Miniature Nude Prints

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Medium: Mezzotint Year: 2023 Edition: 25 Image Size: 9.25 x 6.25 inches Signed, titled and numbered in pencil by the artist One of a series of prints created to accompany a deluxe l...

Salvador Dali - "Knight & Death" from Faust - Original Etching With embossed signature (from the standard book edition of 731) Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Three women strolling on a beach. This impression is one of the rare impressions p...

Very rare edition of only 25 prints on vélin fort, numbered and signed by the artist. Redness on left side of the sheet, otherwise excellent conditions and in full margins. Dry stamp...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°42, 1974. Published and printed under the direction ...

Signed Limited Edition Etching from Artists Studio. 12 of 25 Image 11" x 7" Matted 16" x 12" Ian Laurie was born in 1933 and is a self taught artist who made the transition from i...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Michael Knigin, American (1942 - 2011) - Blind Trust, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size:...

Artist: Leonor Fini Title: Erotica Medium: Etching Signed: Hand Signed Edition Number: 65/150 Measurements: 14" x 18" Framed: 20.75" x 26" Condition: Excellent. This piece has...

Pablo Picasso, Spanish (1881 - 1973) - La Chevre-Feuille Suite, Year: 1943, Medium: Suite of 18 Color Etchings, with cover sheet, Image Size: 10.5 x 8.25 inches, Size: 11 x 9 in. (2...

Saint Clair Cemin, Brazilian (1951 - ) - Within You IV, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 2/30, Image Size: 5.75 x ...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

Two Nude Men is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions with central folding. The artwork is depicted through confident strokes.

Nude is an original etching realized by an Anonymous artist in the 1960s. Sheet dimension: 32.5 x 25 cm; Image dimensions: 10 x 14.5 cm. Very good conditions. The artwork represe...

10/25 Signed Mounted 14 x 11 inches Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife opened a gallery specialising in original, hand made prints by artists working in that medium. His own hobby of sketching soon became etching and it wasn't long before he was producing his own limited edition etchings...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure Mourant (after Bloch 198) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen pr...

Alméry Lobel-Riche In the cabaret Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Alméry Lobel-Riche The meeting Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

20/25 Signed Mounted 14 x 11 inches Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Study for  Floating Figure is a lithograph realized by Herbert James Draper in the early 20th Century. Stamped and titled on the lower. Good condition with slight foxing.

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Original title: Die Tanzerin This original etching and aquatint, blue ink on ivory colored paper is hand-signed in pencil on lower-left. Edition of 530 prints. Including a poem by Amadée de la Houlette. Representing a vintage erotic scene...

Raymond Pettibon Punk Art 1980: Rare early Raymond Pettibon illustrated punk flyer published on the occasion of: The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....

Alméry Lobel-Riche The swimmers Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Andy Warhol Extremely rare, early hand made invitation to book launch of "In the Bottom of My Garden" Serendipity 3, 1958 Offset lithograph invitation designed by Warhol on thin pape...

Keith Haring album art 1987: A rare vinyl art cover featuring original offset artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool framed. ...

Japanese Block POP ART technique with a nude Geisha Comes unframed About the Artist World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, ...

Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil.. A brilliant, black impression, on cream, wove Japan paper; the f...

Salvador Dali - Nude with Snail - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Saint Clair Cemin, Brazilian (1951 - ) - Within You II, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 11/30, Image Size: 5.75 x ...

PABLO PICASSO, Malaga 1881 - Mougins 1973 Femme couchée et guitariste, 1962 Linoleoumography d'après in color. (mm270x325) Perfect specimen published by the Cercle d'Art in 1962 unde...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Opium Night is an Etching realized by Edouard Chimot in 1930s. The very beautiful artwork is in good condition. No Signature. Represents a young lady with red hair...

Alméry Lobel-Riche Dancers and Actresses Before the Show Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) ...

"Pink Lady X" (2019) by SarahGrace Archival ink on archival paper, block print; woman, nude, figurative portrait, hot pink pigment Hand-signed by artist Certificate of Authenticity I...

Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...

Andy Warhol In the Bottom of My Garden c. 1956: A double-sided hand-colored lithograph from, Andy Warhol In the Bottom of My Garden (F. & S. IV.104A-105A). Executed by Warhol circa...

Nude and Mango is an original lithography artwork on ivory paper realized by Alejandro Ramon in 1943. Hand-signed on the lower right in pencil, with dedication on the lower left. T...

Alméry Lobel-Riche Dressed in black Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Alméry Lobel-Riche Lunch in Paris Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Charles CAMOIN Standing Nude, 1946 Original etching Printed signature in the plate Numbered / XX copies On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Artist: Mel Ramos Title: Pepsi Cola Year: 2005 Medium: Enamel Print on Aluminum, signed and numbered in marker Edition: 999 Size: 16 x 16 x 1 inches; 40.64 x 40.64 x 2.54 cm

Alméry Lobel-Riche Woman Adjusting her Earring Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent ...

Salvador Dali - Sator - Original Etching Stamp Signed Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Autographie (Calcography on paper transfer and Lithograph). Beautiful Proof in sanguine on China paper. In Excellent conditions and full margins. Ref. Cat. Hédiart-Mason n.139; Jo...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

This artwork titled "Tahiti" 1941 Is a original woodcut by noted French/German artist Wolfgang Wolff, 1909-1994. It is hand signed in pencil by the artist at the lower right corner, ...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Plate IV, Le Cocu Magnifique etching & aquatint, 1968 Unsigned on the print Signed on the portfolio justification page (see photo) From the unsigned edition of 200 impressions printe...