Impressionist Prints and Multiples

‘Sunflower in a bottle’ is a Limited edition hand coloured collagraph print by Vicky Oldfield. Each print is individually painted, making every one unique. The bright colours and flo...

Following Shamrock by John Scott Martin [2021] original Linocut and mixed media on paper Image size: H:37 cm x W:37 cm Complete Size of Unframed Work: H:50.5 cm x W:49 cm x D:0.1c...

Small Bottles two by Vicky Oldfield [2014] limited edition Collagraph Edition of 30 Image size: H:18 cm x W:12 cm Complete Size of Unframed Work: H:24 cm x W:18 cm x D:0.1cm Sol...

A Piece of Swiss Cheese Clare Halifax Artist a 3 colour interpretation of a swiss cheese plant found in the the Barbican conservatory, its pink with the p...

Butterfly Days by Rob Barnes [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:45 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm S...

John Scott Martin Going About Unique Linocut Prints Linocut on Collage Image Size: H 36cm x W 36.5cm x D 0.3cm Mounted Size: H 53cm x W 53.5cm x D 0.3cm Sold Unframed Going...

Flight Over Barley [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold Unfram...

A Fine Day for Lapwings [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold U...

Artist: Manuel Robbe, French (1872 - 1936) Title: Carrot Harvest Year: circa 1955 Medium: Etching with Aquatint, signed in pencil Image Size: 17.5 x 23 inches Size: 24 x 28.5 inches

This exquisite limited edition artist proof lithograph by Robert R. Copple ( American, 1963) captures the majesty of snow leopards against a rugged, mountainous landscape. Numbered...

Katie Edwards Freedom Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed Please note that in situ images are purely an indication of ho...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate of authenticity included. Edition AP ...

This original etching is hand signed in black ink by the artist "Henri Matisse" at the lower right margin. The work is from the edition of 1,000 published alongside 50 reproductions...

Time passes. In summer, my garden is full of flowers and colors... I am so inspired to observe it daily! When the summer is over, I paint it in my art studio to prolong the good weat...

Two Horses Under a Tree by Félix Pissarro (1874-1897) Etching and aquatint 11 x 17 cm (4 ³/₈ x 6 ³/₄ inches) Exhibition: London, Stern Pissarro Gallery, Camille Pissarro & his Desce...

Deep tonal lithograph of a ship influenced by Chinese Merchant ships. It is signed, titled and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "San Ygnacio - Vela Mercantile" Biography Ancel Nunn (1928-1999)...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...

Serigraph on paper. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 80. All reasonable offers wil...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929 Technique: Original...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork image size: 32 x ...

Lithograph on Japon paper, Edition of 50 Paper size: 35 x 27.8 cms (13 3/4 x 11 ins) Image size: 18.6 x 12.8 cms (7 1/2 x 5 ins)

Oil painting painted in 2005, inspired by my travels to the Cinqueterre in Italy... The Italian joie de vivre is reflected in the colors of the landscape and the architecture. A smal...

One hundred years ago 1805-1905 original print signed and dated 1905 by Albert w holden (British, 1848-1932) features a royal naval seaman admiring portraits and art wall in the form...

Mère et enfant by Lélia Pissarro (b. 1963) Etching 3 x 3 cm (1 ¹/₈ x 1 ¹/₈ inches) Signed lower left, Lélia Pissarro Inscribed lower right: E.A (artis...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate of authenticity included. Edition...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...

One of my first oil paintings, inspired by my stay in Annecy, France. Beautiful summer memory, seeing life in pink! Original painting sold, private collection in USA. Limited editio...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Theodore Roussel (1847-1926), The Street, Chelsea Embankment, etching, 1888-9, signed in pencil on the tab and annotated “imp” [also signed lower left in the plate]. Reference: Hausb...

From the artist collection, her favorite art critic. The original hangs in her studio and all of her art work must meet his approval before leaving the studio. Brushstrokes and loose...

The composition is written under the influence of mood and the desire to produce something that comes out of the subconscious. :: Digital :: Impressionist :: This piece comes with an...

Embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 305. Stretched. A...

Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.6 x 66 cms (19 7/8 x 26 ins) Image size: 45.4 x 54 cms (17 7/8 x 21 1/4 ins)

This complete set of seven etchings and drypoint is hand signed in pencil by the artist "L. Ury" at the lower right margin of each print. It was printed circa 1920 in a limited edit...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

This artwork "Under the Rain" 1992 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) I...

Fodder by John Costigan (1888-1972) Signed Lower Right Titled Lower Left 9.75" x 12.75" Unframed 17.5" x 19.75" Framed John Edwards Costigan was born in Providence, Rhode Island on ...

DANIEL GARBER "Harmonville, Pennsylvania" c. 1925 Etching printed in black ink on wove paper. 7 7/8 x 11 3/4 inches, full margins. Signed, titled and inscribed "DG imp" in pencil, ...

Jean Dufy "Montmartre et La Basilique du Sacre Coeur" c. 1950s Color Lithograph Signed in Pencil Lower Right Numbered 78/250 Lower Left Image Size: approx...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...