Surrealist More Prints

This is an original Lithograph by Paul Delvaux printed by the Atelier Mourlot in Paris. It is annotated "Epreuve d'Exposition" bottom left of the image and dated "3-68" in the plate,...

Holy Bible -  Sedet sola civitas is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Original Lithograph by Jean Cocteau Title: Europe's Construction Printed signature in the stone Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Melting Space Time MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Merrill Chase, Chicago/Alan Rich, New York E...

Act III, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate on the lower left margin. Perfect conditions. The ...

Artist: Salvador Dali Title: Philip (Knighting of Sir Galahad) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Si...

ARTIST: Salvador Dali TITLE: Monument To Picasso MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 158/500 MEASUREMENTS: 22.25" x 30" YEAR: 1973 FRAMED: No CONDITION: ...

Salvador Dali (1904-1989) - La machine à coudre Etching from 1975. The edition 163/450 on Arches paper. Dimensions of work: 76 x 56 cm Publisher: Editions de Francony and Graphiq...

Artist: Salvador Dali Title: Surrealist Portrait of Dali Surrounded by Butterflies Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XX...

ARTIST: Salvador Dali TITLE: Album Soft Telephone MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 15/150 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: Yes, framed in a lucit...

Hans ERNI is an artist born in Switzerland in 1909 and died in 2015. His works have been sold at public auction 3,987 times, mostly in the Print-Multiple category. The oldest auction...

The Painting from the series The Arts  is a lithograph by Salvador Dalì realized in 1980 . Hand-signed, numbered, edition of 111/249. This artwork is from the serie “The Arts” comp...

Artist: Salvador Dali Title: Santiago of Compostela Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20"...

Artist: Salvador Dali Title: Peter (Keeper of the Keys) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29 ...

MORNING MIST is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techn...

This artwork titled "Old City of Warsaw" 1994 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky, 1930-2023. It is hand signed, titled and numbered 117/...

Gianni Schicchi's Bite - Hell Canto 30 is a Color Wood-cut on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Me...

Bertrand de Born - Hell Plate 29 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limite...

Invasion de l'espace is an original print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the ...

A very good impression of this large, color Mixografía print on handmade paper. Signed and numbered 20/100 in pencil. Printed and published by Taller de Gráfica Mexicana, Mexico City...

Autumn Campion for Betty Campion Joan Miro, Spanish (1893–1983) Date: 1947 Etching and Aquatint on laid paper, signed in the plate Image Size: 3 x 6 inches Size: 15.25 x 10 in. (38.7...

A very good impression of this color etching, aquatint and carborundum. Signed and numbered 20/50 in pencil by Miro. Printed by J. J. Torralba, Barcelona. Published by Sala Gaspar, B...

ARTIST: Salvador Dali TITLE: Faust Sorceress au Bali MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Aegillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 15" x 11.2" pa...

Bengt Lindström (1925-2008) - L'homme et son chien Lithograph from 1990. Edition of 100. Dimensions of work: 56 x 76 cm. Hand signed. The work is in Excellent condition.

THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...

Artist: Salvador Dali Title: The sacred cow Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 43/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image Si...

Paul Klee (1879-1940) - Winter Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Marc Chagall (1887-1985) - Soleil aux amoureux Etching from 1968. Trial proof - unique work. Dimensions of sheet: 51 x 34 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Maegh...

Women - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. ...

Sublime Deviation captures the essence of artistry that transcends the conventional, exploring the realms of human experience often left unspoken. The canvas becomes a tapestry of ra...

The Punishment of Vanni Fucci - Hell Plate 24 iis a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good condi...

HOVERING STONE is a hand drawn original lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on archival Arches printmaking paper 100% acid...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

TREE ROOTS II is an original hand drawn, limited edition lithograph printed using traditional hand lithography techniques on archival Arches paper 100% acid free. TREE ROOTS II is a ...

Joan Miro (1893-1983) - Dog barking at the moon Lithograph from 1952. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. On the verso another Lithographs and lithographic ...

Juliette ou les Prospérités du Vice is a contemporary artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968...

Artist: Salvador Dali Title: Jude (Excalibur) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29 7/8" x 26 ...

BOOK CIRCLE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

Henri Matisse (1869-1954) - Divagations Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. Text on the verso. The work is in Excellent conditi...

TITLE Foundation YEAR 2015 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Hahnemuhle Matt Photo Rag INVENTORY ID N/A CATEGORIES Digital Print / Pop and Contemporar...

Roberto Matta, Chilean (1911 - 2002) - Attulima, Year: 1954, Medium: Lithograph, Edition: 211, Image Size: 10.75 x 8.5 inches, Size: 10.75 x 17 in. (27.31 x 43.18 cm), Publisher: E...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XII Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed editio...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Le Carrousel du Louvre Lithograph from 1954. Dimensions of sheet: 38 x 28 cm D...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Marc Chagall The Tables of the Law Lithograph from Vitraux pour Jerusalem 1962 Printed by Mourlot Dimensions: 32.5 x 24.5 cm Publisher: André Sauret, Monte-Carlo Reference: Mourlo...

Joan Miro (1893-1983) - Litografía original VIII Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Ea...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche V Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

Invasion de l'espace is a vintage print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the Fr...

La divina Commedia - Hard Margins is a Color Wood-cut on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

The Blasphermers - Hell Plate 14 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXIII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carp...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 28.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

Notes pour la Nouvelle Justine is a contemporary artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Co...

Untitled  is an artwork realized by Dorothea Tanning in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized ...

"Georges Braque (1882-1963) - Carnets intimes de Braque XII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...