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Impressionist Prints and Multiples

IMPRESSIONIST STYLE

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

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Style: Impressionist
Dust Time, large lithograph
Located in San Francisco, CA
Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Kees van Dongen - Montmartre 1900 - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Kees van Dongen Title: Montmartre 1900 Original Lithograph Edition of 180 Dimensions: 39 x 30 cm References: Juffermans JL 34 Information : This lithograph was created for the portf...
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1950s Impressionist Prints and Multiples

Materials

Lithograph

"Enfants jouant a la balle" lithograph
Located in Henderson, NV
Medium: lithograph (after Renoir). Printed in 1951 at the atelier Mourlot using the same number of stones as the original, and published in an edition of 3000. Sheet size: 12 1/2 x 9...
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1950s Impressionist Prints and Multiples

Materials

Lithograph

Rowboat, Print on Satin Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Rowboat, Framed Size: 17" x 21" x 1.5''inch, 43x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...
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2010s Impressionist Prints and Multiples

Materials

Paper, Satin Paper, Color

"The Blatant Mortal Sin" - Satirical French Illustration
Located in Soquel, CA
"The Blatant Mortal Sin" - Satirical French Illustration Satirical French Lithograph titled "Le Péché Mortel Flagrant" meaning "The Blatant Mortal Sin" by Gaston Hoffmann (French, 1...
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Mid-20th Century Impressionist Prints and Multiples

Materials

Paper, Lithograph

Beniamino Benvenuto Bufano "Tete d' Infant" Lithograph c.1970
Located in San Francisco, CA
Beniamino Benvenuto Bufano (1898-1970) "Tete d' Infant" Lithograph c.1970 Fine signed lithograph by noted American artist Beniamino Bufano. From a limited edition of 145. Dimensio...
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Mid-20th Century Impressionist Prints and Multiples

Materials

Lithograph

Zeppelinade
Located in San Francisco, CA
Artist: Jean Gabriel Domergue (French, 1885-1927) Title: Zeppelinade Year: 1915 Medium: Lithograph Edition: Numbered 2/90 in pencil Paper: Japan Image size: 11.25 x 14 inches paper s...
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Early 20th Century Impressionist Prints and Multiples

Materials

Lithograph

The Harbour, Sailboats - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
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1870s Impressionist Prints and Multiples

Materials

Etching

Davis F. Schwartz "Historic First Theater, Monterey County" PRINT c.1950
Located in San Francisco, CA
Davis Francis Schwartz "Historic First Theater, Monterey County" Original PRINT C.1950 PRINT dimensions 20" wide x 16" high The distressed per...
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Mid-20th Century Impressionist Prints and Multiples

Materials

Watercolor

"What Will Your Answer Be" What did YOU do to help. original vintage poster
Located in Spokane, WA
Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...
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1910s Impressionist Prints and Multiples

Materials

Lithograph

A la Corrida
Located in Fairlawn, OH
A la Corrida Color aquatint, c. 1900 Signed "Osterlind" lower right in red pencil Annotated: "No. 96" in pencil lower left Edition: about 100 Published by Sagot, Paris: their blindst...
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Early 1900s Impressionist Prints and Multiples

Materials

Aquatint

Unknown (Esther Gentle Reproduction)
Located in Kansas City, MO
Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...
Category

1940s Impressionist Prints and Multiples

Materials

Lithograph

Blue Table, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Blue Table, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Size: 35.5 in. x 25 in. (90.17 cm x 63.5 cm)
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1980s Impressionist Prints and Multiples

Materials

Lithograph

The Whitesmiths, Impresse des Carmelites
Located in Santa Monica, CA
JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903) THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03) Way 53, LEVY 84 Transfer lithograph signed with butterfly in stone 8 ½ x 6 1//8". ...
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1890s Impressionist Prints and Multiples

Materials

Lithograph

AUS DEM TIERGARTEN
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925) AUS DEM TIERGARTEN 1920 (Schwartz 397) Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
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1920s Impressionist Prints and Multiples

Materials

Drypoint

Une Femme Assise by Lucien Pissarro - Etching
Located in London, GB
Une Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...
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1890s Impressionist Prints and Multiples

Materials

Etching

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist Prints and Multiples

Materials

Paper, Ink, Lithograph

"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England Darsham village etching by London artist Pip Carpenter (UK, 20th C.) Drypoint etching with hand coloring teal blue wash. The name of...
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
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Late 19th Century Impressionist Prints and Multiples

Materials

Drypoint

Sigrid, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Sigrid, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 28 inches, Size: 22 in. x 29.5 in...
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1980s Impressionist Prints and Multiples

Materials

Lithograph

Le Retour Des Pecheurs
Located in San Francisco, CA
Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...
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1930s Impressionist Prints and Multiples

Materials

Aquatint

Baigneuse vue de dos
Located in Barbizon, FR
Etching , fifth state , numbered 14/50, signed with stamp used for the edition of 50 by Lucien Pissarro on 1920. provenance : collection Henri PETIET , stam...
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1890s Impressionist Prints and Multiples

Materials

Etching

Le Cirque (The Circus) IV
Located in San Francisco, CA
This artwork titled "Le Cirque (The Circus) IV" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed I/...
Category

Late 19th Century Impressionist Prints and Multiples

Materials

Lithograph

Antibes
Located in San Francisco, CA
This artwork titled "Antibes" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Victor Zarou, 1930-2013. It is hand signed and numbered 171/...
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Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Paris, Theatre Du Chatelet
Located in San Francisco, CA
This artwork titled " Paris, Tehatre Du Chatelet" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 1...
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Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
By Robert Hogg Nisbet
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Category

1930s Impressionist Prints and Multiples

Materials

Laid Paper, Etching

Jean Gabriel Domergue - Women's Love - Original Etching
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...
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1920s Impressionist Prints and Multiples

Materials

Lithograph

Confidences /// Antique Modern Etching Figurative Nude Girls Impressionist Print
By Emil Fuchs
Located in Saint Augustine, FL
Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...
Category

1910s Impressionist Prints and Multiples

Materials

Etching, Drypoint, Intaglio

Le Cirque (The Circus) II
Located in San Francisco, CA
This artwork titled "Le Cirque (The Circus) II" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed C/...
Category

Late 19th Century Impressionist Prints and Multiples

Materials

Lithograph

Ponte Vecchio, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Ponte Vecchio, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 45, Image Size: 23.5 x 27.5 inches, Size: 27 in. x 3...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

"Blue Wish, " Framed Limited Edition Giclee Print, 40" x 40"
Located in Westport, CT
This abstract landscape by Ken Elliott is a limited edition print. It depicts a forest of trees sitting in a blanket of snow, and a subtle sunset above the top of the forest. The thi...
Category

2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

"Study 6" - 1975 Figurative Lithograph on Paper
Located in Soquel, CA
"Study 6" - 1975 Figurative Lithograph on Paper Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down. Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75." Presented in a brown mat. Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...
Category

1970s Impressionist Prints and Multiples

Materials

Paper, Ink, Etching, Lithograph

"Spring Valley Willows"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...
Category

1940s Impressionist Prints and Multiples

Materials

Etching

'Baigneuse Debout, à Mi-Jambes' — French Impressionism
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category

1910s Impressionist Prints and Multiples

Materials

Etching

Manhattan from Brooklyn Bridge, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Manhattan from Brooklyn Bridge, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 26 x 34 inches,...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

Le Jongleur (The Minstrel)
Located in Storrs, CT
Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Color, Aquatint

GOLDEN GIRL
Located in Aventura, FL
Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...
Category

1980s Impressionist Prints and Multiples

Materials

Paper, Screen

GOLDEN GIRL
GOLDEN GIRL
$1,500 Sale Price
25% Off
"Femme nu" woodcut
Located in Henderson, NV
Medium: woodcut (engraved by Jacques Beltrand after Cezanne). This impression on cream laid paper was printed in 1914 and published by Bruno Cassirer and Theodore Duret. Image size: ...
Category

1910s Impressionist Prints and Multiples

Materials

Woodcut

CAEN (HAND EMBELLISHED)
Located in Aventura, FL
Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...
Category

21st Century and Contemporary Impressionist Prints and Multiples

Materials

Canvas

CAEN (HAND EMBELLISHED)
$1,960 Sale Price
30% Off
Winter Tree, Impressionist Lithograph by Jean-Marie Picard
Located in Long Island City, NY
Jean-Marie Picard, French - Winter Tree, Medium: Lithograph on Arches, Image Size: 27 x 20 inches, Size: 22.5 x 29.75 in. (57.15 x 75.57 cm)
Category

Mid-20th Century Impressionist Prints and Multiples

Materials

Lithograph

Les Courses -L'obstacle/de coté Horse Race, Pointillist style Equestrian print
Located in Spokane, WA
Colorful Lithograph of Horse Race – Jockey on Norse No. 6 by Serge Medjisky, original poster: Linen-backed printer's proof without text of the horse race. In the lower right are the ...
Category

1970s Impressionist Prints and Multiples

Materials

Lithograph

The War Bonnet by Lon Megargee
Located in Phoenix, AZ
Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Woodcut

Paris, Saint Germain Des Pres
Located in San Francisco, CA
This artwork titled " Paris, Saint Germain Des Pres" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbere...
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

Atlantic City
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Atlantic City Year: c.1930 Medium: Color Etching Image (Plate mark) size: 9 x 13 inches Sheet s...
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Etching

The Gondolas in the Front of St. Georges at Night
Located in San Francisco, CA
This artwork titled "Gondolas in the Front of St. Georges at Night" c.1980, is an original colors lithograph on Arches paper by noted French artist Marcel Mouly, 1918-2008. It is han...
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

"Light Emerging - Diffused Blue, " Framed Limited Edition Giclee Print, 36" x 48"
Located in Westport, CT
This contemporary abstract landscape limited edition giclee print by Ken Elliott features abstracted trees in a cool-toned palette. The energetic blue and violet brush strokes that m...
Category

2010s Impressionist Prints and Multiples

Materials

Digital, Giclée

Soledad Acostada
Located in San Francisco, CA
Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998) Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...
Category

Mid-20th Century Impressionist Prints and Multiples

Materials

Lithograph

Litografia sobre papel - Retrato arquitectónico - Tiraje: 1/250
Located in Sant Celoni, ES
Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.
Category

1970s Impressionist Prints and Multiples

Materials

Lithograph

La Femme au Bouquet (Woman with Bouquet)
Located in San Francisco, CA
Artist: Georges Lambert (French, 1919-1998) Title: Femme Au Bouquet Year: Circa 1975 Medium: Color lithograph Edition: Numbered 90/275 in pencil Paper: Wove Image size: 13 x 20....
Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

"Baigneuse Debout, a mi-jambes" original etching
Located in Henderson, NV
Medium: original etching. Printed in 1910 for Theodore Duret's "Manet & the French Impressionists". Plate size: 6 5/8 x 4 3/8 inches (170 x 110 mm). Sheet size: 8 1/2 x 5 3/4 inches ...
Category

1910s Impressionist Prints and Multiples

Materials

Etching

The Oouh Baby Experience, Surrealist Screenprint by Paul Goodnight
Located in Long Island City, NY
Artist: Paul Goodnight Title: The Oouh Baby Experience Year: 2001 Medium: Sixty Screen Serigraph, signed and numbered in pencil Edition: 256 Image Size: 34 x 26 inches Paper Size: 38...
Category

Early 2000s Impressionist Prints and Multiples

Materials

Screen

L'Enfant, Impressionist Linocut after Andre Derain
Located in Long Island City, NY
Andre Derain, After, French (1880 - 1954) - L'Enfant, Year: Printed circa 1968, Medium: Linocut, stamp signed, Image Size: 11 x 9 inches, Size: 19 in. x 15 in. (48.26 cm x 38.1 c...
Category

1960s Impressionist Prints and Multiples

Materials

Linocut

"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category

2010s Impressionist Prints and Multiples

Materials

Screen

The Prisoner, Impressionist Etching by Andre Derain
Located in Long Island City, NY
Andre Derain, French (1880 - 1954) - The Prisoner, Medium: Etching, signed in the plate, Image Size: 13.25 x 11.5 inches, Size: 17 x 15 in. (43.18 x 38.1 cm)
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Etching

L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category

1880s Impressionist Prints and Multiples

Materials

Drypoint, Etching, Aquatint

John Singer Sargent 'An Out-of-Doors Study' 2001- Vintage
Located in Brooklyn, NY
This poster features An Out-of-Doors Study by John Singer Sargent, a luminous example of his impressionistic brushwork and masterful handling of light. Part of the Brooklyn Museum’s ...
Category

Early 2000s Impressionist Prints and Multiples

Materials

Offset

Open Gate
By John Hall Thorpe
Located in San Francisco, CA
This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...
Category

Early 20th Century Impressionist Prints and Multiples

Materials

Woodcut

"Liseuse" etching
Located in Henderson, NV
Medium: etching (etched by Jacques-Felix Schnerb after the Renoir painting). Printed in 1908 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image s...
Category

Early 1900s Impressionist Prints and Multiples

Materials

Etching

Le Buveur d'Eau (The Water Drinker) - Etching by Edouard Manet - 1870s
Located in Roma, IT
Realized by Manet in 1870/1874, this famous subject was printed in an apparently unique lifetime proof, as stated in Harris' Catalog. It was then printed in two posthumous edition, ...
Category

1860s Impressionist Prints and Multiples

Materials

Etching

Village, Print on Satin Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 033 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...
Category

2010s Impressionist Prints and Multiples

Materials

Paper, Satin Paper, Color

Impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Michel Delacroix, (after) Edgar Degas, Leroy Neiman, and Norman Rockwell. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Impressionist prints and multiples, so small editions measuring 2.96 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $99,000, while the average work sells for $900.

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