Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Nicolas Party
Trees

About the Item

Woodcut on BFK Rives paper, produced in 2020. Edition of 100. Mint condition, unframed. Signed and numbered in pencil by Nicolas Party.
  • Creator:
    Nicolas Party (1980, Swiss)
  • Dimensions:
    Height: 15.01 in (38.1 cm)Width: 11.97 in (30.4 cm)
  • More Editions & Sizes:
    Edition of 100Price: $3,839
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU1861214290052
More From This SellerView All
  • Paree
    By Patrick Hughes
    Located in London, GB
    A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....
    Category

    2010s Contemporary Landscape Prints

    Materials

    Archival Pigment

  • Pay Nothing
    Located in London, GB
    Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...
    Category

    21st Century and Contemporary Contemporary Landscape Prints

    Materials

    Archival Pigment

  • H9-8 Control , The Virtues
    By Damien Hirst
    Located in London, GB
    A laminated Giclée print on aluminium panel. Produced in 2021. Edition of 862. Hand signed and numbered on verso label by Damien Hirst.
    Category

    2010s Contemporary Landscape Prints

    Materials

    Digital Pigment

  • The Pont Neuf Wrapped
    By Christo and Jeanne-Claude
    Located in London, GB
    Offset lithograph on wove paper. Published in 2020 by Éditions du Centre Pompidou, Paris. Edition of 450. Within accompanying exhibition catalogue and slipcase. As issued. Signed and...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Archival Pigment

  • Night Opening
    Located in London, GB
    Drypoint etching on BFK Rives 270 gsm paper. Limited edition of 100. Signed and numbered in pencil.
    Category

    2010s Contemporary Landscape Prints

    Materials

    Etching

  • The American Dream
    By Grayson Perry
    Located in London, GB
    Etching on BFK Rives paper. Produced in 2020. Edition of 68. Framed in artist's moulding. Signed and numbered in pencil by Grayson Perry.
    Category

    2010s Contemporary Landscape Prints

    Materials

    Etching

You May Also Like
  • Wild Roses
    By Joan Snyder
    Located in Brooklyn, NY
    Wild Roses, 2010 Lithograph/etching/woodcut 28 3/8 × 38 3/8 in 72.1 × 97.5 cm This print combines etching, lithography, and woodcut to create a great variet...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Etching, Lithograph, Woodcut

  • Flags - woodcut, flowers, flags, Katz, black and white
    By Alex Katz
    Located in Köln, DE
    "Flags" is a stunning woodcut from 2013. It is a very stylized view over a wide flower meadow. Typically, Katz is using a clear and straight color palette. It is beautiful to see how...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Woodcut

  • "Nachtfahrt"
    By Christiane Baumgartner
    Located in Köln, DE
    A wonderful and delicate portfolio by Christiane Baumgartner, artist from Leipzig/Germany. "Nachtfahrt" (night tour) consists of 9 woodcut prints on Zerkall laid paper. Each work has...
    Category

    Early 2000s Contemporary Landscape Prints

    Materials

    Woodcut

  • Sunrise - forest, sunlight, woodcut
    By Alex Katz
    Located in Köln, DE
    This work is not a typical landscape by Alex Katz. It is a very stunning, nearly abstract work which is made of a combination of printing techniques like woodcut, lithograph and scre...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Lithograph, Screen, Woodcut

  • Fictive Homelands
    Located in Providence, RI
    Fictive Homelands is a suite of 7 woodcut prints with silverpoint drawing on mylar by artist Serena Perrone. Fictive Homelands is a series of works that use the theater proscenium ...
    Category

    Early 2000s Contemporary Landscape Prints

    Materials

    Silver

  • "Thicket 6" - Multi-layered Branches and Foliage in Orange Yellow Blue
    By Katherine Warinner
    Located in Morgan Hill, CA
    "Thicket 6" is a dramatic relief monotype with layers of orange foliage and branches as well as yellow and blue foliage. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery. Katherine Warinner...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Monotype, Woodcut

Recently Viewed

View All