Nude Prints

Moony is an original screen print realized by Nicola Simbari in 1976. Mixed colored screen print. Hand signed and dated by the artist on the lower right margin. Published in the c...

Rare lithograph handsigned and numered by surrealist artist Leonor Fini, now rediscovered and inscreasingly esteemed with the movement of rediscovering...

10/25 Signed Mounted 14 x 11 inches Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife opened a gallery specialising in original, hand made prints by artists working in that medium. His own hobby of sketching soon became etching and it wasn't long before he was producing his own limited edition etchings...

Alméry Lobel-Riche The swimmers Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

STANDING NUDE DARK HAIR is a signed original etching by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival printmaking ...

Two Nude Men is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions with central folding. The artwork is depicted through confident strokes.

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Fire Marisol Escobar, French/Venezuelan (1930–2016) Date: 1980 Lithograph, signed numbered and dated in pencil lower right Edition of 15/200 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Salvador Dali - Nude, Horse and Death - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Saint Clair Cemin, Brazilian (1951 - ) - Within You II, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 11/30, Image Size: 5.75 x ...

Very rare edition of only 25 prints on vélin fort, numbered and signed by the artist. Redness on left side of the sheet, otherwise excellent conditions and in full margins. Dry stamp...

Untitled (Mirror) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Alain BONNEFOIT Beauty in a Dream, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

"Easy on the Eye" Nude Photography 24" x 36" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition ...

Signed Limited Edition , 6 /25 , etching by this collected Scottish artist Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry ...

Alméry Lobel-Riche Dancers and Actresses Before the Show Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) ...

Raymond Pettibon Punk Art 1980: Rare early Raymond Pettibon illustrated punk flyer published on the occasion of: The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

"Angelique" Nude Photography 32" x 47" in Ed. of 15 by Yevgeniy Repiashenko Year photo was taken: 2020 Archival pigment print on Fine Art paper Limited Edition of 15 Picture size: H...

Screen print realized in 1976 by Nicolas Simbari. Hand Signed. Edition of 99 pieces.

This refined work on paper, entitled "Teddo" was produced by the celebrated American artist Paul Cadmus (1901-1999) in 1985. It features a nude male figure with tightly cropped hair ...

Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano...

Salvador Dali - Erotic Grapefruit - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

Mother and Child is a fine black and white collotype from the series “Handzeichnungen” (1920), a fine art portfolio by Egon Schiele. Monogram on plate “S '10” on the lower right mar...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Artist: Marc Chagall Medium: Lithograph Title: Mother and Child before Notre Dame Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Unsigned Framed Size: 22" x 18 1...

"Late Afternoon" Nude Photography 30" x 42" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition of 7: 30" x 42" inch Edition of 3: 40" x 56" inch AP: 2 * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

Salvador Dali - Old Faust - from "Faust" Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

20/25 Signed Mounted 14 x 11 inches Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife ...

Nude is an original etching realized by an unknown artist in the mid-20th Century. Good conditions except for some foxings. The artwork is depicted through strong strokes in a well...

Egon SCHIELE (after) Reclining Nude Twins Stone lithograph after a charcoal drawing of 1914 On vellum 50 x 64 cm (c. 19.7 x 25 inches) REFERENCES : The original drawing is part of...

Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodo...

This reproduction of Julian Opie's phenomenal image, titled Woman Taking Off Man’s Shirt .5, captures the striking and distinctive style for which the artist is renowned. Originally ...

A pin up picture of a woman (in the likeness of Courtney Cox) sitting in a martini glass. In a fine white contemporary frame. Artist: Mel Ramos Title: M...

Guy RIBES Nude Under the Moon Original lithograph Handsigned in pencil Not numbered On vellum BFK Rives 76 x 56 cm (c. 29.9 x 22) Excellent condition

Serena is an original woodcut realized by Arturo Martini. Title and signature printed on the lower margin. The State of preservation is good. The artwork is representing a woman beside a vase of flowers in a frame through intense bla...

Attesa di Maja is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida (1992 - 2017). Original Print: Aquatint and Etching on paper with Black Ink. Edi...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This print is hand signed. This is an edition of 50 prints plus some artist's proofs, numbered 22/50. Prints are the most affordable and reasonably priced artworks...

Alméry Lobel-Riche Lunch in Paris Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Artist: Donald Saff Title: Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 150 30 in. x 22.5 in. (76.2 cm x 55.88 cm) bears publishers blindst...

Nude of Woman is an original artwork realized by Osvaldo Peruzzi in 1988. Mixed colored lithograph. Hand-signed by the artist on the lower right. Num...

Alméry Lobel-Riche Woman Adjusting her Earring Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent ...

Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory: Canto 7 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Size...

Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...

This artwork titled "Vanity" 1980 is an original sepia etching by American artist Louis Russomanno, b.1946. It is hand signed, titled and numbered 113/185 in pencil by the artist. Th...

JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...

Pablo Picasso Le Peintre et son Modèle IV (B. 1141; Ba. 1139) Aquatint and drypoint, 1963, signed in pencil, numbered 19/50 (total edition includes 15 artist's proofs), printed by C...

"Late Afternoon" Nude Photography 25" x 35" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition ...

Study of an old woman - Plate 25 is the last collotype from “ Gustav Klimt : Fünfundzwanzig Handzeichnungen” , a limited-edition collection of 25 monochrome and two-color collotype...

La Voyante is an original contemporary artwork realized by Paul Delvaux in 1974. Color Lithograph on Arches Paper. Hand signed and numbered on the lower margin. Edition of 25/75. ...

Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...

Artist: After Pablo Picasso (1881-1973) Title: Modèle et Grande Tête Sculptée (after Bloch 170) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halft...

Any custom charges/taxes ARE INCLUDED in the price. luxary limited edition collectable piece print on paper artist: Anastasia Aureum title: "Mimmi" limited edition. hand signed ...

Nude is an original etching realized by an Anonymous artist in the 1960s. Sheet dimension: 32.5 x 25 cm; Image dimensions: 10 x 14.5 cm. Very good conditions. The artwork represe...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 and 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Andre Masson, French (1896 - 1987) - Chrysalides, Year: Circa 1947, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: EA, Image Size: 10 x 14 inches, S...