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Late 19th Century Prints and Multiples

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Period: Late 19th Century
Knackers
Located in New Orleans, LA
Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist. Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category

Modern Late 19th Century Prints and Multiples

Materials

Etching

Moonlight Glade (small private burial ground in New England)
By William Woodward
Located in New Orleans, LA
"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,. William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there. At the behest of William Preston...
Category

American Modern Late 19th Century Prints and Multiples

Materials

Etching, Aquatint

"Leith Docks" original etching
Located in Henderson, NV
Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 8 x 5 inches (200 x 127 mm...
Category

Late 19th Century Prints and Multiples

Materials

Etching

"En Normandie" etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by Charles Courtry after Constant Troyon. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" in 18...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Original cover for Alphonse Mucha's Le Pater, Symbolist letterpress, 1899
Located in Chicago, IL
“Humankind rests safely in the hand of an androgynous God, dreamlike and powerful; Mucha’s Byzantine tresses are replaced here with hair personifying the wind of the vast cosmos, unf...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Ink

French Fabric Design - Etoffe Francaise, antique French chromolithograph print
Located in Melbourne, Victoria
'Les Arts Décoratifs - Etoffe Francaise' Depicts fabric from the 16th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

River in Normandy - Original etching - Ed. Durand Ruel, 1873
By Alfred Sisley
Located in Paris, IDF
Alfred SISLEY (after) The Angelus, 1873 Original Etching Engraved by Flameng under the supervision of SISLEY Printed signature in the plate On laid paper...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"University of California Berkeley" original etching
By George Spiel
Located in Henderson, NV
Medium: original etching. Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size...
Category

Late 19th Century Prints and Multiples

Materials

Etching

19th century color lithograph horses chariot figures dynamic landscape
Located in Milwaukee, WI
"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Pulmonaria, English antique blue pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Pulmonaria' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting. Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W. Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America. In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives. A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category

American Impressionist Late 19th Century Prints and Multiples

Materials

Cardboard, Lithograph

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Prints and Multiples

Materials

Woodcut

Ericas and Epacrises, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Ericas and Epacrises' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Forced Shrubs, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Forced Shrubs' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

'a good soldier', Vanity Fair military army portrait chromolithograph, 1884
Located in Melbourne, Victoria
'a good soldier'. Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson, who was born in 1826. He joined the Grenadier Guards at 1...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

French School Late 19th Century Prints and Multiples

Materials

Lithograph

"Vaine Pature" etching
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on laid paper was printed by Francois Lienard in 1875 and published in Paris for L'...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Grand-mere (effet de lumiere)
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching

The Rob Roy Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Rob Roy Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

19th century engraving landscape bridge industrial river scene ink signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Etching

Woman Taken in Adultery, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Woman Taken in Adultery, Year: 1906 Date of Original 1644, Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm),...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

French School Late 19th Century Prints and Multiples

Materials

Lithograph

Renewal - Original lithograph - 1897
Located in Paris, IDF
Emile BERCHMANS Renewal Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Modern...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Chicken and Hens - Original Lithograph - Late 19th Century
Located in Roma, IT
Image dimensions: 18 x 24,3 cm. Chicken and Hens is a color lithograph contained in the Meyers Konversations-Lexikon (or Meyers Lexikon). The print is from the encyclopedia Meyers ...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

The Palace - Original Lithograph - Late 19th century
Located in Roma, IT
The Palace is an original print on paper realized by an anonymous artist. Original lithograph of the late 19th Century. Conditions: aged and a rip on the lower-left angle. The art...
Category

Modern Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

MacIntosh - Chief (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacIntosh - Chief (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descripti...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

MacDonald of the Isles and Slate (Tartan), Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Masdevallias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Masdevallias' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Budapest, Hungary. Antique Map City Plan Chromolithograph, circa 1901.
Located in Melbourne, Victoria
'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Russian, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Russian - Russe - Russisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...
Category

French School Late 19th Century Prints and Multiples

Materials

Lithograph

Jack Russell Terriers by Alexander Pope
By Alexander Pope
Located in Paonia, CO
An original chromolithograph from the Celebrated Dogs of America by Alexander Pope Jr. and published by S.E. Casino, Boston,1882. This compositio...
Category

Other Art Style Late 19th Century Prints and Multiples

Materials

Lithograph

Forest Insects - Beetles, German antique chromolithograph print
Located in Melbourne, Victoria
'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Susanna and the Elders, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Susanna and the Elders, Year: of Original:1647 (printed 1906), Medium: Photogravure, Size: 10 x 14 in. (25.4 x 35.56 c...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

Conservatory Roses, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Conservatory Roses' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Alphonse Mucha's Le Pater: "Our Father Who Art in Heaven" 1899 lithograph
Located in Chicago, IL
Stone lithograph sepia plate of Our Father Who Art in Heaven from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899. “Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts with Moorish arabesques, Byzantine mandalas, and Classical Renaissance melodrama to create a body of work that guided viewers across the gap between the ancient and the modern. The published plates for Le Pater were struck by Champenois on December 20, 1899 in an edition of 510 copies with the express agreement that they never be reprinted. As much of Mucha's work had been commercialized by Champenois due to numerous printings across multiple mediums, by this point he felt he had earned the right to insist on this deeply personal work existing only in the original release he had envisioned. The title page, prayer plates, and illuminated manuscript pages...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Hommage des Artistes à Picquart - Lithograph by Hermann Paul -1899
Located in Roma, IT
Hommage des artistes à Picquart is a Lithograph realized by Hermann Paul. Hand signed on the lower left corner. Passpartout included cm 49x32.5 Good condition. René Georges Herman...
Category

Modern Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

"Alhambra" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression on cream wove paper is from the deluxe Large Paper Edition of 500, published in 1896. This is one of the beautiful and subtle lithographs...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延). Colorful and expressive court scene. Two actors...
Category

Edo Late 19th Century Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

The Jockey
Located in Chicago, IL
Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Rue Furstenberg
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Lithograph

Sanjûroku Kasen... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Prints and Multiples

Materials

Woodcut

1899 Original Art Nouveau poster by Firmin Bouisset for the Salon des cent
Located in PARIS, FR
Beautiful poster from 1899 to promote the Salon des cent (also called "Salon des 100" or "Salon de La Plume") which was a French art exhibition. Conceived by Léon Deschamps, it was ...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Linen, Lithograph

Paris, France. Antique Map City Plan Chromolithograph, circa 1895
Located in Melbourne, Victoria
'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Engraving

Cercle Artistique de Schaerbeek
Located in West Hollywood, CA
The gallery is opening its private collection of art nouveau and art deco paintings, lithographs and antiques for the first time in more than twenty years. Presenting an original li...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Egyptians Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egyptian on camel is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egy...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Bird Eggs - Antique egg colour woodblock print, 1875
Located in Melbourne, Victoria
Antique bird egg colour woodblock , 1880, from Francis Orpen Morris’, 'A Natural History of the Nests & Eggs of British Birds', 1875. The woodblocks ...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Woodcut

Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Alphonse Mucha's Le Pater: "Forgive Us Our Trespasses" 1899 mandala lithograph
Located in Chicago, IL
Stone lithograph mandala plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champe...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #94: "Heads" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

"La Vache Enragee" iconic vintage poster by Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Agaricus Casareus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Casareus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Reading
Located in Fairlawn, OH
Reading Lithograph, 1879 and 1887 Signed in the stone with the Butterfly (see photo) A proof laid paper printed before the edition of 100 impressions printed for Art Notes Watermark:...
Category

American Impressionist Late 19th Century Prints and Multiples

Materials

Lithograph

Prague, Czechoslovakia. Antique Map City Plan Chromolithograph, circa 1895
Located in Melbourne, Victoria
'Prag' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Prague, Czechoslovakia. Central vertical fold. Printed street index on the ...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Basse Cour - Etching by Eugène Cottin - 1870s
Located in Roma, IT
Basse Cour is a black and white etching realized by Eugène Cottin (1840-1902) in 1870s. Titled in the lower. Image size: 22.5cmx10.5cm. Very Good condition. Realized by Cadart fo...
Category

Modern Late 19th Century Prints and Multiples

Materials

Etching

The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category

English School Late 19th Century Prints and Multiples

Materials

Drypoint, Handmade Paper, Etching

Gerlach's Allegorien, plate #66: "Tragedy" Lithograph, Gustav Klimt.
Located in Chicago, IL
Gustav Klimt created this image for inclusion in Gerlach & Schenk’s Allegorien the year before he formed the Vienna Secession. While this design is similar to his other inclusions, L...
Category

Vienna Secession Late 19th Century Prints and Multiples

Materials

Lithograph

The Serenade
Located in Myrtle Beach, SC
A superb, richly-inked impression, with skilfully wiped plate tone and burr in the drypoint, printed in dark sepia ink on cream laid paper, with the Louis LeGrand watermark in the bo...
Category

Post-Impressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching, Aquatint

MacDonald of Glengarry (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of Glengarry (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of desc...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

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