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Late 19th Century Prints and Multiples

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Period: Late 19th Century
Portrait de Jean Corneille Sylvius (B280), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Corneille Sylvius (B280). Year: 1878 (of original 1633), Medium: Heliogravure, Size: 11 x 7.5 in. ...
Category

Baroque Late 19th Century Prints and Multiples

Materials

Etching

(Paysage) etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gra...
Category

Late 19th Century Prints and Multiples

Materials

Etching

L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

Realist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching, Aquatint

The Century, Maxfield Parrish
Located in New York, NY
This image - created as an advertisement for the magazine "The Century" -  is an original lithograph by Maxfield Parrish printed in 1897 measuring 15 ¾ x 11 3/8 in (40 x 29 cm), unfr...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

(after) Georges-Antoine Rochegrosse - lithograph poster
Located in Henderson, NV
Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Signed in the p...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #37: "Music" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

"Portrait of an Old Lady" etching
Located in Henderson, NV
Medium: etching (etched by Paul Rajon after Rembrandt). Printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 7 1/4 x 6 i...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Gerlach's Allegorien Plate #78: "Hunting" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

Aux Buttes Chaumont Poster 1888 by Jules Cheret Men's Fashions Large
Located in Boca Raton, FL
This is one of Jules Cheret's most attractive posters from his early period in the late 1880's. It is a large size image that is promoting the new fashions for Men...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching

Prêtresse antique (Ancient Priestess)
Located in Middletown, NY
Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...
Category

Symbolist Late 19th Century Prints and Multiples

Materials

Handmade Paper, Photogravure, Stencil

The Curly Coated Retriever
Located in Columbia, MO
The Curly Coated Retriever 1887 Etching
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Etching

The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbered: "No. 20" in pencil Printed by Thomas Way, London A beautiful impression with tonal variations in the stump work (shading) As published in: L'Estampe Originale, Paris, 1893, Album IV Edition: 107 impressions, this No. 20 There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London Lacking the huge support sheet and embossed series stamp by Charpentier With the letterpress lower left: "T. Way. Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Originale verso at top as described in Spink Three hinges residue along right edge of the sheet from a later matting of the print Image size: 8 1/4 x 6 3/8 inches Sheet size: 11 3/8 x 9 1/16 inches Reference: Spink/Tadeschi 72, published edition Levy 74 Way 46 A superb Neoclassical lithograph...
Category

American Impressionist Late 19th Century Prints and Multiples

Materials

Lithograph

Theophile Alexandre Steinlen Original Stone Lithograph, 1894 - Petit Voyage
Located in Phoenix, AZ
Original Lithograph by Theophile Steinlen - Swiss born French Artist (1859-1923). Titled: “Petit Voyage” (Little Journey). Signed “Steinlen” in the stone lower left. The work is in ...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Alcazar d'Eté, Lidia (Plate 25)
Located in Greenwich, CT
Alcazar d'Eté, Lidia (Plate 25) is an 1886 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque poste...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

Felis Rubiginosa (Rusty-Spotted Cat) /// Daniel Giraud Elliot Cat Tiger Lion Art
By Daniel Giraud Elliot
Located in Saint Augustine, FL
Artist: Daniel Giraud Elliot (American, 1835-1915) Title: "Felis Rubiginosa (Rusty-Spotted Cat)" (Plate: XXIX - 29) Portfolio: A Monograph of the Felidae or...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Watercolor, Lithograph

The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching

Folies Bergère: Fleur de Lotus by Jules Chéret, Belle Époque lithograph, 1896
Located in Chicago, IL
Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Die Alte Stadt (The Old City) by Georg Muller-Breslau, Medieval-style lithograph
Located in Chicago, IL
Two patrons examine art objects in Georg Muller-Breslau’s medieval-style poster for the 1896 exhibition of Saxon artisanry and works of art in Dresden, “the old city” (Die Alte Stadt...
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Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

L'Aurore by Eugène Carrière, Symbolist lithograph, 1898
Located in Chicago, IL
Shrouded in light and shadow, a figure halts in anxiety while a precipice forms the horizon. Carrière echoes fellow Symbolist Edvard Munch’s Der Schrei der Natur (also known by the popular name “The Scream”) in L’Aurore, a quintessential example of Carrière’s misty and spectral body of work. An 1897 oil study for this work sold for 26,400 GBP (approximately $36,190) at Christie’s in 2007. Stone lithograph of Eugène Carrière...
Category

Symbolist Late 19th Century Prints and Multiples

Materials

Lithograph

Rembrandt's Mother, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Rembrandt's Mother, Year: Of Original 1639 (printed 1906), Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm), ...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

La Revue Blanche
Located in Palo Alto, CA
The wife of Thadée Nathanson, the editor of the French art and literary magazine La Revue Blanche, Misia Nathanson is presented here in beautiful form. Wonderfully strong but sparse line work mixed with soft curves and billowing forms are Lautrec signatures, but what is interesting is his respect for Misia is widely apparent. A white fur shawl...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Odontoglossums, English antique flower orchid botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Odontoglossums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

19th century lithograph landscape battle scene military figurative print
Located in Milwaukee, WI
"Battle of Monmouth June 28, 1778" is an original lithograph by Kurz & Allison. It depicts a battle in the American Revolutionary War. 12 1/4" x 18" art 21 1/4" x 27" frame Kurz &...
Category

Other Art Style Late 19th Century Prints and Multiples

Materials

Lithograph

The Jacobite Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Jacobite Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Une femme, un chat et des souris by Georges Manzana Pissarro - Etching Print
Located in London, GB
SOLD UNFRAMED Une femme, un chat et des souris by Georges Manzana Pissarro (1871 - 1961) Etching 13.3 x 8.7 cm (5 ¹/₄ x 3 ³/₈ inches) Signed on the plate with initials, GP and sign...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Orient Cycles by Edward Penfield, Bicycle motorcycle lithograph, 1897
Located in Chicago, IL
The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Kristiania Bohemians I
Located in New York, NY
Edvard Munch (1863-1944) Kristiania Boheme I (or Kristiania Bohemians I; Drinking Session/Drinking Bohemians), etching, drypoint and burnishing, 1895, signed in pencil lower right, a...
Category

Expressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching

MORTE D'ARTHUR
Located in Portland, ME
Malory, Thomas. MORTE D'ARTHUR. J. M. Dent, London, 1893. First Edition thus. Edition of 300 printed on Dutch handmade paper, this copy Numbered "72." (There was a "regular" editi...
Category

Late 19th Century Prints and Multiples

Materials

Woodcut

Boy at the source / - Elixir of Life -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Boy at the source, 1897. Algraph on strong wove paper after a drawing from 1897, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenös...
Category

Realist Late 19th Century Prints and Multiples

Materials

Paper

"Etude" original etching
Located in Henderson, NV
Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. ...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Beauties on the Beach with view of Mount Fuji
Located in Burbank, CA
Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...
Category

Edo Late 19th Century Prints and Multiples

Materials

Handmade Paper, Mulberry Paper, Woodcut

From: Ilsee, Princess of Tripoli Recto: "Dream Woman " Verso: "Visions "
Located in Milwaukee, WI
"From: Ilsee, Princess of Tripoli Recto: "Dream Woman" Verso: "Visions" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithograph from "Ilsee, Princ...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Soir d'octobre - original lithograph (1897/98)
Located in Paris, IDF
Ernest Laurent Soir d'octobre Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 18...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Late 19th century color lithograph art nouveau ornate bookplate figures floral
Located in Milwaukee, WI
From: Ilsée, Princesse de Tripoli "Ilsee and Jaufre" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, Princesse de Tripoli," ...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

1898 Jules Chéret first supplement to Les Maîtres de l’Affiche - La danse
Located in PARIS, FR
Created in 1898 as the very first supplement to Les Maîtres de l’Affiche, this intimate lithograph distills Jules Chéret’s vision of Belle Époque Paris into a single, buoyant figure....
Category

Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

"Diane Chasseresse, " Original Color Lithograph signed by Gaston De Latenay
Located in Milwaukee, WI
"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #78: "Dance & Wine" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

"The Music Score" original lithograph
Located in Henderson, NV
Medium: original lithograph. Published in London in 1898 by The Studio. This delightful lithograph on wove paper measures 11 x 7 3/4 inches (sheet size). Signed by Robert Anning Bell...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

LEIF ERICSSON DAY
Located in Portland, ME
Mielatz, Charles. BATTERY PARK. Etching, 1889. Edition size not known. Signed and dated in the plate. 7 X 9 7/8 inches. In excellent condition. Mielatz, taught etching at the Nati...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Vision /// French Romantic Classical Figurative Lady Woman Soldier Angel Litho
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vison" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1895 Medium: Original Lithograph on chine appliqué on wove paper Limited edition: approx. 1,500 Printer: Imprimeries Lemercier, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Hediard No. 122 (IV/IV); Sanchez & Seydoux 1895-6, page 126 Sheet size: 11" x 7.38" Image size: 7.5" x 5.75" Condition: Some minor discoloration in margins. In excellent condition Notes: Original cover tissue sleeve mounted at left margin as issued. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #78: "Astronomy, The Creation, The Lie" Lithograph
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #75: "Hunting, Fishing, Rowing, Cycling"
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, La halle aux draps, Cracovie, 1898
Located in Torino, IT
  HENRI DE TOULOUSE LAUTREC, Albi 1864 - Malromé 1901 La halle aux draps, Cracovie, 1898 Original lithograph on stone monogrammed in plate (mm 176x144) Bibliography: Wittrock 197 Fro...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Lithograph

L'Inspecteur Général "Revizor" - Lithograph by Hermann Paul -1897-98
Located in Roma, IT
L'Inspecteur Général "Revizor" is a litograph realized by Hermann Paul in 1897-98, for the Theatre Magazine "L'Art et la Scène". Signed on Plate. Edition Grande Imprimerie Centrale,...
Category

Modern Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

Colonialism- Lithograph by Hermann Paul - 1903
Located in Roma, IT
L'Inspecteur Général "Revizor" is a Lithograph realized by Hermann Paul, in 1903. Signed on Plate. Good condition. René Georges Hermann-Paul (27 Decemb...
Category

Modern Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

Jules Cheret "Palais de Glace Champ Elysees" Lithograph
Located in Astoria, NY
Jules Cheret (French, 1836-1932), "Palais de Glace Champ Elysees", Lithograph in Colors, circa 1895, signed "Cheret" in plate lower right, printed by Chaix (Ateliers Cheret) marked v...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

Interior of the Temple - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Interior of the Temple is a modern artwork realized d'aprés Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip ...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Along the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Original Vintage Griffon Cycle and Motorcycle Poster by Trianon c1898
Located in Boca Raton, FL
Griffon was one of the earlier French bicycle producers, but not much history about the company has been preserved. This poster highlights not just the company's bicycles but also it...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Egypt - Lithograph after Karl Werner - 1881
Located in Roma, IT
Egypt is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt between 1...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

"The Smith's Yard" original lithograph
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cre...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Cinderella by Dudley Hardy, Art Nouveau theater lithograph poster, 1897
Located in Chicago, IL
Art Nouveau Cinderella theater poster by Dudley Hardy, published in 1897 by Imprimerie Chaix, Paris, the printing house known for publishing the works of Belle Epoque master Jules Ch...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

"Schwabelweiss" original etching
Located in Henderson, NV
Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria. Printed on laid paper and published in B...
Category

Late 19th Century Prints and Multiples

Materials

Etching

original etching
Located in Henderson, NV
Medium: original etching. Printed in 1875 on laid paper at the Alfred Salmon Imprimerie and published in Paris by L'Art. Plate size: 8 1/2 x 11 inches (215 x 278 mm). Signed in the p...
Category

Late 19th Century Prints and Multiples

Materials

Etching

"La femme en chapeau" etching
Located in Henderson, NV
Medium: etching. Etched by Jules de Goncourt after Paul Gavarni. This impression on cream laid paper was printed in 1875 by Francois Lienard and published in Paris by L'Art. Plate si...
Category

Late 19th Century Prints and Multiples

Materials

Etching

"Le Portique de la Galerie Nationale a Londres" etching by Tissot
Located in Hinsdale, IL
TISSOT, JAMES JACQUES JOSEPH (1836 - 1902) "Le Portique de la Galerie Nationale a Londres" (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only state published, from the edition of 100 Signed 1878 J.J. Tissot on the step, lower right 14 7/8” x 8 1/4” Excellent crisp impression This etching is related to the painting London Visitors exhibited at the Royal Academy in 1874, no. 116. The setting is the portico of the National Gallery, looking toward the Church of St. Martin’s-in-the-Fields. Such works give Tissot a minor but distinguished position as a predecessor of the school of architectural etchers...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"Begrüssung" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klipstein 10. A very rich impression on cream wove paper of this Kollwitz etching, with plate tone. Plate size: 118 x 88mm (4 5/8 x 3 1...
Category

Expressionist Late 19th Century Prints and Multiples

Materials

Etching

Bridge, Amsterdam
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"Fin d'Ete" etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by Charles Courtry after Carolus Duran. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" in 1875...
Category

Late 19th Century Prints and Multiples

Materials

Etching

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