a transformative elixir, where metallic...

Sculpted Liquid becomes an artistic marvel, where fluidity takes on the form of sculpted elegance. The canvas captures the marriage of materials, as liquid takes shape with purposefu...

Japan Poster is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

02.11.11 is a beautiful print on canvas of a digital collage realized in 2022 by the Italian artist Chiara Santoro. Edition of 2. Hand-signed and numbered.

Artist's Proof, Hand signed. Edition of 50 prints. Image Dimensions : 42 x 55 cm Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork ...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Artist: Salvador Dali Title: James the Lesser (Vicar of Britain) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Le Carrousel du Louvre Lithograph from 1954. Dimensions of sheet: 38 x 28 cm D...

Joan Miro (1893-1983) - L'Air Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 37.5 inches Size: 27.5 x 39 in. (69.85 x 99.06 cm)"

Candies Casters - The intent of the work is to recreate a link between the pictorial world known by linking it to the modern times in which we live, highlighting the change over the ...

Surrealist Composition 6 is a vintage collotype realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) was a Fr...