Antony Gormley

Body

2014

Polymer gravure etching. This piece is part of a limited edition of 250 prints. Produced in 2000. Signed and numbered in pencil by Tracey Emin.

A laminated Giclée print on aluminium panel. Produced in 2021. Edition of 862. Hand signed and numbered on verso label by Damien Hirst.

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

Offset lithograph on wove paper. Published in 2020 by Éditions du Centre Pompidou, Paris. Edition of 450. Within accompanying exhibition catalogue and slipcase. As issued. Signed and...

Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso.

A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....

Traditional photographic techniques mixed with digital manipulation work to create slightly surreal male nudes for the prints in Jenkins' Liquid series. “I don't think of myself as...

No title (No 5) Photography Print Edition of 28 36x36 in by Yevgeniy Repiashenko Year photo was taken: 2017 This picture is a part of Spirit series. The picture shows the frozen mo...

"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko No title (No 16) Photography print Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was...

"Hills" Photography print 24" x 36" inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo pa...

Untitled (Nr. 6426) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...

Untitled (Nr. 2473) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...