Nude Prints

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

No title (No 47) Ballet Photography 36x36 in Ed of 28 by Yevgeniy Repiashenko Year photo was taken: 2016 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

Henri Matisse Nu couché 1929 Etching on Chine appliqué on wove paper, Edition of 25 Paper size: 28.6 x 38 cms (11 1/8 x 14 5/8 ins) Plate size: 12.3 x 15.5 c...

"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko No title (No 16) Photography print Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was...

Lithograph printed in colours, 2020, on wove paper, signed and numbered from the edition of 50, published by Tate, London, 87 x 38 cm. (34¼ x 15 in.) South-African born, London based artist Lisa Brice...

JACOB GILDOR b. 1948 (German / Israeli) Title: Nude I, 1996 Technique: Original Hand Signed and Numbered Colour Etching and Aquatint on Arches Wove Paper Paper size: 65 x 50 cm /...

Using strange, semi-Gothic tapering forms, animal hides, fossils, and metal, Hiquily, combines the imaginative and whimsical with a more serious sense of the antique. His influence f...

Jacques Villon - Nude - Original Etching 1947 Signed in pencil and numbered Dimensions : 55.6 x 39.5 cm

No title (No 24) Art print Edition 2/28 36" x 36" in by Yevgeniy Repiashenko No title (No 24) by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 28 Pic...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

MOISE KISLING 1891-1958 Krakow, Poland 1891- 1953 Sanary, France (Polish/French) Title: Seated Nude / Nu Assis, 1923 Technique: Original Hand Signed and Numbered Lithograph i...

Bert Stern - Silkscreen The last session - YELLOW Large screen print in a single run which was used as a proof for the No2 issue of the US Avant Garde magazine in August 1968. Sig...

As accomplished in painting and drawing as he is in sculpture, Richard MacDonald’s graphic collection adds an interesting dimension to our understanding of the artist. Sensitive and ...

Artist: Mel Ramos, American (1935 - ) Title: Hollywood Suite Year: 2009 Medium: Suite of 10 Lithographs, each signed and numbered in pencil Edition: 30 Size: 20 in. x 16 in. (50.8 c...

Yayoi Kusama Dots Obsession poster 2007: An iconic, vibrantly colored pop art piece - this Kusama exhibit poster features the universal polka dot patterns for which the artist is bes...

Roy Lichtenstein Crying Girl Mailer: Folded poster/mailer published to promote the Roy Lichtenstein exhibit at Leo Castelli gallery, New York, ...

Keith Haring Poster for Montreux Jazz Festival 1983. Makes for vibrant, standout original Haring art without breaking the bank. Serigraph printed in colors. 1984. 27 x 39 inches (7...

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

This captivating portrait by Pablo Picasso features an artist in the foreground rendered in profile while a nude model reclines against a bed with her leg crossed over her knee and h...

Standing before the large nude sculpture, the model admires the statue before her in this work by Pablo Picasso. Nude like herself, the model's presence in the studio creates a balan...

Claes Oldenburg Parade of Women (from One Cent Life), 1964: Lithograph printed in colors. 16.25 x 22.75 in (41.28 x 57.79 cm). Minor signs of handling; otherwise excellent overall v...

Figura (1982), by artist Luis Frangella, featured in "The Queer Show, Part I" at Hal Bromm Gallery

Mel Ramos Chic, from 11 Pop Artists Vol. I 1965 Screenprint 24 x 20 in. 11/200 Pencil signed and numbered This print is included in the Smithsonian American Art Museum collection. ...

Social Climber, intaglio and mezzotint portrait on paper by Lisa Yuskavage, 90s - female nude stylized Social Climber 1996-1998 Signed, titled, and numbered in pencil, recto Intag...

This artwork titled "venus Noir" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is h...

This artwork titled "Carnavalesque" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It i...

John Baldessari at Sonnabend Gallery New York, 1987: Rare vintage original 1980s exhibition poster that makes for an excellent Baldessari collectible and frame piece. 'John Baldessar...

Brice and Robert, a Contemporary Queer Figurative Painting Print by Doron Langberg. Brice and Robert 2020 Signed, numbered, and dated Five color lithographic print on Somerset Vel...

Sandra Payne Untitled (from Most Definitely Not Profile Ladies series), 1986; 2022 Digital fine art pigment on archival paper Framed Dimensions: 24.5 x 22.25 inches (62.2 x 56.5 cm)...

This artwork titled, "Mais O Belle Dionee" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is...

This artwork titled, "Phobeus, ce Dieu Couronne de Lauriers" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dal...

Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Other sizes and price on request. Available in 60 x 80 cm as well. Gerard Uferas' photographs have appeared in numerous publications, including "Liberation", "Time Magazine", "The Ne...

Other sizes and price on request. Argentini’s work is characterised by an underlying fantasy vision. His women are untouchable and alien, inhabitants of mysterious spheres, while at ...

The artwork is made and signed by the artist in a strictly limited edition of 10. Other sizes and high-end frame on request. German born Vincent Peters ...

Signed, titled, and numbered in pencil, recto Lithograph (Edition of 200) 10 x 10.5 inches (25.4 x 26.7 cm), sheet Contact gallery for price. This work is offered by ClampArt in ...

Model in a black Leotard hiking up a Snowy Mountain in Red High Heels attached to a pair of Ski, photographed by Tony Kelly in 2018. All prints are limited ...

This artwork "Nymph" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 22/100 in pencil by the artist. The imag...

Collage with color offset lithograph, hand-cutting, hand-painting and assemblage on inset board. It is signed in pencil, with numbering on the original label. Published by Two Palms ...

This artwork "The Artist and his Model" c.1990 is an original color seigraph on Bristol paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 158/300 in pencil by the artist. The image size is 8 x 13.25 inches, sheet size is 14.75 x 22 inches. It is in excellent condition, two small pieces of hanging tape remaining on the back. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

This artwork "The Photographer II" c.1990 is an original color seigraph on Bristol paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 158/300 in pencil by the artist. The image size is 8 x 13.25 inches,sheet size is 14.75 x 22 inches. It is in excellent condition, two small pieces of hanging tape remaining on the back. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

From "Eight Etchings" (1925-1931) Printed by Stem Graphics Published by Midtown Galleries and Sylvan Cole Gallery Signed in pencil lower right

Nude Photography, Black and White Photography, Nude Prints-In The Nude 911 ABOUT THIS PIECE: Nude Photography, "In the Nude 911", is a black and white portrait that was shot during...

Archival pigment print depicting Tom Cruise naked on a Shrowd by controversial artist Daniel Edwards

Created in 1932 as an etching with Chine-collé on cream wove paper, Nu pour Cleveland is hand-signed and numbered by the artist in pencil. The artwork measures 20 x 15 7/8 in. (50.8 ...

Blonde Vivienne, 1985-86 Transfer-printed service plate in colors. Diameter: 12 in. (30.5 cm). published by Rosenthal, Limited Edition, Germany

Beating It While It’s Hot, Bavaria, 2015 B&W-print on Baryta paper 15.7 x 23.6 in (40 x 60 cm) Edition of 10 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Tree of Love, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Carla Gannis is an artist who lives and works in Brooklyn, New York. Her work examines the narrativity of 21st century representational technologies and questions the hybrid nature o...

A magnificent, rare original etching by Scottish artist William Russell Flint. This etching was just acquired from the estate of an important American artist where it has resided fo...