Miniature Nude Prints
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Size: Miniature
Eva
Located in PARIS, FR
Fernando Botero (Colombian, b.1932) is celebrated for his painted and sculpted scenes featuring animals and figures with inflated proportions, reflecting the artist’s predilection for satire, caricature, and political commentary.
Born in Medellin, Colombia, Botero began exhibiting his paintings there in 1948, and later worked as a set designer in Bogotá. In the 1950s, he traveled to several different European countries, including Spain, Italy, and France, to study the work of Renaissance and Baroque masters. He also traveled to Mexico to familiarize himself with the current Mexican avant-‐garde. Botero became renowned for the varied source material he drew upon, from Colombian folk imagery to canonical works by Diego Velázquez, Pablo Picasso, and Francisco de Goya.
In his depictions of contemporary Latin American life, he portrays the poverty and violence prevalent in Colombia in somber images, as well as in his iconic inflated figures, satiric images of Latin American presidents, first ladies, and government officials. A meeting with Dorothy Miller from The Museum of Modern Art in the early 1960s proved to be a turning point in his career; she acquired his work at a time when abstraction was the celebrated idiom, and he later exhibited his work in a major exhibition at the museum, solidifying his international reputation.
In the 1970s, Botero moved to Paris, where he created large figural sculptures with his signature inflated forms. He remains engaged with images of his Latin American home city, and with overtly political imagery; his recent works include large paintings of prisoners at Abu Ghraib in a direct commentary on the war in Iraq. Botero has exhibited his work at the Museum of Modern Art in Copenhagen, the Maillol Museum in Paris, the Palazzo Benezia in Rome, the Hermitage Museum in St. Petersburg, and the National Museum in Bogotá. He currently lives and works in Paris, Montecarlo, and New York.
2012–2013 Museo Bellas Artes de Bilbao, Bilbao, Spain
2012 Una celebración, Palacio Bellas Artes de México, Mexico
2012 Hommage zum 80. Geburtstag, Botero -‐ Gemälde, Skulpturen und Zeichnungen, Samuelis Baumgarte Galerie, Bielefeld, Germany
2010 Art is deformation, Nassau County Museum of Art, Roslyn Harbor, NY (solo)
Inaurgural Exhibition: Fernando Botero, David Benrimon Gallery, New York, NY (solo)
Latinas!, Nassau County Museum of Art, Roslyn Harbor, NY
2009 Gary Nader Fine Art, Coral Gables, FL
Fernando Botero: The Circus. James Goodman Gallery, New York, NY
El Dolor de Colombia, Pinacoteca Diego Rivero, Xalapa, Veracruz, Mexico
2008 The Baroque World of Fernando Botero, Brooks Museum of Art, Memphis, TN; New Orleans Museum of Art, New Orleans, LA; Delaware Art Museum, Wilmington, DE
2007–2008 Botero: Oeuvres récentes, Marlborough Monaco, Monte Carlo, Monaco (solo)
2007 Fernando Botero: Abu Ghraib, University of California, Berkeley, CA (solo)
The Baroque World of Fernando Botero, Musée National des Beaux-‐Arts du Québec, Canada (solo) Delaware Art Museum, Wilmington, DE (solo)
New Orleans Museum of Art, New Orleans, LA (solo)
Summer Exhibition, Marlborough Gallery, New York, NY
Latin Masters...
Category
21st Century and Contemporary Nude Prints
Materials
Lithograph
Alex Katz Private Domain 1970 (announcement card)
By Alex Katz
Located in NEW YORK, NY
Alex Katz “Private Domain” announcement card 1970:
Rare vintage Alex Katz announcement card published on the occasion of 'Alex Katz New Paintings' Fi...
Category
1970s Pop Art Prints and Multiples
Materials
Lithograph, Offset
Room 310 - Collector Portfolio # 3 out 7 - 12 Fine Art Prints Nude photography
Located in Brussels, BE
His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...
Category
2010s Contemporary Nude Photography
Materials
Rag Paper, Archival Pigment
Haiku #35 - Digital Vector Drawing Seated Female Nude Woman Figure Looking Back
Located in North Vancouver, CA
Haiku #35 - Digital Vector Drawing Seated Female Nude Woman Figure Looking Back
This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 ve...
Category
2010s Contemporary Nude Prints
Materials
Digital
Untitled (Verve No. 29-30) /// Modern Pablo Picasso Lithograph Figurative Nude
Located in Saint Augustine, FL
Artist: (after) Pablo Picasso (Spanish, 1881-1973)
Title: "Untitled (Verve No. 29-30)"
Portfolio: Verve: Suite de 180 Dessins de Picasso (Vol. V...
Category
1950s Cubist Nude Prints
Materials
Lithograph
Le Fil d'Ariane (Ariadne's Clew) /// Modern Surrealism Surrelist Andre Masson
By André Masson
Located in Saint Augustine, FL
Artist: André Masson (French, 1896-1987)
Title: "Le Fil d'Ariane (Ariadne's Clew)"
Portfolio: For Meyer Schapiro
*Signed by Masson in pencil lower right
Year: 1973
Medium: Original Etching with Aquatint on Rives BFK paper
Limited edition: 15/100
Printer: Atelier Crommelynck, Paris, France
Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY
Sheet size: 18" x 13.5"
Image size: 11.5" x 8.5"
Condition: Never framed, has been professionally stored away for decades. In excellent condition
Rare
Notes:
Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists.
The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol.
Biography:
André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...
Category
1970s Surrealist Nude Prints
Materials
Etching, Intaglio, Aquatint
'Reclining Nude', California Post-Impressionist, de Young Museum, Fauve
Located in Santa Cruz, CA
Signed lower right, 'W.Georgetti', and created circa 1950.
Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
Category
1950s Post-Impressionist Figurative Prints
Materials
Monotype, Paper, Crayon
David Hockney, Untitled (from Geh durch den Spiegel): Male Nude, Original Print
Located in Hamburg, DE
David Hockney
Untitled (from Geh durch den Spiegel), 1966
Medium: Lithograph on paper
Dimensions: 14 7/10 × 10 1/10 in (37.3 × 25.6 cm)
Edition of 250: Not signed, not numbered
Condi...
Category
20th Century Contemporary Figurative Prints
Materials
Lithograph
Alexander Calder lithograph Derrière le miroir (Calder prints)
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1967 from Derrière le miroir:
Lithograph in colors; 15 x 11 inches.
Very good overall vintage condition; well-preserved.
Unsigned from an edition of u...
Category
Mid-20th Century Abstract Nude Prints
Materials
Lithograph
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.
Category
1970s Nude Prints
Materials
Lithograph
Matisse, Le Nu aux oranges (Duthuit 139), Verve: Revue Artistique (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Landscape Prints
Materials
Lithograph
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century Abstract Prints
Materials
Etching
Fire - Original Woodcut on Paper by Erika Lawson Frimke - 1937
Located in Roma, IT
Fire is an original woodcut artwork on paper realized in 1937 ca. by Russian artist Erika Lawson Frimke( 1878-1956), Hand-signed on the lower right in pencil.
The state of preservat...
Category
1930s Modern Figurative Prints
Materials
Woodcut
Small Nude /// Philip Pearlstein Etching Figurative Female Post-War New York Art
Located in Saint Augustine, FL
Artist: Philip Pearlstein (American, 1924-2022)
Title: "Small Nude"
*Signed and dated by Pearlstein in pencil lower right
Year: 1976
Medium: Original Soft-Ground Etching on German Et...
Category
1970s Contemporary Nude Prints
Materials
Etching
Futura 2000 New York 1984 (Futura graffiti artist)
By Futura
Located in NEW YORK, NY
Futura 2000 NYC 1984:
A rare 1980s Futura announcement card published on the occasion of:
FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY.
Offset printed annou...
Category
1980s Pop Art Nude Prints
Materials
Lithograph, Offset
Akt Podwòjny - Lithograph by Moise Kisling - 1930s
Located in Roma, IT
Akt Podwòjny is an modern artwork realized by Moïse Kisling.
Black and white lithograph.
Signed in plate.
Polish painter (Krakow 1891 - Sanary-sur-Mer, Var, 1953), naturalized Fre...
Category
1930s Modern Figurative Prints
Materials
Lithograph
Transition, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey.
Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...
Category
1990s Contemporary Nude Prints
Materials
Etching
Young Rabbit, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 125. Portrait of a young Rabbit against an abstract background.
Trevor Southey was born in Rhodesia, Africa (now Zimba...
Category
1990s Contemporary Nude Prints
Materials
Etching
Nude Woman with Tree - Original Lithograph by Jacques Busse - Mid 20th Century
Located in Roma, IT
Nude woman with tree is an original artwork realized by French artist Jacques Busse (1922-2004)
Lithograph print.
Hand-signed on the lower right in pe...
Category
Mid-20th Century Modern Figurative Prints
Materials
Lithograph
Challenge, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey.
Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...
Category
1990s Contemporary Nude Prints
Materials
Etching
pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...
Category
1940s Nude Prints
Materials
Lithograph, Stencil
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
Body
Located in London, GB
Archival digital print on Hänemuhle etching paper. This piece is part of a limited edition of 250 prints.
Category
2010s Contemporary Nude Prints
Materials
Archival Pigment, Digital Pigment
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
Raymond Pettibon Black Flag Flyer (early Raymond Pettibon)
Located in NEW YORK, NY
Raymond Pettibon: Rare early Black Flag flyer:
Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 19...
Category
1980s Pop Art Nude Prints
Materials
Offset
Femme nue se couronnant de fleurs
Located in Wien, 9
- Edition 250
- cat.raisonné Bloch 135
- published by A. Vollard, Paris
Category
1930s Modern Figurative Prints
Materials
Etching
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist Nude Prints
Materials
Lithograph
Raymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)
Located in NEW YORK, NY
Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...
Category
1980s Pop Art Nude Prints
Materials
Offset
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Raymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)
Located in NEW YORK, NY
Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag on Broadway / Dec. 19 1982 / Dec. 20 1982 with Code of Honor, Redd Kross, Nig-Heist, & Flipper...
Category
1980s Pop Art Nude Prints
Materials
Offset
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Raymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)
Located in NEW YORK, NY
Raymond Pettibon illustrated Black Flag flyer New York City 1981:
Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...
Category
1980s Pop Art Nude Prints
Materials
Offset
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Figurative Prints
Materials
Lithograph