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Late 19th Century Prints and Multiples

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Period: Late 19th Century
Clematis, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

19th century color lithograph horses chariot figures dynamic landscape
Located in Milwaukee, WI
"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

The Cruciferous - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category

Impressionist Late 19th Century Prints and Multiples

Materials

Drypoint, Etching

Original poster by Henri Rivière Le théâtre du chat noir l'enfant prodigue
Located in PARIS, FR
Henri Rivière's circa 1895 creation for "Le Théâtre du Chat Noir: L'Enfant Prodigue" stands as a whimsical masterpiece that invites us to step into the magical realm of Parisian caba...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph, Paper, Linen

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Virgo-The Virgin
Located in Fairlawn, OH
From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Danky, Vanity Fair legal chromolithograph of a judge, 1898
Located in Melbourne, Victoria
Vanity Fair legal portrait of William Otto Adolph Julius Danckwerts. 380mm by 260mm (sheet)
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Pyrethrums, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Pyrethrums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Harper's March (Plate 20)
Located in Greenwich, CT
Harper's March (Plate 20) is an 1886 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

Le Courrier Français Illustré / Dans Tous Les Kiosques, Art Nouveau Lithograph
Located in Grand Rapids, MI
Adolphe Leon Willette (French, 1857-1926) "Le Courrier Français Illustré / Dans Tous Les Kiosques" English translation: "The Illustrated French Courier / In All Newsstands" Le Cou...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

The Tamariscinee - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

The Amiddalees - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Prints and Multiples

Materials

Woodcut

The Bignoniaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

The Coconut - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Comets. Antique Astronomy print
Located in Melbourne, Victoria
Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

Lovers - Etching, 1897
Located in Paris, IDF
Auguste RODIN (after) Lovers, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of authen...
Category

Modern Late 19th Century Prints and Multiples

Materials

Etching

Aquarius-The Water Bearer
Located in Fairlawn, OH
Aquarius-The Water Bearer From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calend...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Disparate Alegre - Etching - 1875
Located in Roma, IT
Disparate alegre - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 12 ...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching, Aquatint

Keying Up - The Court Jester
Located in Fairlawn, OH
Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...
Category

American Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"Mise au Tombeau" etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by Charles Albert Waltner after Van Dyck. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" circa...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year. These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6. Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category

Other Art Style Late 19th Century Prints and Multiples

Materials

Engraving

The Tino - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Performance by members of the Deutsches Theater zu Berlin / - Ornamental Flow -
Located in Berlin, DE
Emil Orlik (1870 Prague - 1932 Berlin), Ensemble guest performance by members of the Deutsches Theater zu Berlin, 1899. Color lithograph on wove paper, 20 cm x 13.3 cm (image), 29.5 ...
Category

Jugendstil Late 19th Century Prints and Multiples

Materials

Paper

Cléo de Merode - Lithograph after H. de Toulouse-Lautrec - 1970s
Located in Roma, IT
Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.
Category

Post-Impressionist Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category

English School Late 19th Century Prints and Multiples

Materials

Drypoint, Handmade Paper, Etching

Harper's May (Plate 115)
Located in Greenwich, CT
Harper's May (Plate 115) is an 1898 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les Maîtres de l'Affiche.' From the deluxe edition of 100 printed on japon - total edition size unknown. Framed in an ornate, gold-tone frame. Designed by Edward Penfield for a May edition...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper, Lithograph

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper
Located in Soquel, CA
"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...
Category

Edo Late 19th Century Prints and Multiples

Materials

Paper, Ink, Woodcut

The Azarolo - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

The Olaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Organography - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable plants o...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Agaricus Ovoideus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Ovoideus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking. This original 1st octavo edition hand-colored Audubon lithograph...
Category

Naturalistic Late 19th Century Prints and Multiples

Materials

Lithograph

The Dipsaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

"Jeune baigneuse couchee sur l'herbe" etching
Located in Henderson, NV
Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gra...
Category

Late 19th Century Prints and Multiples

Materials

Etching

The Napoleonee - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Femme Sous la Lampe (Woman Under the Lamp) signed lithograph; József Rippl-Rónai
Located in Chicago, IL
Framed lithograph, signed ("Rónai") and numbered ("no. 50") by the artist. Also includes a silver József Rippl-Rónai coin, made in 1977 for the 50th anniversary of his death. The li...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Prints and Multiples

Materials

Woodcut

UNDER THE BROOKLYN BRIDGE, EAST RIVER.
Located in Portland, ME
Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...
Category

Late 19th Century Prints and Multiples

Materials

Etching

Alphonse Mucha JOB Original Poster, 1898
Located in Dallas, TX
Alphonse Mucha 1898 "JOB" poster. Printed by: “Imp. F Champenois 66 Boul, St Michel, Paris” in 1898 Very good (A-) condition with toning throughout and less under matting. Linen b...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Paper

The Grasses - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

The Ribesiaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

Sphinx of Giza - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Sphinx of Giza is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt ...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

La Brebis, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'La Brebis' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. 24c...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Engraving

The Jockey
Located in Chicago, IL
Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Los Ensacados - Etching - 1875
Located in Roma, IT
Los Ensacados - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 8 from ...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching, Aquatint

French Fabric Design - Etoffe Francaise, antique French chromolithograph print
Located in Melbourne, Victoria
'Les Arts Décoratifs - Etoffe Francaise' Depicts fabric from the 16th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

"On Earth as it is in Heaven" Original 1899 Color Lithograph by Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Egypt - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egypt is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is  after the watercolor realized by the artist during a trip to Egypt between 1...
Category

Modern Late 19th Century Prints and Multiples

Materials

Lithograph

La piece dite des cinq Saints, Heliogravure by Marcantonio Raimondi
By Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La piece dite des cinq Saints, Year: 1875, Medium: Heliogravure, Size: 17.5 x 11.75 in. (44.45 x 29.85 cm), Pr...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

Original poster by Firmin Bouisset - Chocolat Menier - Les Maîtres de l'Affiche
Located in PARIS, FR
The original poster by Firmin Bouisset for Chocolat Menier, featured as Plate 47 in the prestigious Les Maîtres de l'Affiche series, is an iconic work of late 19th-century advertisin...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph, Paper, Linen

Trois Tetes de Chevaux, Heliogravure by Leonardo da Vinci
By Leonardo da Vinci
Located in Long Island City, NY
Leonardo da Vinci, After by Amand Durand, Italian (1452 - 1519) - Trois Tetes de Chevaux, Year: circa 1878, Medium: Heliogravure, Size: 6 x 8.5 in. (15.24 x 21.59 cm), Printer: Am...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching

Les Masques Scandalisés - Etching by J. Ensor - 1895
Located in Roma, IT
Hand signed, also signed on plate. Passepartout included : 49 x 34 cm Image Dimensions : 8 x 12 cm Catalogue Deteil n. 99.  This artwork is shipped from Italy. Under existing legisl...
Category

Post-Impressionist Late 19th Century Prints and Multiples

Materials

Etching

"Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche
Located in Hinsdale, IL
Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
Category

Art Nouveau Late 19th Century Prints and Multiples

Materials

Lithograph

Disparate Matrimonial - Original Etching - 1875
Located in Roma, IT
Disparate matrimonial - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...
Category

Old Masters Late 19th Century Prints and Multiples

Materials

Etching, Aquatint

Prague, Czechoslovakia. Antique Map City Plan Chromolithograph, circa 1895
Located in Melbourne, Victoria
'Prag' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Prague, Czechoslovakia. Central vertical fold. Printed street index on the ...
Category

Victorian Late 19th Century Prints and Multiples

Materials

Lithograph

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...
Category

French School Late 19th Century Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

Paul Gauguin, "Untitled" Beach Scene, framed lithograph
Located in Chesterfield, MI
Paul Gauguin is a famous French Post-Impressionist most well known for his paintings created in Tahiti. This is probably from the middle years of his painting career known as his syn...
Category

Late 19th Century Prints and Multiples

Materials

Lithograph

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