Miniature Nude Prints
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Size: Miniature
Raymond Pettibon Black Flag 1985 (Raymond Pettibon punk art)
Located in NEW YORK, NY
Raymond Pettibon Black Flag Live 1985:
Rare folding double-sided promotional tour flyer illustrated by Raymond Pettibon for SST Records, advertising 1985 Black Flag concert dates.
O...
Category
1980s Pop Art Prints and Multiples
Materials
Lithograph, Offset
David Hockney, Untitled (from Geh durch den Spiegel): Male Nude, Original Print
Located in Hamburg, DE
David Hockney
Untitled (from Geh durch den Spiegel), 1966
Medium: Lithograph on paper
Dimensions: 14 7/10 × 10 1/10 in (37.3 × 25.6 cm)
Edition of 250: Not signed, not numbered
Condi...
Category
20th Century Contemporary Figurative Prints
Materials
Lithograph
Haiku #38, 1 /50 - Digital Vector Drawing Reclining Female Nude Woman Figure
Located in North Vancouver, CA
Haiku #38, 1 /50 - Digital Vector Drawing Reclining Female Nude Woman Figure
This is a limited edition (50) digital black & white print of a reclining female nude, executed in 17 v...
Category
2010s Contemporary Nude Prints
Materials
Digital
Haiku #39, 1/50 - Digital Vector Drawing Kneeling Female Nude Woman Figure
Located in North Vancouver, CA
Haiku #39, 1/50 - Digital Vector Drawing Kneeling Female Nude Woman Figure
This is a limited edition (50) digital black & white print of a kneeli...
Category
2010s Contemporary Nude Prints
Materials
Digital
lithograph for Florilege des amours de Ronsard
Located in Henderson, NV
Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...
Category
1970s Nude Prints
Materials
Lithograph
Fire - Original Woodcut on Paper by Erika Lawson Frimke - 1937
Located in Roma, IT
Fire is an original woodcut artwork on paper realized in 1937 ca. by Russian artist Erika Lawson Frimke( 1878-1956), Hand-signed on the lower right in pencil.
The state of preservat...
Category
1930s Modern Figurative Prints
Materials
Woodcut
Raymond Pettibon illustrated Punk flyer 1980 (Raymond Pettibon punk art)
Located in NEW YORK, NY
Raymond Pettibon Punk Art 1980:
Rare early Raymond Pettibon illustrated punk flyer published on the occasion of:
The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....
Category
1980s Pop Art Nude Prints
Materials
Offset
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...
Category
1960s Nude Prints
Materials
Lithograph
original etching
Located in Henderson, NV
Medium: original etching. This impression on wove paper was printed in 1968 and published in Paris for the Humanisme actif portfolio. Plate size: 8 1/4 x 6 inches (210 x 153 mm). Sig...
Category
1960s Nude Prints
Materials
Etching
Study I
Located in Toronto, ON
12" x 9" Unframed
Etching of 75
Hand Signed by Soyer
Category
21st Century and Contemporary Nude Prints
Materials
Etching
The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category
1920s Vienna Secession Figurative Prints
Materials
Etching, Drypoint, Aquatint
Niki II
Located in Toronto, ON
Image Size: 11" x 13.5" Unframed
Limited Edition Giclee on Canvas Printer's Proof of 6
Hand Signed by Robert Hartshorn
Category
21st Century and Contemporary Nude Prints
Materials
Giclée
1940s Lithograph of Pin Up Girl -- "The Enchantress" - Gift
Located in Soquel, CA
Wonderful example of iconic Pin Up girls of early 20th Century titled "The Enchantress" by famed Pin Up artist Rolf Armstrong (American, 1889-1960) Circa 1...
Category
1940s Realist Nude Prints
Materials
Ink, Lithograph, Paper
Lauren
Located in Toronto, ON
Image Size: 14" x 11" Unframed
Limited Edition Giclee on Canvas Printer's Proof of 5
Hand Signed by Robert Hartshorn
Category
21st Century and Contemporary Nude Prints
Materials
Giclée
"La Toilette" original etching
Located in Henderson, NV
Medium: original etching and drypoint. This impression on wove paper was printed in 1908 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 8 x 5 1/2 inches ...
Category
Early 1900s Nude Prints
Materials
Etching
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern Nude Prints
Materials
Lithograph
Marc Chagall - Moses - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Salvador Dali - The Beach
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Beach - Original Etching
Dimensions: 38 x 28 cm
Edition: 235
1967
embossed signature
On Arches Vellum
References : Field 67-10 (p. 34-35)
Category
1960s Surrealist Nude Prints
Materials
Etching
Room 2 - Collector Portfolio # 5 out 7 - 12 Fine Art Prints Nude photography
Located in Brussels, BE
His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...
Category
2010s Contemporary Nude Photography
Materials
Archival Pigment, Rag Paper
Marc Chagall - Moses with Tablets of Stone - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1950s Modern Figurative Prints
Materials
Lithograph
"Femme nue assise" original etching
Located in Henderson, NV
Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this lovely impression on cream laid paper is from the rare 1906 first edition of "Histoire d...
Category
Early 1900s Impressionist Nude Prints
Materials
Etching
Haiku #56, 1/50 - Digital Vector Drawing Standing Female Nude Woman Figure Arms
Located in North Vancouver, CA
Haiku #56, 1/50 - Digital Vector Drawing Standing Female Nude Woman Figure Arms
This is a limited edition (50) digital black & white print of a dancing female nude, executed in 17 ...
Category
2010s Contemporary Nude Prints
Materials
Digital
Yasumasa Morimura Cibachrome Print
By Yasumasa Morimura
Located in Lake Worth Beach, FL
Additional Information: Work is titled BLUE PISSOIR. Certificate of Documentation to reverse states: “This work was donated by the artist, courtesy of Luhring Augustine Gallery, to b...
Category
1990s Contemporary Nude Prints
Materials
C Print
Keith Haring Help the Homeless 1985 (Keith Haring 1985 announcement)
By Keith Haring
Located in NEW YORK, NY
Keith Haring 1985:
Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC.
Off-set printed, 1985 (folds open in...
Category
1980s Pop Art Nude Prints
Materials
Lithograph, Offset
Haiku # 55, 1/50 - Digital Vector Drawing Female Nude Woman Figure Sitting in Ch
Located in North Vancouver, CA
Haiku # 55, 1/50 - Digital Vector Drawing Female Nude Woman Figure Sitting in Ch
This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 vector lines. It is part of a series called Haiku, after the style of Japanese poetry.
Haiku translated to English means “cutting”, and refers to two juxtaposing ideas or images. Haiku has 17 “on”, or syllables, and is traditionally written in English on three lines. Using this theme, I have drawn images of female nudes, juxtaposing the colours black and white and using only 17 vector lines.
I am experimenting with the economy of line and how to express an artistic idea that will engage the viewer. Deciding on which lines to include and which to exclude was a challenge. This simple drawing describes a nude woman languishing in a chair, viewed from behind, but leaves enough to the viewer’s imagination to complete the artwork in their head. I've drawn this image with my finger on my iPhone, using a vector drawing app that allows me to control the weight of each line by varying the pressure of my fingertip on the screen.
Count the vectors in this clever, thought provoking artwork...
Category
2010s Contemporary Nude Prints
Materials
Digital
Les Amours Jaunes The Rebel Poet
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Les Amours Jaunes The Rebel Poet
MEDIUM: Etching + Gold Flakes
SIGNED: Hand Signed
EDITION NUMBER: CLXII/CC
MEASUREMENTS: 11" x 14.75"
Framed: 19....
Category
1970s Surrealist Nude Prints
Materials
Etching
Haiku #57, 1/50 - Digital Vector Drawing Seated Female Nude From Rear
Located in North Vancouver, CA
Haiku #57, 1/50 - Digital Vector Drawing Seated Female Nude From Rear
This is a limited edition (50) digital black & white print of a seated female nude, viewed from behind, and exe...
Category
2010s Contemporary Nude Prints
Materials
Digital
"Figurliche Komposition" original lithograph
Located in Henderson, NV
Medium: original lithograph. This striking composition was published in 1921 for Genius. Sheet size: 13 1/4 x 9 7/8 inches (340 x 250 mm) on wove paper. This original Archipenko prin...
Category
1920s Expressionist Nude Prints
Materials
Lithograph
"Doorway to Illusion" original etching
Located in Henderson, NV
Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929. Plate size: 7 3/4 x 6 1/2 inches (196 x 167 mm). Sheet size: 1...
Category
1910s Nude Prints
Materials
Etching
"Baigneuse Debout, a mi-jambes" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodo...
Category
1910s Impressionist Nude Prints
Materials
Etching
Jean Gabriel Domergue - Lying Woman - Original Etching
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Jean-Gabriel Domergue
Jea...
Category
1920s Impressionist Nude Prints
Materials
Lithograph
Shiny Nude, Pop Art Print by Tom Wesselmann
Located in Long Island City, NY
Shiny Nude by Tom Wesselmann, American (1931–2004)
Date: 1977
Lithograph, numbered verso
Edition of 1000
Image Size: 5.75 x 5.75 inches
Size: 8 x 8 in. (20....
Category
1970s Pop Art Nude Prints
Materials
Lithograph
Haiku #58, 1/50 - Digital Vector Drawing Standing Female Nude Viewed Front
Located in North Vancouver, CA
Haiku #58, 1/50 - Digital Vector Drawing Standing Female Nude Viewed Front
This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vecto...
Category
2010s Contemporary Nude Prints
Materials
Digital
Haiku #59, 1/50 - Digital Vector Drawing Female Standing Nude
Located in North Vancouver, CA
Haiku #59, 1/50 - Digital Vector Drawing Female Standing Nude
This is a limited edition (50) digital black & white print of a standing female nude, exe...
Category
2010s Contemporary Nude Prints
Materials
Digital
untitled (Young Woman Washing)
By Rudolf Bauer
Located in Fairlawn, OH
untitled (Young Woman Washing)
Lithograph, c. 1910
Signed in pencil lower right; signed in the plate lower right (see photo)
Image size: 11 x 5-1/8"
Sheet size: 18 7/8 x 12 5/8 inches
Condition: Very good
Aging to the tan paper it is printed on
Provenance: Estate of the Artist
Borghi & Company, NYC
Rudolph Bauer
1889-1953
Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art.
Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category
1910s Jugendstil Nude Prints
Materials
Lithograph
Keith Haring Into 84 (Keith Haring Bill T. Jones announcement)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Into 84/Keith haring Painted Man 1983:
Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...
Category
1980s Contemporary Nude Prints
Materials
Offset
Haiku #61, 1/50 - Digital Vector Drawing B&W Female Nude Standing Tiptoe
Located in North Vancouver, CA
Haiku #61, 1/50 - Digital Vector Drawing B&W Female Nude Standing Tiptoe
This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vector ...
Category
2010s Contemporary Nude Prints
Materials
Digital
Room 411 - Collector Portfolio # 2 out 7 - 12 Fine Art Prints Nude photography
Located in Brussels, BE
His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...
Category
2010s Contemporary Nude Photography
Materials
Archival Pigment, Rag Paper
Ok Cupid Stop (9/10), Contemporary Mexican Art, Print, Nude, Decorative, 2022
Located in San Jose del Cabo, Baja California Sur, MX
The latest and most successful series by Rodrigo Cacho, where classical ideals of Greek and Roman beauty find a contemporary expression. Cacho's unique approach involves subtle inter...
Category
2010s Contemporary Nude Prints
Materials
Pigment, Cotton
Reclining Nude on Bed
By Rudolf Bauer
Located in Fairlawn, OH
Reclining Nude on Bed
Lithograph, c. 1910
Signed in pencil lower right and in the plate, lower right
Image size: 7-1/4 x 13"
Sheet size: 12 1/2 x 19 inches
Condition: very good
Some aging to the tan paper
Provenance: Estate of the Artist
Borghi & Company, New York
Rudolph Bauer
1889-1953
Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art.
Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category
1910s Jugendstil Nude Prints
Materials
Lithograph
Peek a Boo, Pop Art Pin-Up Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Peek a Boo
Mel Ramos, American (1935–2018)
Date: 2015
Print Catalogue with Lithograph, signed and numbered in pencil
Edition of 999
Image Size: 9.5 x 7 inches
Size: 11.5 x 9 in. (29....
Category
2010s Pop Art Nude Prints
Materials
Lithograph
Haiku #60, 1/50 - Digital Vector Drawing Female Nude Standing Arranging Hair
Located in North Vancouver, CA
Haiku #60, 1/50 - Digital Vector Drawing Female Nude Standing Arranging Hair
This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vec...
Category
2010s Contemporary Nude Prints
Materials
Digital
"…And He Did Eat" from the Genesis Portfolio
By Abel Pann
Located in Milwaukee, WI
Abel Pann (1883–1963) was a Russian-born Jewish painter and print-maker who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel ...
Category
1950s Realist Figurative Prints
Materials
Paper, Giclée
Ex Libris. Paper, etching, 11x7 cm
Located in Riga, LV
Ex Libris A. Zuyeva
Paper, etching, 11x7 cm
Category
1990s Jugendstil Nude Prints
Materials
Etching, Paper
Herbert Granville Fell (1872-1958) - Mid 20th Century Lithograph, Nocturne
Located in Corsham, GB
A charming artistic personification of night in the form of a goddess like figure. Titled and signed within the design. Stamped with a studio mark 'The Studio London' to the lower ri...
Category
20th Century Nude Prints
Materials
Lithograph
Haiku #1, 1/50 - Digital Vector Drawing Reclining Female Nude Woman Figure
Located in North Vancouver, CA
Haiku #1, 1/50 - Digital Vector Drawing Reclining Female Nude Woman Figure
This is a limited edition (50) digital black & white print of a reclining female nude, executed in 17 vect...
Category
2010s Contemporary Nude Prints
Materials
Digital
Ecce Homo Plate X
Located in Fairlawn, OH
Ecce Homo Plate X
Woodcut, 1921
Signed, titled, and dated in pencil by the artist (see photos)
Edition: One of two known impressions
This image wwas unknown to the catloger Ingrid Ro...
Category
1920s Bauhaus Nude Prints
Materials
Woodcut
Blonde Nude
By Shelly Fink
Located in New York, NY
Shelly (Sheldon) Fink (American, 1925-2002), "Blonde Nude" Edition of 150, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963
Depicts a nude woman lying from behind.
Color...
Category
1960s American Realist Nude Prints
Materials
Lithograph
Ex libris. Paper, woodcut, 11x7cm
Located in Riga, LV
Ex libris Olav Tähe
Paper, woodcut, 11x7cm
Category
1990s Jugendstil Nude Prints
Materials
Woodcut, Paper
Salvador Dali - Knight & Death, from "Faust"
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - "Knight & Death" from Faust - Original Etching
With embossed signature (from the standard book edition of 731)
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1...
Category
1960s Surrealist Nude Prints
Materials
Etching
Three graces. Paper, etching, 12x11cm
Located in Riga, LV
Three graces. Paper, etching, 12x11cm
Category
1990s Jugendstil Nude Prints
Materials
Etching, Paper
Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving
Image Size: 9.5 x 12 inches
Year: 1993
Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category
Early 2000s Contemporary Interior Prints
Materials
Etching, Engraving
The Bad Mother
Located in New York, NY
BOURGEOIS, Louise
The Bad Mother, 2004
Edition 3 of 3 PP, aside from numbered edition of 12
Drypoint with handcoloring, signed and inscribed in pencil
17 x 15 in.
$12,000
Category
Early 2000s Feminist Figurative Prints
Materials
Drypoint
Paesaggio Urbano - Etching by Diego Donati - 1950s
Located in Roma, IT
Paesaggio Urbano is an Artwork realized in 1950s, by Diego Donati (1910-2002) from Italy.
Etching on ivory paper. Hand Signed and titled on the lower margin. Numbered 52/100 on th...
Category
1950s Modern Figurative Prints
Materials
Paper, Etching
Leonor Fini - Servants - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Servants - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckve...
Category
1980s Modern Nude Prints
Materials
Lithograph
Salvador Dali - Girl and Pig - Original Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Girl and Pig - Original Etching
Dimensions: 38 x 28 cm
Edition: 390
1967
On Rives Vellum
Signed in the plate
References : Field 67-4 (p. 3...
Category
1960s Surrealist Nude Prints
Materials
Etching
The Magicians Vanite
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: The Magicians Vanite
MEDIUM: Etching
SIGNED: Hand Signed
PUBLISHER: Editions Argillet, Paris
EDITION NUMBER: 33/100
MEASUREMENTS: Paper: 11.2" x 1...
Category
1960s Surrealist Nude Prints
Materials
Etching
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
1890s American Impressionist Nude Prints
Materials
Lithograph