Miniature Nude Prints

Por Le Mal de Marcel Arland Andre Masson, French (1896–1987) Date: 1950 Drypoint Etching Size: 10 x 6.5 in. (25.4 x 16.51 cm) Frame Size: 17.5 x 13.5 inches From the collection of t...

Erotic Scene is an original xilography artwork realized by Mino Maccari in 1945. Hand-signed in the pseudonym of "Jean Baschie" which is the artist's signature in 1944-45 ca. erotic ...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Three women strolling on a beach. This impression is one of the rare impressions p...

Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943. Completed in Santa Fe, the painting is now housed in the perm...

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

A loving embrace  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” ...

Nude is an original artwork realized by Ercole Pignatelli in 1972. Colored lithograph. Hand-signed and numbered by the artist in pencil on the lower right. Edition of 100. The artwo...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Signed and numbered linocut, from the Sensual Line series of male and female nudes. Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine A...

Artist: After Pablo Picasso (1881-1973) Title: Modele et Grande Sculpture de Dos (after Bloch 186) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype ha...

Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...

This exquisite reproduction of Donna Che Si Toglie La Camicia by Jean-François Millet captures the delicate intimacy and timeless beauty of one of the artist's most evocative works. ...

Jean-Baptiste VALADIE Woman Eating Cherries Original lithograph Handsigned in pencil Limited /250 copies On vellum 35 x 45 cm (c. 14 x 18 in) Excellent condition

André Masson, French (1896 -1987) - Pour les Erophages, Medium: Etching, Hand-colored in color pencil, initialed and numbered in pencil, Edition: Epreuve D'artiste, Image Size: 14...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Richard Prince (American, b. 1949) Untitled (Black Bra), 2024 Medium: Digital pigment print on Hahnemühle Photo Rag paper Dimensions: 38 × 38.2 cm (15 × 15 in) Edition of 100: Hand-s...

Perspectivas Collage 13 x 9 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other mediums...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

ARTIST: Salvador Dali TITLE: The Magicians Vanite MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 39/100 MEASUREMENTS: Paper: 11.2" x 1...

"Tears From Mars" (2021) by SarahGrace Digital art print on archival paper, Figurative drawing, Portrait, Woman, Nude, Red, Peach, Pink and Orange Hand-signed by artist Framing Avail...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Salvador Dali - The War - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

The Little Puppy is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” b...

Original woodcut after Paul Gauguin. Second edition of 100 prints signed by the Artist's son Pola Gauguin: lower left "Paul Gauguin fait", lower left "Pola Gauguin imp.". Inscribed ...

Large and very scarce etching, aquatint and drypoint. This richly-inked impression is the second state (of 2) from a limited edition of approximately 17. Signed and titled in pencil ...

Jean Baptiste VALADIE Winter : Nude in the Snow Original Etching Signed in pencil Numbered on 225 copies On vellum 38 x 28 cm (c. 14.9 x 11 inch...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Théophile Pierre Wagner, 'Vague Lumineuse' (Luminescent Wave), lithograph, edition not stated but small, c. 1895. Signed and titled in pencil. Initialed in the stone, lower left. A f...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...

Shirt is an intimate and finely observed etching by Trevor Southey, the South African-born, Utah-based artist renowned for his meticulous draftsmanship and sensitivity to form. Here,...

Unknown Artist - Lament for Aubrey Beardsley - Garden of Dreams, Year: 1952, Medium: Etching, signed, titled and dated in the plate, Image Size: 7 x 9 inches, Size: 9 x 10 in. (22....

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This etching is #2 out of an edition of 10

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Louis Icart, After, French (1888 - 1950) - Eve, Year: circa 1990, Medium: Giclee Print, Size: 8.75 x 11 in. (22.23 x 27.94 cm), Frame Size: 14.5 x 17 inches

Boris Lovet-Lorski, Untitled (Nude with Geometric Forms), lithograph, edition 250, 1929. Signed and numbered 8 in pencil. Number 8 of Volume 1, a series of 10 lithographs published b...

Nude is an original artwork realized by an artist of the mid-20th century. Etching and Aquatint. The drawing is inside a white cardboard passepartout (69x49 cm).

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

Henry MOORE Three reclining nudes, 1971 Original lithograph (Printed in Desjobert Workshop). On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1971 REFERENCES : Henry...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Realized by an anonymous artist under the pseudonym of R.L. Delechamps, La Bible Noire is considered one of the masterpieces of XX century pornographic art. Though it states to be pr...

Le Corbusier Surrealist Dream, 1964 Original lithograph Limited to 250 copies On Arches vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forces-Vives (Paris) in 1964 Excellent ...

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...

Alessandro Mastro-Valerio, 'Morning Paper', 1941, mezzotint, edition 350. Signed in pencil. A superb, richly-inked, luminous impression, on cream, wove paper, with wide margins (1 9/16 to 1 13/16 inches), in excellent condition. Matted to museum standards; unframed. 32nd Presentation Print of the Chicago Society of Etchers, 1941, with the Chicago Society of Etchers blindstamp in the bottom, left margin. ABOUT THE ARTIST Painter and printmaker Mastro-Valerio was educated at the Salvador Rosa Institute in Naples, Italy (1906-1912), and came to the United States in 1913. He settled in Chicago and after a brief period as a commercial artist, established a reputation as a portrait painter. Among his patrons were the industrialists Harvey S. Firestone and Anheuser Busch. Mastro-Valerio was also the owner and editor of the progressive magazine 'La Tribuna Transatlantica'. He wrote and published articles supporting the cause of Italian immigrants. He helped form the Giordano Bruno...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Con la mirada fija en tu paisaje ', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.)...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman on sky background, crossing her arms and covering her chest. Th...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Boris Lovet-Lorski, 'Untitled (Nude Crucified)', lithograph, edition 250, 1929. Signed and numbered 19 in pencil. Number 19 of Volume 2, a series of 10 lithographs published by the a...

Nude is an Original Lithograph print realized by French artist Paul Belmondo (1898-1982) It is not signed and dated but we can attribute the period to...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure attaquant une Amazone (after Bloch 195) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype half...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Medium: Etching and Aquatint Year: 2024 Edition: 25 Image Size: 12 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of a male nude juggler performing...

Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...