Surrealist More Prints

Gianni Schicchi's Bite - Hell Canto 30 is a Color Wood-cut on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Me...

Lesus Flagellatus is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

Ecce Homo is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and d...

Apparuerunt Illis Dispertitae Linguae is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 19...

A very good impression of this color aquatint, etching and lithograph. With the artist's signature ink stamp and numbered 26/65 in pencil. With the artist's estate ink stamp and sign...

Holy Bible -  Lot's Wide turned into a Statue of Salt is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Medi...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

MOUNTAIN LIFT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival A...

Holy Bible -  Inter Filios Dei Affuit Etiam Satan is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolan...

ARTIST: Salvador Dali TITLE: Hans Christian Anderson The Girl Who Told on The Loaf MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Gerschmann, Sweden EDITION NUMBER: Ep...

A very good impression of this large, color Mixografía print on handmade paper. Signed and numbered 20/100 in pencil. Printed and published by Taller de Gráfica Mexicana, Mexico City...

Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

The Liars - Hell Plate 22 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Adveniat Regnuum Tuum is an original lithograph by Salvador Dalí (1904 – 1989), from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1964. Signed and dated "1964" on plate on the lower left margin. In excellent conditions. Reference: R. Michel, L. W. Löpsinger, Dalì, Catalogue Raisonné of Prints II, Lithographs and Wood engravings, 1956-1980, p. 180, n. 1599. Pater Noster is a beautiful artists' book illustrated by the oldest and mystic Salvador Dalí. Nine colored plates protected by Japanese paper represent the verses of the Lord's Prayer. The pages of a 14th-century missal reproduce a Pater Noster in Gregorian chant...

Holy Bible - Assuerus adamavit Esther is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

Holy Bible -  Jeremiah's Prophecy Against King Joachim is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Med...

Henri Matisse (1869-1954) - Acrobates Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent condi...

Holy Bible - Give Up My Body And Life For The Laws Of Our Fathers is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by ...

Henri Matisse (1869-1954) - Décoration - Fruits Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally pu...

Idolum Nomine Bel is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Henri Matisse (1869-1954) - Décoration - Masques Lithograph from 1958. Dimensions of work: 96.5 x 35.5 cm. Plate signed. Publisher: Tériade, Paris. Each copy of this Lithograph ...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

This artwork titled "The Key to the Virgin Mary" 1975, is an original colors woodcut on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated an...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Act V, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate in the lower right margin. Perfect conditions. The a...

Holy Bible -  The Dance Of Herodias Daughter is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani bet...

Carte Postale is a digital print realized by the italian artist Chiara Santoro in 2021. Stamp signed.

Henri Matisse (1869-1954) - Nuit de Noël Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent co...

Holy Bible - Judith Beheads Holfernes is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published...

Holy Bible - is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and ...

Holy Bible -  Lazare, Veni Foras is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Holy Bible - Iesu Nativitas is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani b...

Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...

Hands of Antaeus - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Exhibition Poster Galerie Gerald Cramer is a lithographed poster realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the artis...

Sculpted Agony becomes an epitome of emotional expression, as the artistry delves into the depths of suffering. The canvas portrays a figure twisted in agony, each sculpted curve a t...

Reconstruction is a beautiful print on canvas of a digital collage realized in 2022 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed a...

Goddess of the Sea Israel Rubinstein Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300 Image Size: 36 x 26.5 inches Size: 39 x 27.5 in. (99.06 x ...

Familia Ruth Moabitidis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969....

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

The Sodomites - Hell Plate 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited e...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Tobias listens to Raphael is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 196...

Abraham, Abraham! is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Ethereal beauty takes tangible Gossamer Grace, where the lines of romantic architecture intertwine with the human figure, swathed in silken drapery that embodies the essence of grace...

Curved Desolation becomes an evocative exploration of emotional desolation, depicting a figure whose very form seems to mirror the contours of inner turmoil. The canvas becomes a tes...

Sublime Deviation captures the essence of artistry that transcends the conventional, exploring the realms of human experience often left unspoken. The canvas becomes a tapestry of ra...

Iudit Abscidit Caput Holoferni is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Gloria vultus Moysi is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

Abraham, Pater Multarem Gentium is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Composition is an artwork realized  in the Mid-20th Century. Lithograph. The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a dy...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Joan Miro (1893-1983) - Litografía original IX Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by  Salvador Dalì , realized in 1963. Good conditions. Not signed. Plate n.8 (as reported o...