Surrealist More Prints

In the Beginning is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signe...

Holy Bible -  Sedet sola civitas is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

La divina Commedia - Paradise 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

ARTIST: Salvador Dali TITLE: Neuf Paysages Paysage avec Figures-Soleil from Sun MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 17/80 MEASUREMENTS: 15" x 15" YEAR: 1980 F...

ARTIST: Salvador Dali TITLE: Monument To Picasso MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 158/500 MEASUREMENTS: 22.25" x 30" YEAR: 1973 FRAMED: No CONDITION: ...

Cerberus - Hell  plate 6 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editio...

Sanctus Raphael et Tobias is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 196...

Marc Chagall (1887-1985) - Poèmes, Planche II Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...

This is an original Lithograph by Paul Delvaux printed by the Atelier Mourlot in Paris. It is annotated "Epreuve d'Exposition" bottom left of the image and dated "3-68" in the plate,...

Untitled is an artwork realized by Dorothea Tanning in 1974 for the Art Magazine "XXeme Siècle". Colored lithograph. Very Good condition. Printed by Atelier Pierre Chave in Vence, ...

Seduxisti Me, Domine is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. S...

Twisted Torment unveils a macabre tableau, where contorted and tormented forms evoke a visceral sense of unease. The canvas becomes a reflection of inner turmoil, as each twist and b...

The Woman Taken in Adultery is a contemporary artwork realized in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed a...

Roberto Matta, Chilean (1911 - 2002) - Par La Bait Naitre, Year: 1946, Medium: Etching on Hollande Van Gelder, Edition: 58, Image Size: 5.25 x 3.75 inches, Size: 7.25 x 6 in. (18.4...

ARTIST: Salvador Dali TITLE: Vaisseau Fantome MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 92/200 MEASUREMENTS: 17.5" x 22.5" YEAR: 19...

"Georges Braque (1882-1963) - Carnets intimes de Braque XII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche V Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

BELL ALOFT is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniq...

Salvador Dali (1904-1989) - La licorne Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Refere...

Les Infortunes de la Vertu is a modern artwork realized by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Véli...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XII Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed editio...

Roberto Matta, Chilean (1911 - 2002) - Attulima, Year: 1954, Medium: Lithograph, Edition: 211, Image Size: 10.75 x 8.5 inches, Size: 10.75 x 17 in. (27.31 x 43.18 cm), Publisher: E...

The  Centaur is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, r...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 28.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche I Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

Joan Miro (1893-1983) - Dog barking at the moon Lithograph from 1952. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. On the verso another Lithographs and lithographic ...

Roberto Matta, Chilean (1911 - 2002) - Max Clarac-Serou vous presente ses meilleurs voeux, Year: 1960, Medium: Etching on laid paper, signed and numbered in pencil, Edition: 7/50, ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche X Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XVI Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed editio...

Salvador Dali (1904-1989) - Une de Mai Lithograph from 1972. Th edition of 49/150. Dimensions of work: 120.5 x 78 cm Publisher: Edition Waintrop, Paris. Reference: Michler/Löpsi...

Plange, Virgo, Accinta Sacco is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

Ego Sum Deus Tuus  is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

TITLE Foundation YEAR 2015 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Hahnemuhle Matt Photo Rag INVENTORY ID N/A CATEGORIES Digital Print / Pop and Contemporar...

Bertrand de Born - Hell Plate 29 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limite...

Familia Ruth Moabitidis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969....

Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...

Iosas Sepultus in Mausoleo Patrum is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967...

ARTIST: Salvador Dali TITLE: Album Soft Telephone MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 15/150 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: Yes, framed in a lucit...

Peccatum Originis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Ugolino is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realiz...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

The Liars - Hell Plate 22 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

Asger Jorn (1914-1973) - Composition Lithograph from 1966. Dimensions of work: 73.5 x 53.5 cm Printed by Erker Presse, St. Gallen. The work is in Excellent condition. Fast and s...

Hands of Antaeus - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Mulier Amicta Sole is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signe...

Joan Miró Extremely rare 2-sided lithographic announcement to Galerie Maeght vernissage, 1953 2 sided Lithographic invitation (header image shows both front and back on one panel) Un...

Henri Matisse (1869-1954) - Bateau Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Good condition. -...

This artwork titled "Figure Rouge avec Portrait de Quevedo" from the suite, Visions De Quevedo, 1975. is an original engraving with pochoir hand coloring on Richard de Bas paper, by ...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Elements in his prints seem to defy gravity. Si...

Artist: Ralph Steadman Title: Gonzo Guilt Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 24 Inches Edition: of 250 Year: 2006 Notes: Custom Fra...

Artist: Salvador Dali Title: Peter (Keeper of the Keys) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29 ...

Holy Bible -  The Spirit Is Willing, But The Flesh Is Weak is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli...

The Sodomites - Hell Plate 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited e...

Act III, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate on the lower left margin. Perfect conditions. The ...

Beatrice Resolves Dante's Doubts is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...