Nude Prints

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman on sky background, crossing her arms and covering her chest. Th...

Keith Haring Fault Lines 1986 (set of 4 printed works): A grouping of 4 lithographs from the book Fault Lines by Brison Gysin with illustrations by Keith Haring. These works are eac...

Nobuyoshi Araki Geisha Skateboard Triptych, ca. 2014 Set of (3) Skateboards of Silkscreen on 7 ply Canadian Maplewood Deck Signed in plate, Each signed on the deck and hand numbered ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

An erotic dalliance between a nude blonde woman lying down, and nude man, on a bed with white sheets. Subtle shades of peach, tan, yellow, and grey and black shadow behind the couple...

Woman from Shoulders is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed on the lower right. Numbered edition, 11/20. In good condition...

Original French poster: Cycles Clement Motocycles, La Plus Vaste Usine de Monde; artist: PAL, (Jean de Paléologue) 1860-1942, c. 1895 original stone lithograph; archival linen backe...

Original vintage advertising poster for the famous Parisian cabaret music hall - Folies Bergère / Folies de Paris. La revue de Helene Martini. Acid-free linen backed, in Grade A- condition and ready to frame. Striking original cabaret poster featuring a classic Folies Bergère showgirl with sweeping blue feathers, white gloves, and heels The "Folies Bergère" is an iconic cabaret music hall established in 1869 in Paris, renowned for its lavish variety shows, extravagant costumes, and brilliant performances that defined Parisian nightlife throughout the Belle Époque and beyond. During the late 20th century, Helene Martini revived the tradition with sumptuous revues, blending classic glamour with modern flair. This poster, illustrated by the renowned artist Alain Aslan, epitomizes the exuberance and allure of Parisian cabaret. Featuring a glamorous showgirl framed by dramatic blue plumes, the artwork captures the spirit of "Folies de Paris," one of the venue’s most celebrated shows. Aslan’s work stands out for its bold colors, stylized elegance, and sensuality, making these posters emblematic of vintage Paris entertainment advertising. Today, vintage Folies Bergère...

This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus. Paper 36 x 27.5 in. / 91.4 x 69.2 cm. Plate 23.5 x 17.7 in. / 59.7 x 45.1 cm. Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre. A copy of each color is available: this listing is for one copy in the color of your choice. As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Oban yokoe. Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...

Auguste Rodin, French (1840 - 1917) - Male Acrobat, Year: 1902, Medium: Lithograph on Japon, signed in the plate, Image Size: 9 x 8 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Refe...

Michael Knigin, American (1942 - 2011) - Advance notice, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 26.5 inches, Size: 21...

Woman i is an original screen print realized by Nicola Simbari in 1976. Hand-signed on the lower right. Numbered .Edition 11/90. The artwork represents a female nude in profile wi...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition of 50. ...

"Brooke (Blue Waves)" Photography 30" x 22" inch Edition 2/7 by Larsen Sotelo NOT FRAMED - ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Original wall sculpture multiple by famed American Pop Artist, Mel Ramos (1935 - 2018). It is hand-signed and numbered in marker from the edition of only 35. Artist: Mel Ramos, Ame...

Japanese Block POP ART technique with a nude Geisha Comes unframed About the Artist World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, ...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is an artist known...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

Male nude lithograph by Trevor Southey. Charcoal gray. There was also an edition done in terra cotta. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His African...

Signed and numbered in pencil in lower right hand margin. Proposed edition of 1000 (edition never completed). This print is an interesting piece of history, as the United States Oly...

Javier Areán (Mexico, 1969) "Mujer desnuda (estudio)" (Study of nude woman), 2007 dry point on paper Fabriano 300 g. 16 x 13.6 in. (40.5 x 34.5 cm.) Edition of 20 ID: ARA-101

Mury (Mury Rabin) Man Receiving Himself, c. 1960s Softground monoprint Sight: 16 1/2 x 18 1/4 in. Framed: 23 1/8 x 25 1/8 x 7/8 in. Titled lower right, signed lower left Graphic ar...

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

Nude female figure is a print realized by Scottish artist Allan Ramsay (1713-1784) after Salvator Rosa, in the late 18th century. Etching on paper. Good conditions, with foxing on ...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'En mi húmeda dureza', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.) ID: CUR-105 Unframed

Untitled (Nr. 0732) Nude Photography 36" x 44" Edition 1/12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...

Cindy Sherman Limited Edition Offset Lithograph on 200g Profisilk paper 33 × 23 1/4 inches Edition of 200 Limited Edition Offset Lithograph on 200g Profisilk paper Hand signed in re...

Medium: original etching. Printed in 1909 for Theodore Duret's "Die Impressionisten" and published in Berlin by Bruno Cassirer. This impression on laid paper bears the Fortuna waterm...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Nu à la Guitarre (The Nude on the Guitar) (Serenade)" Portfolio: Nudes *Signed by Dali in pencil lower right Year: 1970 Medium: Original Lithograph on white Rives paper Limited edition: 104/120 Printer: Desjobert, Paris, France Publisher: E.G.I., Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-8-D, page 158 Beautifully framed in handmade real gold-leaf moulding with raw silk matting and gold filet Framed size: 30.25" x 38.25" Image size: 20" x 28.25" Condition: Light toning to sheet in margins and some minor handling creases. Some minor cosmetic wear to framing. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Philadelphia, PA. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Nudes" portfolio of 8 lithographs from original drawings. Printed in light yellow-brown on pale green panel. Note: We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Original 1987 Keith Haring Safe Sex poster: Illustrated by Keith Haring in conjunction with his many Aids Awareness efforts. A historical ...

Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...

Plate XII, Le Cocu Magnifique Etching & aquatyint, 1968 From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 impressions The s...

Keith Haring Crack Down! 1986: Vintage original Keith Haring anti-drug poster, 1986. Off-set lithograph on heavy weight paper. Dimensions: 17 x 22 inches. Minor signs of handling; ...

ARTIST: Salvador Dali TITLE: Hommage a Albrecht Durer Sirene au Dauphin MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 22.5" x 30.5" YEAR: 1971 FRAMED:...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

Keith Haring Into 84 exhibition poster: Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...

Male nude etching by Trevor Southey. Medium: etching Year: 1988 Edition of 150 Image Size: 8 x 6 inches Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afric...

Guillaume Corneille Complicite 1980 Print, Signed Lithograph on wove paper 25½ x 19½ " inches Signed in pencil and dated Cat added  by artist As a co-founder of the famed experimen...

Boris Lovet-Lorski, 'Untitled (Nude in Landscape)', lithograph, edition 250, 1929. Signed and numbered 5 in pencil. Number 5 of Volume 1, a series of 10 lithographs published by the ...

Original CAZALIS & PRATS since 1875. Artist: Emm. Gaillard. Size: 13" x 19.5". Professionally acid-free archival linen backed and ready to frame. Note that a small ink printing line ...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Artist: Mel Ramos, American (1935 - ) Title: Camilla Year: 1989 Medium: Serigraph, signed and numbered in pencil Edition: 161 Image Size: 37 x 32 inches Paper Size: 42 in. x ...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Salvador Dali - Marguerite - Original Etching from "Faust" suite Stamped signature, as issued From the standard edition of 731 Dimensions: 38,5 x 28,5 cm Edition Argillet, Paris 1969...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Le Corbusier (1887-1965) Three Nudes, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition, pa...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Construction d’un temple – Plate n. 8  is a b/w original etching realized in 1972 (as written on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction...

Richard Lindner 3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968 Silkscreen on wove paper Unnumbered 35 1/2 × 23 1/2 inches...

Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...

Alméry Lobel-Riche Dancers in love Original etching Handsigned in pencil (with also a printed signature in the plate) Numbered /12 On Japan paper 31 x 22.5 cm (c. 12.2 x 8.9 inches)...

Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...

Male nude linocut, from the series "The Sensual Line" comprised of 4 male and 4 female images. Reyes attended The School of the Art Institute of Chicago, where he received a Bachel...